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Starring Mark Ruffalo, Josh Hamilton and Missy Yager, the original cast was reunited for this exclusive L.A. Theatre Works performance of This is Our Youth. In 1982, on Manhattan's Upper West Side, three pot-smoking teenagers are resoundingly rejecting the 1960s ideals of their affluent parents. In hilarious and bittersweet detail, This is Our Youth follows 48 turbulent hours in the lives of three very lost souls at the dawn of the Reagan Era.

Beautiful but troubled Colleen Minou is the only girl who ever looked at Ben Bancroft as more than just a spaz - more than that kid with cerebral palsy. But the more time Ben spends with Colleen, the more glaring their differences appear, which makes him wonder if what he feels for her is actual affection or if it’s just gratitude. And then there’s A.J. She’s everything that Colleen isn’t, and everything that Ben’s grandma wants for him: clean-cut and upper-class, academically driven, and just as obsessed with movies as Ben is. But what does she see when she looks at Ben? C.P.?

For 16-year-old Ben Bancroft - a kid with cerebral palsy, no parents, and an overprotective grandmother - the closest thing to happiness is hunkering alone in the back of the Rialto Theatre and watching Bride of Frankenstein for the umpteenth time. The last person he wants to run into is drugged-up Colleen Minou, resplendent in ripped tights, neon miniskirt, and an impressive array of tattoos.

On assignment for his first cover story for Rolling Stone, the very first national cover story on Eminem, Anthony Bozza met a young blond kid, a rapper who would soon take the country by storm. But back in 1999, Eminem was just beginning to make waves among suburban white teenagers as his first single, “My Name Is,” went into heavy rotation on MTV. Who could have predicted that in a mere two years, Eminem would become the most reviled and controversial hip-hop figure ever? Or that twelve months after that, Eminem would sit firmly at the pinnacle of American celebrity.

Pulitzer finalist and best-selling author Nathan Englander will be joined by author Mira Jacob ( The Sleepwalker's Guide to Dancing) to discuss his new, "many-splendored" ( The New York Times) novel, Dinner at the Center of the Earth, a powerful, riveting story exploring the Israel-Palestine conflict through the lives of a prisoner in a secret cell and the soldier who watched over him for a dozen years.

For six long years Orlando Sackett survived the horrors of a brutal Mexican prison. He survived by using his skills as a boxer and by making three vows. The first was to exact revenge on the hired killers who framed him. The second was to return to his father. And the third was to find Gin Locklear.

The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything's Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and "Riding the Bullet", King's original e-book, which attracted over half a million online readers and became the most famous short story of the decade. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

Princeton student Tom Sullivan is haunted by the violent death of his father, an academic who devoted his life to unlocking an ancient book's secret. With his roommate Paul, Tom discovers a long-lost diary that holds the key to the puzzle. But when a fellow researcher is murdered only hours later, the two friends find themselves in great danger.

The Vagabonds is “a portrait of America’s burgeoning love affair with the automobile” (NPR) but it also sheds light on the important relationship between the older Edison and the younger Ford, who once worked for the famous inventor. The road trips made the automobile ubiquitous and magnified Ford’s reputation, even as Edison’s diminished. The automobile would transform the American landscape, the American economy, and the American way of life and Guinn brings this seminal moment in history to vivid life.

As the Travelin' Nine head to Chicago, the team is filled with hope and optimism. After a disappointing loss in Cincinnati at the start of their baseball tour, the heroes of the Spanish-American War bounced back in Louisville. Doc and Woody came through with timely fielding, Crazy Feet and Tales smacked clutch hits, and champion horses provided that extra kick, helping the barnstormers to their come-from-behind victory.

The year is 1899, and the Travelin' Nine are crisscrossing the good ol' U.S. of A., raising money to pay off the Payne family's big-league debt! As the team heads into the River City, Griffith is beginning to realize that there's more at risk than meets the eye, something beyond the need to raise money: something involving the ball that could put his entire family in danger.

A Stephen King ghost story in the grand tradition, Riding the Bullet is the ultimate warning about the dangers of hitchhiking. Lock those car doors before listening!

Griffith, Graham, and Ruby's father passed away in the war. And now they must join their mother and their father's wartime traveling baseball team, The Travelin' Nine, on a a tour of America to raise money. No one will tell the kids why the team needs money so badly. Their only clue is a baseball with a hole the size of an acorn in it that their Uncle Owen gave to them the night of their father's funeral. When all three kids hold the ball, strange things begin to happen.

Princeton. Good Friday, 1999. On the eve of graduation, two students are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili. Famous for its hypnotic power over those who study it, the 500-year-old Hypnerotomachia may finally reveal its secrets to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled, until an ancient diary surfaces.

At times raucously hilarious, at times charming and delightful, at times as solemn and mysterious as a pond at midnight, Deborah Eisenberg’s stories gently compel us to confront the most disturbing truths about ourselves - from our intimate lives as lovers, parents, and children, to our equally troubling roles as citizens on a violent, terrifying planet.