検索キーワード： 著者 "Rachel Cusk" すべてのカテゴリー

Outline is a novel in 10 conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face great a great loss.

A man and a woman are seated next to each other on a plane. They get to talking - about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives. Outline is a novel in 10 conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens.

A woman on a plane listens to the stranger in the seat next to hers telling her the story of his life: his work, his marriage, and the harrowing night he has just spent burying the family dog. That woman is Faye, who is on her way to Europe to promote the book she has just published. Once she reaches her destination, the conversations she has with the people she meets - about art, about family, about politics, about love, about sorrow and joy, about justice and injustice - include the most far-reaching questions human beings ask.

Efter den kritikerroste Faye-trilogi er Rachel Cusk aktuel med Det andet sted, endnu en knivskarp roman fra Cusks hånd, spækket med hendes syleskarpe sprog og observationer over ægteskab, forældreskab, begær og det at blive ældre.

Casting off a northern winter and an orderly life, a family decides to sell everything and go to Italy to search for art and its meanings, for freedom from routine, for a different path into the future. The award-winning writer Rachel Cusk describes a three-month journey around the Italy of Raphael and rented villas, of the Piero della Francesca Trail and the tourist furnace of Amalfi, of soccer and the simple glories of pasta and gelato.

Set over the course of one rainy day in an ordinary English suburb, Arlington Park is a viciously funny portrait of a group of young mothers, each bound to their families, each straining for some kind of independence: Juliet, enraged at the victory of men over women in family life; Amanda, warding off thoughts of death with obsessive housework; Solly, about to give birth to her fourth child; Maisie, struggling to accept provincial life; and Christine, the optimist and host of a dinner party where the neighbors come together.

In the winter of 2009, Rachel Cusk’s marriage of 10 years came to an end. Candid and revelatory, Aftermath chronicles the perilous journey as the author redefines herself and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms, but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement, and the absence of a clear authority. The pressure to reconstruct a “normal” life for her daughters competes with the sense that nothing feels normal at all.

Thomas Bradshaw and Tonie Swann are experiencing the classic symptoms of marriage in its middle years: comfortable house, happy enough daughter, and an eerie sense that life might be happening elsewhere. Then Tonie accepts a big promotion at work and Thomas agrees to become a stay-at-home dad. While Thomas is suddenly faced with the daily silence of an empty house, Tonie finds herself alive to previously unimagined possibilities. And at the head of the family, the aging Bradshaw parents continue their marital dynamic of bickering and petty undermining.

I 2009 gennemgår Rachel Cusk en skilsmisse, og i efterdønningerne står en kvinde med sine to døtre. Hun er ramt, rasende og sårbar, og samtidig må hun definere rollen som kvinde, mor og menneske på ny. Og hun må forholde sig til egne bristede drømme og illusioner såvel som omverdenens forestillinger og konventioner. Som fraskilt føler hun sig kastet ud af fællesskabet af mere vellykkede kernefamilier og gifte venner, der trænger sig på med velmenende råd.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma - and disrupts the calm of her secluded household. Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives.

A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships and of the struggle to live morally between our internal and external worlds.

In the wake of her family's collapse, a writer and her two young sons move to London. The upheaval is the catalyst for a number of transitions - personal, moral, artistic and practical - as she endeavours to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to and believe in life.

En trykkende varm sommer tager forfatteren Faye til Athen for at undervise i et skrivekursus. Allerede i flyet på vej derned begynder livshistorierne at udfolde sig omkring hende, og hendes rejse bliver en rejse ind i andre menneskers fortællinger. Som en tom beholder med et lyttende øre lader hun sig udfylde af andres historier. Selvom der næsten intet røbes om Faye selv, tegner der sig gennem hendes spørgsmål og de mange samtaler et billede af en kvinde, der forsøger at komme sig over et stort tab.

Efter sin skilsmisse flytter forfatteren Faye med sine to sønner til London for at begynde på en frisk. Men opbruddet fører andre ændringer med sig - af både personlig, moralsk, kunstnerisk og ikke mindst praktisk karakter. Faye sætter sit hus i stand og taler med de mennesker hun møder i et et forsøg på at genfinde troen på livet, men vakler mellem at føle sig stærk og fuldkommen magtesløs. En elegant og reflekteret roman om menneskers livsfortællinger; om hvordan vi forsøger at styre vores liv ved at fortælle, men også om, hvordan fortællingerne forvandler os.

Forfatteren Faye er inviteret til en litteraturfestival i et sted i Europa for at promovere sin nye bog. Allerede på flyet falder hun i snak med sin sidemand, der begynder at fortælle hende om sit liv. Han fortæller om sit job, sit ægteskab og om den forfærdelige nat, han lige har tilbragt med at begrave familiens døde hund. På festivalen fortsætter Faye samtalerne med de mennesker, hun møder.

Agnes Day - subeditor, suburbanite, failure extraordinaire - has discovered disconcerting gaps in her general understanding of the world. Terminally middle class and incurably romantic, Agnes finds herself chronically confused by the most basic interactions. Life and love go on without her, but with a little façade she can pass herself off as a success. Beneath the fiction, however, the burden of truth becomes harder to bear.

Vicky is nine months pregnant and in prison. As the days slip by, she wrestles with the terrible knowledge that her baby will be taken away. Meanwhile her lawyer and his wife have moved to the country with their two children. Their arrival in the village sends ripples through a community that is to reevaluate the nature of family life, love, separation and death....

When first published in 2001, it divided female critics and readers. One famous columnist wrote a piece demanding that Cusk's children were taken into care, that was she was unfit to look after them. Oprah Winfrey invited her on the show to defend herself and the book as protests grew about its honest, gritty account of the misery of those early months. It is a seminal, stand-out book on the complications of being an ambivalent mum in an age of white-washed, Annabel Karmel'd new families.

When Rachel Cusk decides to travel to Italy for a summer with her husband and two young children, she has no idea of the trials and wonders that lie in store. Their journey leads them to both the expected and the surprising, all seen through Cusk's sharp and humane perspective.

Aftermath chronicles this perilous journey as the author redefines herself as a single woman and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement and the absence of a clear authority. The pressure to reconstruct a 'normal' life for her daughters competes with the sense that nothing feels normal at all.