検索キーワード： 著者 "Jason Mott" すべてのカテゴリー

Câștigător National Book Award 2021 Satirică și ingenios construită, O carte dată naibii leagă firele unei narațiuni complexe despre identitate, dragoste și violență. Jason Mott cucerește printr-un stil amețitor și ludic, pe care îl folosește ca să echilibreze un nucleu tematic dur. El explorează continuu ce înseamnă să scrii, alternând voci eclatante care se întâlnesc pe teritoriul unui prezent nesigur. JASON MOTT este un romancier și poet de origine americană. S-a născut în Carolina de Nord și tot acolo și-a încheiat studiile.

An author goes on a book tour for his new bestseller which, as people keep telling him, is one hell of a book. One morning, he meets The Kid: a young Black boy who looks just like the one he keeps seeing on the news. And The Kid wants him to tell his story. It's the story of a boy who spent most of his life trying to hide. And it may not be that different from the story of our author. But to find out why, you'll have to listen to this for yourself.

In Jason Mott’s Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott’s novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour.

It's been just over a year since Edmund Blithe died, and just over a month since his fiancee, Emily, stopped wearing her engagement ring. Emily has finally begun to move on - until Edmund mysteriously and inexplicably returns. Edmund is only just the beginning. Around the world, people's loved ones are returning from beyond, seeking only to reenter the lives they left behind.

Peter Galvin was just 17 when Tracy Whitland - the love of his life - vanished without a trace. In the years after her death, he had finally moved on, gotten married, started a family. He is content with his life now - happy, even - until Tracy suddenly and inexplicably returns.

When Heather and Matt Campbell find 10-year-old Tatiana Rusesa on the side of the highway, she is thousands of miles away from her village in Sierra Leone. She hasn't seen her family in almost two decades, not since she and her mother were killed by rebel soldiers. Now Tatiana has inexplicably returned, a lost orphan with no place to call home. As the world dives deeper into uncertainty and chaos, Heather is determined to save Tatiana and help her find her way back to her family. But how much is she willing to lose to protect a girl she doesn't even know?

Harold and Lucille Hargrave's lives have been both joyful and sorrowful in the decades since their only son, Jacob, died tragically at his eighth birthday party in 1966. In their old age they've settled comfortably into life without him, their wounds healed through the grace of time.... Until one day Jacob mysteriously appears on their doorstep - flesh and blood, their sweet, precocious child, still eight years old. All over the world people's loved ones are returning from beyond.

Twins Virginia and Tommy Matthews have been on their own since they were orphaned at the age of five, surviving a merciless foster care system by relying on each other. Twelve years later, the world begins to collapse around them as a deadly contagion steadily wipes out entire populations and a devastating world war rages on for the cure. When Tommy is drafted for the war, the twins are faced with a choice: stay and accept their fate of almost certain death or run. Virginia and Tommy flee into the dark night.

On an ordinary day, at an air show like that in any small town across the country, a plane crashes into a crowd of spectators, killing and injuring dozens. But when the dust clears, a thirteen-year-old girl named Ava is found huddled beneath a pocket of rubble with her best friend, Wash. He is injured and bleeding, and when Ava places her hands over him, his wounds miraculously disappear. Ava has a unique gift: she can heal others of their physical ailments.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Gather round as today’s most diabolically clever authors twist simple moments into otherworldly horrors. An empty baby stroller. A scratching underneath the bed. A farmhouse in the moonlight. With an unnerving sense of the macabre, these stories transform our greatest fears into bone-chilling realities.

For best friends with vastly different fortunes, what’s left to hash out other than a forced confession at gunpoint? All that the destitute, sickly, and grieving Will demands is that monstrously successful Barry admit to draining all the luck right out of him. Like blood. As the standoff escalates, the truth is not the only thing ready to come out.