検索キーワード： 著者 "Fyodor Dostoevsky" すべてのカテゴリー

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

In the ethereal twilight of St. Petersburg's white nights, a young loner's solitary existence is transformed by a chance encounter with the enchanting Nastenka. Over several luminous evenings, two kindred souls embark on a journey of emotional discovery, sharing dreams, disappointments, and the fragile hope of love.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Pevear and Volokhonsky offer a brilliant translation of Dostoevsky's classic novel that presents a clear insight into this astounding psychological thriller. This audio edition of Crime and Punishment is expressively brought to life by Peter Batchelor.

By the time Dostoevsky was 40, he had spent four years in prison and a further four years in the army as punishment for his part in a political conspiracy. His health was broken. He was gaunt, fervid, anxiety-ridden, and close to bankruptcy. It was in this state he wrote Notes from the Underground, a masterpiece of the psychology of theoutsider.

Crime and Punishment is Fyodor Dostoevsky’s novel about the nature of law and morality, told through the eyes of a murderer and his internal conflict.

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons—the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha—are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

First published in 1846, Fyodor Dostoyevsky's novella The Double is a classic doppelganger story and the second major work published by the author. It is the story of Yakov Petrovich Golyadkin, a government clerk who believes that a fellow clerk has taken over his identity and is determined to bring about his ruin. Considered the most Gogolesque of Dostoyevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoyevsky's uncanny ability at capturing the complexity of human emotion.

A desperate young man plans the perfect crime - the murder of a despicable pawnbroker, an old woman no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime - to transgress moral law - if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, and a fascinating detective thriller infused with philosophical, religious, and social commentary.

Fyodor Mikhailovich Dostoevsky (1821 - 1881) is considered one of the greatest Russian novelists of all time. He was a unique and brilliant man, whose life and energy comes through in his letters which he wrote to his close friends and family. These letters have become a classic and, along with his novels, have been translated into 170 languages.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

"Brat'ya Karamazovy" - posledniy roman Dostoevskogo, kotoryy avtor pisal dva goda. Roman zadumyvalsya kak pervaya chast' ehpicheskogo proizvedeniya "Istoriya Velikogo greshnika". Proizvedenie bylo okoncheno v noyabre 1880 goda. Roman "Brat'ya Karamazovy" vklyuchaet v sebya slozhnuyu, otlichno vystroennuyu i psihologicheski vyverennuyu detektivnuyu istoriyu, pri ehtom v kanve detektivnogo syuzheta obyknovennoe (na pervyy vzglyad) ugolovnoe proisshestvie ne tol'ko spletaetsya s istoriey lyubovnogo sopernichestva, no i vstraivaetsya v obshchuyu kartinu sovremennogo Dostoevskomu obshchestva.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

Notes from Underground is a timeless classic that delves into the depths of the human psyche, challenging listeners to confront their own beliefs and assumptions. It remains a must-listen for those seeking to understand the roots of existentialist thought and the enduring complexities of the human soul.

The Gambler brilliantly captures the strangely powerful compulsion to bet that Dostoevsky, himself a compulsive gambler, knew so well. The hero rides an emotional roller coaster between exhilaration and despair, and secondary characters such as the grandmother, who throws much of her fortune away at the gaming tables, are unforgettable.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

The novels of Fyodor Dostoevsky, including the classic Crime and Punishment, secured the great Russian writer an exalted position in the literary pantheon of 20th-century authors. The Gambler stands as one of the literary genius’ most highly regarded shorter works.

Prince Lef Nikolayevitch Muishkin is one of the great characters in Russian literature. Is he a saint or just naive, an idealist or, as many in General Yepanchin's society feel, an 'idiot'?