検索キーワード： 著者 "A Lawrence" すべてのカテゴリー

Assim como os exercícios físicos ajudam a manter sua forma física, a Neuróbica pode ajudar a melhorar sua capacidade cerebral. Seu objetivo é lhe proporcionar uma maneira equilibrada, confortável e agradável de estimular o cérebro. O programa de exercícios da Neuróbica oferece ao cérebro experiências fora da rotina, usando várias combinações de seus sentidos—visão, olfato, tato, paladar e audição, além dos "sentidos" emocional e social.

In Taylor Mill, Kentucky, sits a property rife with paranormal activity, and its oppressive energy is all too real. The family living in the home has undergone a bombardment of constant, unexplained activities. Screaming, disembodied voices, thrown objects being thrown, and apparitions were only the tip of the iceberg for Sam, his wife Jody, and their daughter Charlie. With the help of a priest and two paranormal investigators, Sam and his family began a battle with the unseen forces attempting to drive them from their home.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

Communication failures from around the globe

Few topics have as many myths, stereotypes, and misperceptions surrounding them as that of poverty in America. The poor have been badly misunderstood since the beginnings of the country, with the rhetoric only ratcheting up in recent times. Our current era of fake news, alternative facts, and media partisanship has led to a breeding ground for all types of myths and misinformation to gain traction and legitimacy. Poorly Understood is the first book to systematically address and confront many of the most widespread myths pertaining to poverty.

On December 7, 1941—"a date which will live in infamy"—the Japanese navy launched an attack on the American military bases at Pearl Harbor, Hawaii. The next day, President Franklin Roosevelt declared war on Japan, and the US Army officially entered the Second World War. Three years later, on December 18, 1944, President Roosevelt signed Executive Order 9066, which enabled the Secretary of War to enforce a mass deportation of more than 100,000 Americans to what government officials themselves called "concentration camps." None of these citizens had been accused of a real crime.

Twenty-five Sunbury Press authors contributed 27 sections about the possible impacts of the COVID-19 pandemic on society. Based on their experiences in a variety of fields, they provide their projections about the changes facing us, many of which have already been underway for some time.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him.

"Jimmy and the Desperate Woman" tells the improbable story of an intellectual editor persuading a working woman to live with him. We would say now "on the rebound" from a failed marriage, but Lawrence crosses the class divide and poses questions about what makes us attracted to other people. The intellectual twists and turns of the magazine editor contrast nicely with the stark honesty of the spurned miner husband.

"Smile" is one of Lawrence's shorter pieces, a thumbnail sketch of an idea. A man is relieved that his wife is dead and struggles to hide his relief when confronted with his wife's body. The relief breaks out into a smile, which he struggles to excuse. How much better it would have been, Lawrence seems to be saying, if he had just laughed out loud!

"The Border Line" is unusual in that Lawrence dabbles in the supernatural (as he was to do again in "The Rocking-Horse Winner" two years later) and that this is less a story in the traditional sense and more an exploration of the mind of a particular woman, based on his own wife, Frieda. Katherine, in the story, realizes that her real love was her first husband, whom she should, according to Lawrence, have submitted to to gain real happiness. As Lawrence says in the story, thinking of his German wife, perhaps, "Beyond all race is the problem of man and woman."