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In 1860, a ship called the Clotilda was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the US from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. African American victims and survivors had to find a way to live through and beyond the horrors of lynching. Crabtree offers a theory of African American collective trauma and memory rooted in a strategy for “working through” trauma that has long existed within the African American cultural tradition: the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain.

I Too Am America examines the promise and peril of Black men and boys in America by exploring the lives of two talented young men, one in Detroit and one in Oakland, who at once embody all that we want our boys to be while also illuminating the many uncertainties they face. The book delves into the story of CBMA founder Shawn Dove, who had to navigate similar waters of promise and peril decades ago as a Black boy in New York City.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party.

Eminent scholar Peter Irons makes a powerful and persuasive case that Blacks have always been held back by systemic racism in all major institutions that can hold power over them. Based on a wide range of sources, from the painful words of former slaves to test scores that reveal how our education system has failed Black children, this searing and sobering account of legal and extra-legal violence against Blacks peels away the fictions and myths expressed by White racists.

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time.

Published in 1924 in response to growing racial tensions, W. E. B. Du Bois’ The Gift of Black Folk explores the contributions African Americans have made to American society, detailing the importance of racial diversity to the United States. He chronicles their role in the early exploration of America, their part in developing the country’s agricultural industry, their courage on the battlefields, and their creative genius in virtually every aspect of American culture.

When Cassandra Lane finds herself pregnant at 35, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the 20th-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt’s lynching at the hands of vengeful White men in his Southern town.

In the first half of the 20th century, Dunbar was an academically elite public school, despite being racially segregated by law. By the 1950s, Dunbar High School was sending 80 percent of its students to college. Today, as with too many troubled urban public schools, the majority of Dunbar students struggle with reading and math. Journalist and author Alison Stewart, whose parents were both Dunbar graduates, tells the story of the school’s rise, fall, and path toward resurgence.

Joseph Laroche was an anomaly among the passengers of the Titanic. He was exceptionally well-educated in a time when few Black men had access to an education - and when even fewer were able to travel on a luxurious ship in first or second class. When his family arrived in the United States without him after the Titanic's tragic crash, they were received well along with the other survivors and even sponsored by a wealthy New York heiress. Who was Joseph Laroche? Where was he going, and what was his story? This biography recounts the life of Joseph Laroche.

In Hate Crime Hoax, professor Wilfred Reilly examines over 100 widely publicized incidents of so-called hate crimes that never actually happened. With a critical eye and attention to detail, Reilly debunks these fabricated incidents - many of them alleged to have happened on college campuses - and explores why so many Americans are driven to fake hate crimes. We're not experiencing an epidemic of hate crimes, Reilly concludes - but we might be experiencing an unprecedented epidemic of hate crime hoaxes.

On February 22, 1855, the Elizabeth Jennings v. Third Avenue Rail Road case was settled: The jury stunned the courtroom with a $250 verdict in Lizzie’s favor. Future president Chester A. Arthur was Jennings’ attorney, and their lives would be forever intertwined. This is the story of what happened that day. It’s also the story of Jennings and Arthur’s families, the struggle for equality, and race relations. It’s the history of America at its most despicable and exhilarating. Yet few historians know of Elizabeth Jennings or her impact on desegregating public transit.

In January of 1950, Mary Church Terrell, an 86-year-old charter member of the NAACP, headed into Thompson’s Restaurant, just a few blocks from the White House, and requested to be served. She and her companions were informed by the manager that they could not eat in his establishment, because they were “colored.” Terrell, a former suffragette and one of the country’s first college-educated African-American women, took the matter to court. Three years later, the Supreme Court vindicated her outrage: District of Columbia v. John R. Thompson Co., Inc. was decided in 1953.

The Cotton Kingdom recounts his daily observations of the curse of slavery: the poverty it brought to both black and white people, the inadequacies of the plantation system, and the economic consequences and problems associated with America’s most “peculiar institution.” Disproving the opinion that “cotton is king”, Olmsted examined the huge differences between the economies of the northern and southern states, contrasting the more successful, wealthy, and progressive North with the South, which was stubbornly convinced of the necessity of slavery.

Was America founded on the auction block in Jamestown in 1619 or aboard the Mayflower in 1620? The controversy erupted in August 2019 when the New York Times announced its 1619 Project. The Times set to transform history by asserting that all the laws, material gains, and cultural achievements of Americans are rooted in the exploitation of African Americans. Historians have pushed back, saying that the 1619 Project conjures a false narrative out of racial grievance.