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No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

For more than 50 years Michael Green's The Art of Coarse Acting has been essential reading for anyone with a passion for theatre, both amateurs and professionals alike. This acerbic yet affectionate work remains one of the funniest books about acting ever written. It's a "[W]ickedly irreverent" (The Stage) exposé which ridicules pretentiousness, pokes fun at incompetence and disaster and generally lays bare life backstage. Even after all this time it remains true that however much the theatre may change, coarse actors don't.

In this program, listeners will find glamour and gaffes on and off the stage, clarifying snippets of queer theory, terrifyingly selfish bosses, sex, quick sex, KFC binges, group sex, the kind of honesty that banishes shame, glimmers of hope, blazes of ambition, tender sex, mad dashes in last night's heels plus a full face of make-up, and a rom-com love story for the ages. This is where the unspeakable becomes the celebrated. This is the diary of a drag queen - one dazzling, hilarious, true performance of a real, flawed, extraordinary life.

Abandoned as an infant by his actress mother in her theater dressing room, August March was raised by an ancient laundress. Highly intelligent, a tad feral, August is a true child of the theater - able to recite Shakespeare before he knew the alphabet. But like all productions, August’s wondrous time inside the theater comes to a close, and he finds himself in the wilds of postwar New York City, where he quickly rises from pickpocket street urchin to star student at the stuffiest boarding school in the nation.

How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.

A talkative New Yorker corrals a writer at a cocktail party and forces him to listen to the story of her life. A co-production with the National Jewish Theater. Recorded before a live audience at Chicago’s Guest Quarters Suite Hotel in July 1992.

First biography of the great actress in a brilliant interpretation of Danuta Stenka. One-hundred-two years of fascinating life, turbulent career, and dramatic turns in history. Gabriel Michalik paints a subtle portrait of the legend of the theatre and cinema, the people she met, and the era through which she lived with natural elegance, grace, and unusual cheerfulness, in spite of dramatic obstacles.

An important medical breakthrough has a shameful history. In 1840s Alabama, a slave-owning doctor performs medical experiments on involuntary subjects - enslaved women - in an effort to solve the problem of fistulas, a post-childbirth anomaly. As the experiments proceed, and he gets close to a solution, the women try to survive and even find dignity in the face of inhuman treatment.

Praised as 'deeply affecting' and 'heartbreaking' by The Guardian (UK), this is a faithful adaptation of the Pulitzer Prize-winning author Elizabeth Strout's best-selling novel of the same name. Unsteady after an operation, Lucy Barton wakes to find her mother sitting at the foot of her bed. She hasn't seen her in years, and her visit brings back to Lucy her desperate rural childhood, and her escape to New York. As she begins to find herself as a writer, she is still gripped by the urgent complexities of family life.

In 1998 Mark died of AIDS, cared for in the end by his lover John and their friend (and nurse) Marcia. Twenty years later, John and Marcia reflect on what they survived that Mark didn't. In December, 2018 Gay City: Seattle's LGBTQ Center invited a variety of artists who had been present during the AIDS crisis to contribute to a show.

A Scottish meteorologist locks horns with his American counterpart as both men try to convince General Dwight D. Eisenhower that they can accurately predict the atmospheric conditions needed to launch the greatest amphibious assault in the history of mankind - the D-Day invasion.

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead.

A poignant true story of a woman who turned her tale of foster care and adoption by a Jewish family into a heart-rending play. A courageous and energetic storyteller, she brings life’s complex issues of identity, strength, character, and charm to the stage. We experience what it must have been like to grow up adopted. The listener is taken on a beautiful journey that explores self-identity, the importance of family, and the search for self. We follow her path and realize we are all in a constant search despite our experiences.

Irresistible and authoritative, The Movie Musical! is an in-depth look at the singing, dancing, happy-making world of Hollywood musicals - an essential audiobook for anyone who's ever laughed, cried, or sung along at the movies. Leading film historian Jeanine Basinger reveals, with her trademark wit and zest, the whole story of the Hollywood musical - in the most telling, most incisive, most detailed audiobook of her long and remarkable career.

Choephori, or The Libation Bearers, is the second in the Oresteian trilogy on the House of Atreus, written by Aeschylus. It deals with the reunion of Agamemnon‘s children, Electra and Orestes, and their revenge upon their mother Clytemnestra for the murder of Agamemnon, which takes place in the first play, Agamemnon. The title refers to the chorus of libation bearers who supports and encourages Electra and Orestes in their quest for justice. The Oresteia is the only extant example of an ancient Greek theatre trilogy.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

Unique insights into Shakespeare, from one of the world’s most revered theatre directors. Who was the man who wrote Shakespeare’s plays? Why does Shakespeare never go out of date? How should actors approach Shakespeare’s verse? In this short but immensely wise book, visionary theatre director Peter Brook debates the questions that are central to our understanding of Shakespeare, and revisits the plays he has directed with notable brilliance, including King Lear, Titus Andronicus, and, of course, A Midsummer Night’s Dream.

Angela Arden wants to be free of her suffocating marriage to film producer Sol Sussman. What better way than poison! Distraught by her father’s death and convinced of her mother’s guilt, Edith Sussman plots to get the truth out of Angela using any means necessary. Charles Busch stars in the role he originated in this camp send-up where tongues aren’t the only thing dipped in acid.

Still Here is the first full telling of Elaine Stritch’s life. Rollicking but intimate, it tracks one of Broadway’s great personalities from her upbringing in Detroit during the Great Depression to her fateful move to New York City, where she studied alongside Marlon Brando, Bea Arthur, and Harry Belafonte. We accompany Elaine through her jagged rise to fame, to Hollywood and London, and across her later years, when she enjoyed a stunning renaissance, punctuated by a turn on the popular television show 30 Rock.

All Brexit's a stage, and all the men and women merely players.... Written by the Bard himself, with a little help from novelist Boris Starling, this wonderful comedy of errors retells the tragic story of the UK's acrimonious break from the EU, written in wonderful iambic pentameter. From Cameron and Osborne, through May and Gove, to Cummings and Boris, this is a story of cynical electioneering and poisoned political scheming, and a most original take on the defining event of our time.