EPISODE 063: SPECIAL EVENT

Wind Reel & Print “wraps” their first season with a celebratory WR&P Awards Ceremony. Cohosts Ryan and Kevin summarize the last year of podcasting by pinpointing landmark episodes that transformed, defined, and elevated our understanding of cinematic language. The First Annual WR&P Awards closes with an exciting announcement of this year’s winners for Best Screenplay, Best Actor(s), Best Director, and Best Picture.

EPISODE 062: CINEMA SINGLES

Having mentioned the film in a number of previous episodes, Kevin’s fascination with Damien Chazelle’s “Babylon” finally comes to fruition. In a heartfelt suicide note to Hollywood, Chazelle returns to his supposed entertainment industry comfort zone, relishing in the chaos and thrilling drama that defined his early successes in “Whiplash” and “La La Land”. After bombing at the box office, “Babylon” aims to achieve a cult following status with its grotesque humor and fantastical Hollywood episodes offering more than what initial viewers gave it credit for.

EPISODE 061: FILM THEORY DISCUSSIONS

Wind Reel & Print uncovers the secrets to Soviet cinema via the guidance of filmmaker Lev Kuleshov and his humbly named theory the “Kuleshov effect”. In an introductory lesson to film editing, this founding principle of film theory draws attention to the cut as the primary building block of film-meaning creation. Despite the inherent self-explanatory nature of this concept, this episode serves as an important reminder of the impacts Soviet film theorists had on the development of cinematic language, with the “Kuleshov effect” and the montage helping usher in film as the defining art form of a modern industrial society.

EPISODE 060: DOUBLE FEATURES

Featuring: Annie Hall (1977); [500] Days of Summer (2009)

What does the Academy Award-winning Woody Allen and Hollywood hearthrob Joseph Gordon-Levitt have in common? We’re actually not too sure either. But their movies felt like an appropriate pair to cut against. Both “Annie Hall” and “[500] Days of Summer” take the romcom genre to meta extremes and WR&P cohosts Ryan and Kevin examine the formal and narrative aspects that loosely define a meta romcom, namely the use of atemporal editing and the narrative focus on memory.

EPISODE 059: BAY AREA FLICKS

Featuring: Angels in the Outfield (1994); The Fan (1996); Moneyball (2011)

In possibly the biggest reach in WR&P history, Kevin bundles three Bay Area-based baseball movies in an attempt to define the local region through America’s Favorite Pasttime. From Brad Pitt’s Billy Beane to Robert De Niro’s fanatic antics, baseball is universally cherished as a game of passion. It stands as one of the iconic symbols of American and masculine identity, with both Ryan and Kevin sharing connections with baseball and their respective fathers. While the Bay Area ties aren’t incredibly strong across all three films, Ryan proposes how “Moneyball” echoes the sentiment of how Oakland has been poached of sports vivacity.

EPISODE 057: LESSONS IN FILM MOVEMENTS

Featuring: Cyrus (2010); Drinking Buddies (2013); Frances Ha (2012); Computer Chess (2013)

Per our initial “Mumblecore” episode, WR&P examines the original Mumble-corps in the years following their break onto the scene. Andrew Bujalski, Joe Swanberg, Greta Gerwig, and the Duplass Brothers return for another round of complicated relationships and inventive independent film modes. Kevin coins terminology around this movement to explain the ways these filmmakers embrace bigger budgets and different cinematic styles.

EPISODE 056: CINEMA MINI SERIES

Featuring: Nosferatu (1922); Nosferatu the Vampyre (1979); Nosferatu (2024)

As a quasi-sequel to the “Vampire Movies” episode, Wind Reel & Print folds in the cinematic traditions of Nosferatu. Beginning with F.W. Murnau’s 1922 version and ending with Robert Eggers’ recent rendition, Ryan and Kevin cover the aesthetic differences between these three films and how this pertains to director style, regionality, and time period of production.