Wind, Reel, & Print

著者: Salad Brain Productions
  • サマリー

  • Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.
    Copyright 2024 All rights reserved.
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あらすじ・解説

Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.
Copyright 2024 All rights reserved.
エピソード
  • Gremlins & Gremlins, Too
    2024/11/01

    EPISODE 020: WEIRD @ WR&P

    Featuring: Gremlins (1984), Gremlins 2: The New Batch (1990)

    Joe Dante’s “Gremlins” takes over the studio and threatens the hosts with a good time. Combining classic Spielbergian filmic language with Dante’s knack for meta-mindset, both the original and the sequel deliver on its perceived promise of weirdness.

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    29 分
  • Princess Mononoke (1997)
    2024/10/25

    EPISODE 019: THEATER ADVENTURES

    After watching Hayao Miyazaki's iconic action drama “Princess Mononoke” in theaters, Ryan and Kevin take a moment to discuss the film's story, characters, themes, and social commentary. The WR&P hosts also highlight the difference between a subbed and dubbed version.

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    28 分
  • Top 4 Redux
    2024/10/22
    EPISODE 018: Revisiting “Our Top 4 Favorite Films” Ryan and Kevin summarize recent changes to their respective Letterboxd Top 4 films by explaining what qualifies for the list and what they consider when making swap-outs. Kevin leaves off Richard Linklater’s “Before Midnight” for a Thai coming-of-age picture, while Ryan reaffirms his love for "Come and See” and Robert Eggers’ “The Lighthouse”.
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    29 分

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