• Why Street Photography is essential for photographers of all genres

  • 2025/02/13
  • 再生時間: 19 分
  • ポッドキャスト

Why Street Photography is essential for photographers of all genres

  • サマリー

  • To get the Shoot to the Top Podcast in your inbox every week to ensure you don't miss an episode,⁠⁠⁠⁠click here ⁠⁠⁠⁠

    Join the⁠⁠⁠⁠Shoot to the Top Facebook⁠⁠⁠⁠ group to meet fellow photographers, guests and Sam and Marcus


    Marcus says street photography is about capturing incidentshappening around you. He also says there is so much to learn from street photography that all photographers should be doing it. He says the need to work at the moment as you see things is perfect training for other types of photography.
    Equipment
    A street photographer needs to be mobile and discrete. So, no huge camera bags. A camera and a lens or two. He says the lens should be 50mm or wide angle, and the photographer then needs to be close and involved with their subjects. Somestreet photographers use flash for street photography.

    Location

    Marcus says it needs to be where people gather. Otherwise, it’s landscape photography.Martin Parr photographs in gas stations, country fairs and other places. Tony Ray Jonesisanother street photographer. He photographed a lot of beach towns on the East coast of Yorkshire.
    How

    Marcus says you need to be invisible as a street photographer.Marcus says one approach is “shooting from the hip”. So, having the camera by your waist. Marcus also thinks pre-focussing also helps. Marcus says misdirection is another approach. He says to get your camera out walk towards them, but photograph off to the side. But with a wide-angle lens, they are still in the shot, but it doesn’t look like you are photographing them. The third option is simply to ask people’s permission to photograph them. They will very often say yes. Sam asks about the issue of photographing people without their permission. Marcussays the law is on your side as a street photographer taking photographs.
    Marcus’s final approach is called “pick a spot” This approach is to find a photographic location and wait there for people to go past.

    What are you looking for?
    To start with, take some photographs. It doesn’t matter what, just warm up. Then, you are looking for people interacting with each other. People interact with the background or environment.


    To get the Shoot to the Top Podcast in your inbox every week to ensure you don't miss an episode,⁠⁠⁠⁠click here ⁠⁠⁠⁠

    Join the⁠⁠⁠⁠Shoot to the Top Facebook⁠⁠⁠⁠ group to meet fellow photographers, guests and Sam and Marcus

    続きを読む 一部表示

あらすじ・解説

To get the Shoot to the Top Podcast in your inbox every week to ensure you don't miss an episode,⁠⁠⁠⁠click here ⁠⁠⁠⁠

Join the⁠⁠⁠⁠Shoot to the Top Facebook⁠⁠⁠⁠ group to meet fellow photographers, guests and Sam and Marcus


Marcus says street photography is about capturing incidentshappening around you. He also says there is so much to learn from street photography that all photographers should be doing it. He says the need to work at the moment as you see things is perfect training for other types of photography.
Equipment
A street photographer needs to be mobile and discrete. So, no huge camera bags. A camera and a lens or two. He says the lens should be 50mm or wide angle, and the photographer then needs to be close and involved with their subjects. Somestreet photographers use flash for street photography.

Location

Marcus says it needs to be where people gather. Otherwise, it’s landscape photography.Martin Parr photographs in gas stations, country fairs and other places. Tony Ray Jonesisanother street photographer. He photographed a lot of beach towns on the East coast of Yorkshire.
How

Marcus says you need to be invisible as a street photographer.Marcus says one approach is “shooting from the hip”. So, having the camera by your waist. Marcus also thinks pre-focussing also helps. Marcus says misdirection is another approach. He says to get your camera out walk towards them, but photograph off to the side. But with a wide-angle lens, they are still in the shot, but it doesn’t look like you are photographing them. The third option is simply to ask people’s permission to photograph them. They will very often say yes. Sam asks about the issue of photographing people without their permission. Marcussays the law is on your side as a street photographer taking photographs.
Marcus’s final approach is called “pick a spot” This approach is to find a photographic location and wait there for people to go past.

What are you looking for?
To start with, take some photographs. It doesn’t matter what, just warm up. Then, you are looking for people interacting with each other. People interact with the background or environment.


To get the Shoot to the Top Podcast in your inbox every week to ensure you don't miss an episode,⁠⁠⁠⁠click here ⁠⁠⁠⁠

Join the⁠⁠⁠⁠Shoot to the Top Facebook⁠⁠⁠⁠ group to meet fellow photographers, guests and Sam and Marcus

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