This week, Marcus and Sam discuss the hotly debated topic of “Do you need a photography degree/qualification to be a commercial photographer” and what’s the alternative?

This is the first ever episode of Shoot to the Top and we are sharing it with you as Marcus and Sam are taking a little summer break.

Marcus, no surprise, being an ex senior Lecturer in photography comes down in favour! But for reasons that may not be obvious. Sam asks probing questions and has an alarming stat of the Day.

This show is just perfect if you are trying to decide whether to spend your hard earned cash on going to university.

Kirsten Luts is a commercial portrait photographer on theoutskirts of London. He is also the host of the Camera Shake podcast. Kirsten uses podcasting and video (on YouTube) as a large part of his marketing.
The first thing to think about before starting a podcast or YouTube channel, you’ve go to think about why you are doing it. It could be getting more clients, or it could be a passion project. For Kirsten, it was to give him something creative to do during the COVID lockdowns when all his photography work had stopped. He says he learned a lot from some of the best photographers of our time.
Kirsten says that initially, he spent a lot of time and money on the podcast. It didn’t bring in money. But it has brought him a lot of opportunities, for example, speaking at photography shows. So the podcast has brought opportunities rather than directly making money. And those opportunities often lead to making money and to doing interesting things. Consistency is important when making a podcast of videos. There is a whole show about consistency here .

Working with someone else is also very helpful. This canmotivate you and help you to be consistent. Kirsten started their podcast on YouTube as well as on Spotify and Apple. He says that his podcast was terrible at the start, but they learnt and got better, and it’s important, in any project, to make that start, and not wait for perfection. Kirtsen is amazed by the guests that he managed to get on the show. Before he started, he made a list of guests he would love to have, and he’s managed to have all of those guests on the show.
Marcus asks Kirtsen for tips if you are going to start a podcast or YouTube channel. Kirsten says the first thing is to think about your audience and the topic. The topic has to be interesting and engaging for your target audience.
We move on to video, and Kirtsen says that if you are not offering clients video as part of your work a using it as part of your marketing, you will end up behind other photographers that are offering this. He thinks video is much more of a threat to a still photographer than AI is. It’s not a big jump to go from stills to video. Much of the technique is similar, such as lighting and exposure.
Speaking of video, Shoot to the Top is now on YouTube, and you can watch it here.

Marcus says that Flash used to be challenging many years ago. But now life is much simpler. Sam asks about Chinese copy brands, but Marcus says that with modern lighting, the Chinese equipment isn’t a copy; they are the originators. Marcus is going to be talking about Godox lighting, which is sometimes known by a couple of other brand names. He is going to give anideal kit to have with you. Marcus says you want your lighting all to be the same brand; otherwise, your lights will not communicate with each other, so this is essential.

A handheld or on-camera mounted flash is what we are goingto talk about first. Sam digs out one of these from his cupboard. Marcus says these simple flashes are great and often five times cheaper than the camera brand flashes. Godox’s camera flash is called the V1. This is the basic start, and it goes onto the hot shoe of your camera. The next level up is to get aremote that goes onto your hot shoe. That allows you to put your flash where you want; it is no longer tied to the camera. Once you have a remote, all other flashes need to be the same brand to communicate with the remote.

The next thing needed is a main light. Marcus recommends that if you get one, then a Godox pro light, which is near the top of the range, is worth getting. The flash head is very large on the Godox pro range, which Marcus likes. The flash head is also diffuse, and the glass is diffuse, not clear. Marcus also says he recommends going for a high-power flash. The main reason is that the batteries are so good and have almost no time to recharge between shots. Marcus also says that some of these lights can also separate the light and battery, so the lighter light can be on a stand without the battery being on the stand too.
Finally, Marcus talks about a modifier. A modifier goes onto the light to modify it. Marcus says the best modifier to get is an umbrella. Marcus doesn’t recommend the Godox umbrella.He recommends going for a more expensive umbrella. He says they last longer, and reflective material is better. He recommends getting an umbrella that is at least 1 metre across. There is also an alternative to an umbrella, which Marcus describes.

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