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The seemingly effortless elegance of minimalist architecture masks the extraordinary attention to detail required to achieve it. Tom Seear-Budd and James Ross, founders of Wellington-based Seear-Budd Ross Architects, pull back the curtain on this process, revealing the meticulous thought behind their refined residential designs.

Having established their practice nearly six years ago after departing larger commercial firms, the pair sought greater autonomy and the opportunity to create more intentional, considered work. What began with barely a month's worth of projects ahead has evolved into a respected studio known for exceptionally clean architectural expressions. Their journey reveals the challenges and rewards of maintaining design integrity while building a sustainable practice.

At the heart of their approach lies an almost obsessive consideration of proportion, light, and spatial choreography. Tom and James share fascinating insights into their design process – from spending days on site imagining how residents might move through spaces, to debating whether rooms can "handle" 300mm versus 250mm floorboards. In one project, they aligned every element in a hair salon to the 105mm floor tile module; in another, they meticulously planned how to choreograph a visitor's experience of views, revealing them gradually rather than all at once.

The conversation explores how their thoughtful approach to openings (preferring fixed glazing with minimal frames over complex systems), material selection (favouring harmony over contrast), and spatial division (intuitive separation of public and private realms) creates buildings of quiet confidence. They emphasise that while their work has gravitated toward higher-end residential projects, their core design principles can be applied at any scale or budget – proving that good architecture isn't necessarily about expensive materials, but thoughtful application of universal principles.

For those interested in establishing their own architecture practice, Tom and James offer valuable insights from their journey – from the importance of brand integrity and mentorship to their strategic use of high-quality renders for communication and marketing. Their story demonstrates that building a distinctive architectural voice requires not just design talent, but persistence, strategic thinking, and occasional financial sacrifice in service of long-term vision.

Want to see more examples of architecture that demonstrates how simplicity often demands the greatest precision? Follow the Design Principles podcast for conversations with leading practitioners who are shaping our built environment through thoughtful, intentional design.

Episode cover image provided by Seear-Budd Ross.

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What happens when steel becomes soft? When industrial materials take on organic forms? In Gerard Dombrowski's debut solo exhibition "Inflation" at Season Aotearoa Gallery, steel transforms into something unexpectedly fluid and inviting.

We turn the microphone on our own Gerard Dombrowski as he shares the journey behind creating "Inflation"—a collection of hydroformed steel objects that challenge our perception of what's possible with metal. The exhibition features approximately 19 pieces, including wobbly vases, rocking chairs, and cushion-like forms, all arranged as a garden-like landscape visitors can explore.

The conversation dives deep into Gerard's technique of hydroforming—welding steel shapes together, connecting a tap, and using water pressure to expand the metal outward into organic, bulbous forms. It's a process that combines precision with chance, creating objects that appear impossibly soft despite their metallic composition. The rocking chair stands out as a particular achievement: a hydroformed cube with natural roundness that creates a functional rocking motion, complete with cushions and surprisingly comfortable seating.

What makes this exhibition particularly fascinating is Gerard's background in architecture and how it influences his artistic practice. The conversation follows his ambitious vision to scale up the hydroforming technique to create actual buildings—a hydroformed shed as proof of concept, potentially leading to larger structures. This cross-pollination between art and architecture demonstrates how creative experimentation in one field can generate innovative approaches in another.

Beyond the technical aspects, Gerard reveals how the exhibition came together through spontaneous creation rather than detailed planning—a month of "full send in the workshop" that nearly resulted in physical collapse from exhaustion. His story reminds us of the intense physical and mental demands of bringing creative work into the world, especially when pushing the boundaries of materials and processes.

Check out "Inflation" at Season Aotearoa Gallery in Auckland before July 12th, and experience these remarkable objects that blur the boundaries between art, design, and architecture. Sit in the rocking chair, observe the garden of steel flowers, and glimpse a potential future where our buildings might take on unexpectedly organic forms.

Key Links:

• https://www.seasonaotearoa.com/
• https://www.gdw.nz/menu
• https://artfair.co.nz/2025/07/02/meet-the-artist-gerard-dombroski-season/

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Ever wondered what architects mean when they talk about "programme"? In our latest deep dive, we crack open this fundamental concept that shapes everything from the tiniest apartments to sprawling civic buildings.

This episode begins with a seemingly simple question: what exactly is program in architecture? We explore how program operates simultaneously at multiple scales—a house within a street, a road within a city—creating nested relationships that influence design decisions. Through examples like OMA's Seattle Library with its stacked functional boxes unified by a faceted glass facade, we see perhaps the most literal translation of program to architectural form.

The conversation weaves through bubble diagrams (an early design tool), form following function (or is it the other way around?), and experimental approaches that challenge conventional spatial definitions. Gerard shares several fascinating concepts including his "advent calendar house" where floor hatches reveal different functional spaces beneath. We discuss how regulatory constraints and client expectations often limit such experimentation, particularly in residential contexts, while highlighting how program innovation frequently emerges most powerfully in constrained circumstances like tiny houses.

What makes this exploration particularly valuable is recognizing that program isn't just a technical exercise but a powerful design driver. By thinking creatively about how spaces function, relate, and transform, architects can create more compelling environments without relying solely on expensive materials or dramatic forms. Whether you're designing your own space or simply curious about how buildings work, understanding program reveals architecture's deeper purpose: creating meaningful human experiences through thoughtful spatial relationships.

Listen now and you'll never look at a building the same way again. Have you encountered spaces with particularly brilliant programming? We'd love to hear about your experiences in the comments!

Chapters:

• 0:00 - Introduction to Understanding Program
• 9:42 - Defining Program: Bubble Diagrams & Form
• 19:46 - Program as Architecture: Notable Examples
• 29:55 - Form Follows Function: Design Approaches
• 39:54 - Reinventing Walls: Alternative Spatial Definitions
• 48:05 - Program Innovation: Experimental Dwellings

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What happens when award-winning architects and builders challenge the notion that sustainable, high-performance buildings must sacrifice aesthetics? This thought-provoking conversation brings together Passive House experts who are transforming New Zealand's built environment through buildings that are both beautiful and functional.

Architect Rafe Maclean shares how client feedback about a poorly-performing design prompted his journey into building science, while Joe Lyth reveals the heartbreaking reality of watching his children develop respiratory issues in cold, damp rental properties. Builder Josh Atkins describes his frustration with energy-inefficient new homes that cost homeowners thousands in ongoing expenses. These personal stories highlight why performance isn't just about sustainability—it's fundamentally about health and comfort.

The guests dismantle common misconceptions about high-performance buildings, particularly the idea that Passive House certification requires boxy designs with minimal windows. Through their work, they demonstrate how constraints often generate more creative, thoughtful architecture. As Joe explains, "If you've got a blank canvas you can do anything, and you don't necessarily need to judge all your decisions." The discussion explores how early collaboration between architects, builders and clients allows performance requirements to enhance rather than limit design possibilities.

Perhaps most compelling is their suggestion to shift terminology—referring to conventional construction as "low-performance buildings" rather than elevating better practices as "high-performance." After all, would anyone willingly purchase a "low-performance refrigerator" that might spoil your food? This reframing helps normalize better building standards as baseline expectations rather than premium add-ons.

Ready to experience architecture that looks beautiful and actually works? Subscribe to hear more conversations that challenge convention and inspire better building practices.

Key Links:

• https://www.rafemaclean.co.nz/
• https://www.welarchitecture.nz/
• https://www.compound.co.nz/
• https://www.youtube.com/watch?v=LwuFra50HN8
• https://passivehouse.nz/

Chapters:

0:00 - Introduction with expert guests

14:44 - Personal journeys into high-performance building

34:52 - Performance vs aesthetics in design

43:15 - Constraints breed creativity

54:49 - Education and passive house perception

1:01:46 - Architecture education and closing thoughts

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What happens when architecture becomes more accessible through images than through physical experience? This question forms the backbone of our conversation with Nina Boyd, a New Zealand architect currently working in Paris.

The traditional architectural pilgrimage—traveling to see important buildings firsthand—has fundamentally changed. Where Alvar Aalto's visit to Italy completely transformed his design approach, today's architects arrive at celebrated buildings having already seen countless images online. This digital pre-exposure creates a curious paradox: greater accessibility to architectural imagery but potentially diminished impact when finally experiencing spaces in person.

Nina shares insights from her recent Scandinavian travels, exploring how Finnish towns balance high density living with beautiful public spaces. The conversation takes a candid turn when discussing famous buildings that disappointed in person—Frank Gehry's Guggenheim Bilbao described as "facadeism" and certain parametric designs criticized for poor finishes despite conceptual brilliance. These confessions reveal the gap between architectural celebrity and genuine spatial quality.

Working internationally exposes architects to different budget realities, material access, and planning approaches. While New Zealand struggles with limited resources for bespoke elements, the team explores how collaborating with local craftspeople could produce distinctive architectural moments without breaking budgets. This "small batch" approach to custom design might actually represent the future—creating architecture with a genuine human touch that resists both global homogenization and AI-driven processes.

Perhaps the most compelling insight emerges near the end: the architectural breakthrough might not require overseas travel at all. Looking inward to local craft traditions and small-scale collaborations could yield more authentic design expressions than chasing international trends. After all, architecture's most powerful aspects—temperature, texture, acoustic qualities, social interactions—resist digital flattening and demand physical presence.

Ready to rethink your architectural inspirations? Listen now, and join the conversation about where true design epiphanies come from in our digital age.

Chapters:

0:00 - Introduction with Nina Boyd

6:04 - Traveling Through Scandinavia

15:50 - Architectural Exposure and Inspiration

26:48 - Working in International Architecture Firms

35:36 - Famous Buildings That Disappoint

49:36 - Bespoke Design and Human Touch

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The conversation with Raimana Jones from Atelier Jones Design delves deep into the heart of what makes good design truly exceptional—craftsmanship. Drawing inspiration from architectural legends like Alvar Aalto and Walter Gropius, we explore how the most revered designers extended their vision beyond buildings to encompass furniture, lighting, and complete environments.

Raimana shares his journey through fabrication and making, revealing the powerful feedback loop between crafting with your hands and designing with your mind. We unpack how this tactile understanding shapes thoughtful design decisions that simply can't emerge from digital processes alone. The discussion turns to a concerning trend—the gradual disappearance of workshop culture from design education, as hands-on making gives way to digital tools and 3D printing.

What truly elevates this conversation is our exploration of material understanding as the essence of craftsmanship. Just as Tadao Ando mastered concrete through deep connection with the material, Romana's elegant steel kitchens showcase how intimate knowledge transforms ordinary materials into extraordinary designs. While budget realities often dictate the level of craft possible in projects, we discover inventive approaches to maintaining craftsmanship even with constraints.

Whether you're a practicing designer, architecture enthusiast, or someone who appreciates the beauty of well-crafted spaces, this episode offers a compelling reminder of why material engagement matters. As James Dyson wisely noted, "The visceral experience of making things by hand is a wise teacher." Join us for an inspiring discussion about rediscovering play, embracing failure, and cultivating a deeper connection with the materials that shape our world.

Key Episode Links:

- https://www.atelierjonesdesign.co.nz/pages/about-us

Chapters:

0:00 - Introduction to Craft in Design

5:00 - Exploring Cross-Media Design Processes

11:15 - Workshop Culture and Material Play

20:25 - The Design Process: Sketching to Making

27:00 - Understanding Materials Deeply

33:48 - Budget Constraints and Craft Quality

41:47 - Craftsmanship in Architecture

48:30

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What happened to the architectural manifesto? This fascinating question from a listener propels us into an exploration of how architects have historically proclaimed their design philosophies—and why such bold declarations seem increasingly rare in contemporary practice.

The architectural landscape was once dramatically shaped by manifestos: Le Corbusier's "Towards New Architecture," Adolf Loos's "Ornament and Crime," and the revolutionary Bauhaus movement all articulated clear visions that transformed how we think about building. But today, as we scroll through endless Instagram feeds of similar-looking projects, has something fundamental been lost? Have we surrendered the courage to stake out distinctive architectural territory?

We examine whether BIG's "Yes Is More" represents perhaps the last true modern architectural manifesto, and whether practice websites and mission statements have become watered-down replacements for the revolutionary spirit that once drove architectural movements. The conversation takes surprising turns toward craft, material engagement, and how the "tall poppy syndrome" might be preventing architects from boldly declaring their principles.

Most importantly, we consider whether writing your own manifesto—even if just for personal clarification—could help combat the global homogenisation of architectural styles. By articulating what you believe about design, perhaps you can recentre your practice and contribute something meaningful to architectural discourse. As we navigate a world increasingly dominated by AI-generated forms and committee-driven decisions, maybe the time is right for a return to architectural conviction.

Key Sources:

• https://www.archdaily.com/921760/how-to-write-an-architectural-manifesto
• https://designformindfulness.blog/significant-manifesto-examples/
• https://www.architectural-review.com/awards/world-architecture-festival/a-manifesto-for-the-next-10-years
• https://www.thoughtco.com/architecture-timeline-historic-periods-styles-175996
• https://archeyes.com/architecture-chronology-timeline-important-architecture-projects/

Chapters:

0:29 - Episode Introduction

2:03 - Defining Architectural Manifestos

6:44 - Famous Historical Manifestos

13:19 - Modern Manifestos - Do They Exist?

17:56 - Global Homogenisation of Architecture

27:43 - Manifesto vs Craftsmanship

36:56 - The Future of Architecture

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What happens when the people who shape our cities, schools, and homes are missing from the public conversation about our built environment? Award-winning architect Lisa Webb joins us to unpack architecture's growing crisis of relevance in New Zealand.

Following her thought-provoking piece in the NZIA Bulletin, Lisa shares her concerns about architects becoming increasingly sidelined in discussions about housing, climate resilience, and community building. "We have a lack of voice, a lack of mandate, and a lack of mana," she observes, pointing to recent political attacks on the profession that went largely unchallenged.

We explore the disconnect between how architects communicate their value (often through beautiful images) versus what clients and communities truly value about architectural services. As one colleague noted, "Pretty pictures are scrollable but have no real sense of the agency the architect brought to bear." This insight leads us to discuss meaningful alternatives – sharing client testimonials, documenting transformed lives, and telling the stories behind successful projects.

The conversation reveals a profession at a crossroads: highly trained professionals with unique holistic oversight capabilities who nonetheless struggle to assert their relevance. We discuss how smaller practices in particular face challenges being heard, while questioning whether the profession's traditional reluctance toward marketing has become self-defeating in today's media landscape.

Lisa challenges listeners to move beyond waiting for someone else to advocate for architecture. Whether through greater engagement with the NZIA, strategic marketing, or simply telling better stories about what architects actually do, the path forward requires collective action from a profession that designs not just buildings, but lives.

Key Links:

- https://www.studiolwa.co.nz/

- https://www.nzia.co.nz/member-area/resources/news/2025/architecture-in-crisis-why-our-relevance-is-fading/

- https://www.nzia.co.nz/member-area/resources/news/2025/a-response-to-architecture-in-crisis/

Chapters:

0:00 - Introduction to Lisa Webb

6:00 - The Problem with Architectural Advocacy

16:40 - Lost Voices in the Housing Crisis

26:30 - Architecture as Service vs. Product

35:25 - Marketing Architecture: Breaking Taboos

43:45 - Finding Power in the Profession

54:30 - Collective Action and Moving Forward

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