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What happens when architecture becomes more accessible through images than through physical experience? This question forms the backbone of our conversation with Nina Boyd, a New Zealand architect currently working in Paris.

The traditional architectural pilgrimage—traveling to see important buildings firsthand—has fundamentally changed. Where Alvar Aalto's visit to Italy completely transformed his design approach, today's architects arrive at celebrated buildings having already seen countless images online. This digital pre-exposure creates a curious paradox: greater accessibility to architectural imagery but potentially diminished impact when finally experiencing spaces in person.

Nina shares insights from her recent Scandinavian travels, exploring how Finnish towns balance high density living with beautiful public spaces. The conversation takes a candid turn when discussing famous buildings that disappointed in person—Frank Gehry's Guggenheim Bilbao described as "facadeism" and certain parametric designs criticized for poor finishes despite conceptual brilliance. These confessions reveal the gap between architectural celebrity and genuine spatial quality.

Working internationally exposes architects to different budget realities, material access, and planning approaches. While New Zealand struggles with limited resources for bespoke elements, the team explores how collaborating with local craftspeople could produce distinctive architectural moments without breaking budgets. This "small batch" approach to custom design might actually represent the future—creating architecture with a genuine human touch that resists both global homogenization and AI-driven processes.

Perhaps the most compelling insight emerges near the end: the architectural breakthrough might not require overseas travel at all. Looking inward to local craft traditions and small-scale collaborations could yield more authentic design expressions than chasing international trends. After all, architecture's most powerful aspects—temperature, texture, acoustic qualities, social interactions—resist digital flattening and demand physical presence.

Ready to rethink your architectural inspirations? Listen now, and join the conversation about where true design epiphanies come from in our digital age.

Chapters:

0:00 - Introduction with Nina Boyd

6:04 - Traveling Through Scandinavia

15:50 - Architectural Exposure and Inspiration

26:48 - Working in International Architecture Firms

35:36 - Famous Buildings That Disappoint

49:36 - Bespoke Design and Human Touch

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The conversation with Raimana Jones from Atelier Jones Design delves deep into the heart of what makes good design truly exceptional—craftsmanship. Drawing inspiration from architectural legends like Alvar Aalto and Walter Gropius, we explore how the most revered designers extended their vision beyond buildings to encompass furniture, lighting, and complete environments.

Raimana shares his journey through fabrication and making, revealing the powerful feedback loop between crafting with your hands and designing with your mind. We unpack how this tactile understanding shapes thoughtful design decisions that simply can't emerge from digital processes alone. The discussion turns to a concerning trend—the gradual disappearance of workshop culture from design education, as hands-on making gives way to digital tools and 3D printing.

What truly elevates this conversation is our exploration of material understanding as the essence of craftsmanship. Just as Tadao Ando mastered concrete through deep connection with the material, Romana's elegant steel kitchens showcase how intimate knowledge transforms ordinary materials into extraordinary designs. While budget realities often dictate the level of craft possible in projects, we discover inventive approaches to maintaining craftsmanship even with constraints.

Whether you're a practicing designer, architecture enthusiast, or someone who appreciates the beauty of well-crafted spaces, this episode offers a compelling reminder of why material engagement matters. As James Dyson wisely noted, "The visceral experience of making things by hand is a wise teacher." Join us for an inspiring discussion about rediscovering play, embracing failure, and cultivating a deeper connection with the materials that shape our world.

Key Episode Links:

- https://www.atelierjonesdesign.co.nz/pages/about-us

Chapters:

0:00 - Introduction to Craft in Design

5:00 - Exploring Cross-Media Design Processes

11:15 - Workshop Culture and Material Play

20:25 - The Design Process: Sketching to Making

27:00 - Understanding Materials Deeply

33:48 - Budget Constraints and Craft Quality

41:47 - Craftsmanship in Architecture

48:30

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What happened to the architectural manifesto? This fascinating question from a listener propels us into an exploration of how architects have historically proclaimed their design philosophies—and why such bold declarations seem increasingly rare in contemporary practice.

The architectural landscape was once dramatically shaped by manifestos: Le Corbusier's "Towards New Architecture," Adolf Loos's "Ornament and Crime," and the revolutionary Bauhaus movement all articulated clear visions that transformed how we think about building. But today, as we scroll through endless Instagram feeds of similar-looking projects, has something fundamental been lost? Have we surrendered the courage to stake out distinctive architectural territory?

We examine whether BIG's "Yes Is More" represents perhaps the last true modern architectural manifesto, and whether practice websites and mission statements have become watered-down replacements for the revolutionary spirit that once drove architectural movements. The conversation takes surprising turns toward craft, material engagement, and how the "tall poppy syndrome" might be preventing architects from boldly declaring their principles.

Most importantly, we consider whether writing your own manifesto—even if just for personal clarification—could help combat the global homogenisation of architectural styles. By articulating what you believe about design, perhaps you can recentre your practice and contribute something meaningful to architectural discourse. As we navigate a world increasingly dominated by AI-generated forms and committee-driven decisions, maybe the time is right for a return to architectural conviction.

Key Sources:

• https://www.archdaily.com/921760/how-to-write-an-architectural-manifesto
• https://designformindfulness.blog/significant-manifesto-examples/
• https://www.architectural-review.com/awards/world-architecture-festival/a-manifesto-for-the-next-10-years
• https://www.thoughtco.com/architecture-timeline-historic-periods-styles-175996
• https://archeyes.com/architecture-chronology-timeline-important-architecture-projects/

Chapters:

0:29 - Episode Introduction

2:03 - Defining Architectural Manifestos

6:44 - Famous Historical Manifestos

13:19 - Modern Manifestos - Do They Exist?

17:56 - Global Homogenisation of Architecture

27:43 - Manifesto vs Craftsmanship

36:56 - The Future of Architecture

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