
The Life and Works of Chopin
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ナレーター:
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Jeremy Siepmann
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著者:
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Jeremy Siepmann
このコンテンツについて
Frédéric Chopin is the pianist-composer par excellence. Regarded as one of the most mesmeric performers of his day, he lives on his music - his waltzes, mazurkas, études, preludes, nocturnes, three piano sonatas, two piano concertos, and much more. Here, his life - from his birth in Poland, his famous affair with the French writer George Sand, and his death at the age of 49 in Paris - is told with his music featuring prominently.
©2001 Jeremy Siepmann (P)2001 NAXOS AudioBooks Ltd.こちらもおすすめ
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Chopin in Words and Music
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Polish by birth, Fryderyk Chopin made his name in post-Revolutionary Paris and is often depicted as the archetypal Romantic artist–blessed with extraordinary talent but consumed by the flame of genius, tormented by intense and tempestuous relationships and doomed to an early death. But how much of this story is based on fact? This account of Chopin’s life and times separates myth and reality and, illustrated with numerous musical examples, takes us from his youthful beginnings as ‘a second Mozart’ to the darkness and light of his life and the brilliance of his work.
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クラシックの作曲家と仲良くなろう!クラシック音楽というと、遠い国の遠い昔の音楽…って思うかもしれませんが、不思議なくらい、今の私たちの心にもぴったりと寄り添ってくれたり、楽しい気分
-
-
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- 投稿者: Amazon カスタマー 日付: 2021/12/17
著者: 飯田 有抄
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総合評価
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Tchaikovsky declared that Mozart was 'full of divine beauty', and Schubert's wonder at the 'countless images of a brighter and better world' that Mozart was able to conjure up through his music knew no bounds. Many of us carry the image of Mozart as a transcendent genius, but what do we really know about his life and career, and indeed his music? This entertaining and informative biography takes us from Mozart's beginnings as a child prodigy to his greatest successes and cruellest setbacks.
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The life of Franz Schubert has been a gift to romantically inclined biographers: the beautiful, brilliant, modest boy who sprang to fully fledged genius at the age of sixteen; the quintessential ‘artist in a garret’, entirely consumed by his art and living a hand-to-mouth existence in Vienna (home of Mozart, Haydn and Beethoven); the gentle, cheerful, convivial young man who prized friendship almost as highly as music itself; the unworldly poet from whom great music poured like water from a fountain; the unrecognized master who died almost penniless at the age of 31.
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Symphonies, quartets, concertos and keyboard works poured from the pen of Joseph Haydn, making him one of the most important figures in classical music. Jeremy Siepmann tells the story of the man and his work in this lively autobiography, enhanced by numerous examples of the music itself, taken from the Naxos catalogue. There is no better programme with which to mark the 200th anniversary of the composer's death.
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ストーリー
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ナレーション
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ストーリー
Frédéric Chopin is the pianist-composer par excellence. Regarded as one of the most mesmerizing performers of his day, he lives on in his music – his waltzes, mazurkas, études, preludes, nocturnes, three piano sonatas, two piano concertos, and much more. Here, his life, from his birth in Poland, his famous affair with the French writer George Sand, to his death at the age of 39 in Paris, is told with his music featuring prominently. We think of Chopin as a "frail, sheltered genius" but this forthright portrait demonstrates he was far more boisterous than that.
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Nine-year-old Violet loves spending time in her Aunt Abigail's flower shop in their small British town. And she's so excited to stay overnight with her Aunt Abigail for the first time! But when Aunt Abigail has to leave to deal with an emergency, Violet and her friends, twins Jack and Zack, start poking around - and discover that her aunt owns an ancient magical flower book and uses her flower magic to make people happy! Violet wants to do that, too. Her first mission: making a match between two of her teachers. Unfortunately, it all goes wrong!
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批評家のレビュー
- Audie Award Winner, Original Work, 2002
Audible制作部より
This biography of Frederick Chopin, with commentary on his works, including beautifully played samples of the pieces under discussion, is a near perfect use of the audio format. Siepmann writes with acumen and sympathy about both the man and the music, and reads the narration with equal skill. When dialogue is taken verbatim from letters or journals, four skillful actors are used to bring long dead personalities to life and add texture to the narrative.