検索キーワード： 著者 "Virginia Woolf" すべてのカテゴリー

Rachel Vinrace, Virginia Woolf's first heroine, is a motherless young woman who, at 24, embarks on a sea voyage with a party of other English folk to South America. Guileless, and with only a smattering of education, Rachel is taken under the wing of her aunt Helen, who wishes to teach Rachel "how to live." Arriving in Santa Marina, a village on the South American coast, Rachel and Helen are introduced to a group of English expatriates.

Here are short stories by the incomparable Virginia Woolf, including the story that was the original basis for the novel Mrs. Dalloway.

For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

A party of English people is aboard the Euphrosyne, bound for South America. Among them is Rachel Vinrace, a young girl, innocent and wholly ignorant of the world of politics and society, books, sex, love and marriage. She is a free spirit half-caught, momentarily and passionately, by Terence Hewet, an aspiring writer who she meets in Santa Marina. But their engagement is to end abruptly, and tragically. Virginia Woolf's first novel, published in 1915, is a haunting exploration of a young woman's mind.

On a June morning in 1923, Clarissa Dalloway is preparing for a party and remembering her past. Elsewhere in London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax. Here, Virginia Woolf perfected the interior monologue and the novel's lyricism and accessibility have made it one of her most popular works.

In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper’s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Brontë, George Eliot and Henry James, Thomas Hardy and Joseph Conrad.

“Ho l’idea che dovrò inventare un nuovo nome per i miei libri, con cui sostituire romanzo”. È il 27 giugno 1925, la scrittrice è pronta per il suo nuovo libro. Ne conosce già il nome proprio, ma non ne conosce il genere, né il nome comune. Ne anticipa però il tono: sarà un’elegia – al Faro. Non ha dubbi riguardo a chi l’elegia sarà dedicata. Quel to è preposizione che in inglese non indica semplicemente un moto a luogo; non è solo il vettore di uno spostamento, un possibile o impossibile approdo al Faro.

From the fleeting beauty of a moth's final moments to reflections on the nature of art, identity, and the human experience, Woolf’s writing invites listeners into her world of introspection, subtle observations, and profound insights. In this collection, Woolf navigates themes of life, death, creativity, and the inner workings of the mind with an unparalleled sensitivity that remains timeless.

In this hauntingly poetic essay, Virginia Woolf captures the fragile beauty of life and death through the simple image of a moth struggling in the light. As she reflects on the inevitability of mortality and the quiet force of nature, Woolf’s sharp, introspective prose invites readers to confront their own fleeting existence. The Death of the Moth is a meditation on life’s transience, a masterclass in Woolf’s ability to turn ordinary moments into profound reflections on human vulnerability.

JARDINES DE KEW: Virginia Woolf captura la esencia efímera de la vida a través de las interacciones fugaces entre los visitantes de los famosos jardines botánicos. A lo largo de un día soleado, personajes de diversas edades y clases sociales se cruzan en senderos bordados de flores exóticas y follaje exuberante. Woolf emplea su característico estilo de flujo de conciencia para explorar los pensamientos y emociones de sus personajes, revelando profundidades ocultas en sus vidas cotidianas y efímeras.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

ഇരുപതാം നൂറ്റാണ്ടിലെ ഇംഗ്ലീഷ് സാഹിത്യത്തെ ഏറ്റവും അധികം സ്വാധീനിച്ച പ്രതിഭയായിരുന്നു വെര്‍ജീനിയ. ബോധധാരാസമ്പ്രദായത്തിലുള്ള രചനയായിരുന്നു അവളുടേത്. സ്വന്തം മനസ്സിന്റെ പ്രതിഫലനങ്ങള്‍ കഥാപാത്രങ്ങളിലേക്ക് സന്നിവേശിപ്പിക്കുകയായിരുന്നു വെര്‍ജീനിയ ചെയ്തിരുന്നത്.

En Lunes o Martes, Virginia Woolf nos transporta a un mundo introspectivo y fluido, utilizando su distintivo estilo de escritura. El relato sigue el vuelo errático y simbólico de una garza, que sirve como metáfora de la búsqueda de claridad y verdad en medio del caos cotidiano. A través de breves viñetas, la narración capta fugaces momentos de la vida en Londres, explorando la intersección entre la percepción subjetiva y la realidad objetiva.

वर्जीनिया वुल्फ़ ने केम्ब्रिज विश्वविद्यालय के दो महिला कॉलिजों में मूलत: 'स्त्रियाँ और कथा साहित्य' पर अक्टूबर 1928 में व्याख्यान दिए थे। वे व्याख्यान 'ए रूम ऑफ़ वन'स ओन' के नाम से प्रकाशित हुए और स्ट्रीवाद का एक क्लासिक पाठ बन गए। इस टाइमलेस किताब का यह बेहतरीन हिंदी अनुवाद गोपाल प्रधान ने किया है जो वर्जीनिया की भाषा के आवेग, विश्लेषण और लगाव को हिंदी में काफ़ी हद तक ले आते हैं।

Virginia Woolf (January 25, 1882 - March 28, 1941) was an English writer from Kensington, London, who pioneered a narrative mode called "stream of consciousness" to describe the thoughts and feelings of the narrator. Regarded as one of the most prominent modernist 20th-century writers, Woolf's works have gained much attention for inspiring feminism, as well as, numerous films, novels, and plays. The following recording is from a radio broadcast on April 29th, 1937.

Virginia Woolf nos revela en esta obra, básicamente, la evolución de su pensamiento feminista en relación con la literatura. El libro empieza planteándonos una pregunta: ¿Qué necesitan las mujeres para escribir buenas novelas? La respuesta la irá plasmando y argumentando a través de la exposición de situaciones diferentes, en ocasiones inventadas o supuestas, donde predominarán las mujeres. La conclusión final es que para que las mujeres escriban buenas novelas necesitan independencia económica y personal, es decir, una habitación propia.

La duquesa y el joyero de Virginia Woolf es un cuento que explora las complejidades de las relaciones humanas y las expectativas sociales. La historia sigue a Oliver Bacon, un joyero modesto, que se enamora perdidamente de la duquesa de Lambourne, una mujer de alta alcurnia. A pesar de las diferencias sociales abismales entre ellos, Bacon cree que puede conquistar el corazón de la duquesa con un regalo extraordinario: un collar de esmeraldas. Sin embargo, la duquesa no muestra ningún interés en el collar ni en Bacon, lo que lo sumerge en una espiral de desesperación y obsesión.

Entre el cuaderno de viajes, el ensayo literario, el diario personal y la crónica urbana, el autor nos muestra su fascinación por el turbulento y espléndido pasado de Budapest. De la barbarie a la civilización, de la sabiduría de Marco Aurelio a la gran narrativa magiar contemporánea, este...

Mabel, una mujer separada, es invitada a una fiesta de la señora Dalloway. Sin embargo al llegar al lugar, y tras mirarse en el espejo con su vestido amarillo, se obsesiona con su apariencia, lo que ha sido su vida, y con lo que los demás podrían estar pensando de ella.