検索キーワード： ナレーター "Russell Stamets" すべてのカテゴリー

I have spent a goodly part of my life in study and research. During the last 30 years, I have read every single piece of literature on the subject of spiritualism that I could. I have accumulated one of the largest libraries in the world on psychic phenomena, spiritualism, magic, witchcraft, demonology, evil spirits, etc - some of the material going back as far as 1489. And I doubt if any one in the world has so complete a library on modern spiritualism, but nothing I ever read concerning the so-called spiritualistic phenomena has impressed me as being genuine.

A collection of sayings, quotes, and nuggets of wisdom extracted from the literary works and workshops of Lujan Matus. Listen to the audiobook randomly and discover yourself within their meanings. The purpose of an oracle is to openly reveal information within the reservoirs of one’s own inspiration. Trust yourself to respond to the mechanisms of no mind that will arise through the process of your heartfelt feelings coming upon you.

The Art of Gregorian Music has been selected as a suitable beginning because it deals on broad lines with the principles underlying the restoration of the liturgical chant of the Catholic Church. The paper was originally read before the Catholic University of Paris in 1896 and thus antedated, by nearly a decade, the official action of the Holy See.

Some of these sketches and essays have appeared in Poetry, The Fortnightly Review, The New Age, The Quarterly Review, The Future, The Egoist, and The Little Review.

Tecla was from Baja, or Lower, California, where Juanita and Antonio's mother had once lived. Old Klayukat's tribal home was to the far north, at Puget Sound. He had been brought down by a king's vessel and given into the charge of the padres at the mission of San Francisco d'Assisi. There he had become a Christian and had been taught the saddler's trade. He had been employed by the children's grandfather ever since their father was a little boy.

In this audiobook, a few of Nietzsche’s most interesting sayings are arranged. They show nothing of his wonderfully acute processes of ratiocination, but only his conclusions. Nevertheless, they may serve to give some notion of the manner, as well as of the matter, of his philosophy. He was a ruthless destroyer—the most savage and resolute, it is probable, that Christian morals and Christian civilization have ever had to face. Therefore, these extracts are confined chiefly to his objections and objurgations, and leave for the reader’s own inquiry his efforts to create.

The Swami Vivekananda was sent by his friends and co-religionists to present their belief at the Congress of Religions that was held in connection with the World’s Fair in Chicago. This he did in a way to win general interest and admiration.

Sound interesting? The author thinks so too! Listen to The Fatal Move and Other Stories and experience a compelling collection of stories, including The Fatal Move, The Vengeance of the Dead, The Fiend That Walks Behind, The Homing Bone, Professor Danvers’ Disappearance, and The Rejuvenation of Ivan Smithovitch.

I have strung these things together on a slight enough thread, but as the things themselves are slight, it is possible that the thread (and the metaphor) may manage to hang together. These notes range over very variegated topics, and in many cases, were made at very different times.

A system of ethics not based on rational demonstration of the universe is of no practical value. It is only a system of the ethics of individual opinions and individual convenience.

In selecting the tales that form this volume, the foremost place has been allotted to two romances of Death, “The Fall of the House of Usher” and “ Ligeia”. The latter was considered by Poe himself the finest of all his tales, and in a well-known letter to Lowell he places close beside it "The Fall of the House of Usher”. In both, his singular genius finds full expression. They are followed by two old-world romances, laid in Rome and Venice, rich in color and subtly varied atmosphere, and vibrating with passion.

Poe’s character is the most complex which has yet appeared among American writers, and his genius is the most elusive and individual. He fills a very considerable place in our literary development, and yet, in important aspects of his career, he seems to have been entirely detached from it. His genius is no longer questioned, nor is his influence; and yet his impress on the spiritual life of the country is hardly perceptible.

Historians, even historians of philosophy, have tended to dismiss Stoicism lightly, and popular opinion has taken the cue. No doubt, relevant reasons abound. The riches of Socrates, Democritus, Plato, and Aristotle served to accentuate the comparative poverty of the next age.

“Phantoms” and “It is Enough” were written next after “Fathers and Children.” Although one of Turgénieff’s minor works, the critics pronounced “Phantoms” original, wonderfully artistic and philosophical, and wonderfully lyrical. The author himself called it “a fantasy,” as he did other sketches in which he sometimes poured out, in lyrical form, his sadness evoked by the contrary laws of nature, and man’s aspirations toward the absolute, the eternal. It demonstrates the somewhat mystical romanticism which lay concealed in Turgénieff’s nature, and only occasionally came to the light.