検索キーワード： 著者 "Una Perkins" すべてのカテゴリー

Straight Like That

All Talk Oncology is a Cancer Podcast that empowers cancer patients through insightful conversations that reinforces confidence and certainty about their cancer condition. Transforming a terrifying experience into a manageable one, by arming patients with the understanding they need, and the ability to take control of their treatments through knowledge, allowing effective interaction with their medical team.

Former Bake Off host, passionate animal lover and comedian Sue Perkins, is our indispensable guide to the animal kingdom. Join her on a comical, insightful and, at times, shocking nature trail around the world.

Chapter One - Muslims: Who Are They & What Do They Really Want? by Chuck Missler. Who and what is Jihad? What does it have to do with Israel? This presentation answers these questions and much more! Vintage Chuck Missler! Chapter Two - The Critical Importance of Studying Bible Prophecy by Andy Woods. Many churches today shy away from even mentioning Bible Prophecy, often calling it unnecessarily divisive. In this title, Andy tells us in no uncertain terms why tact is from the pit of hell.

This all happened while Perkins was a Peace Corps volunteer. Then he became an "economic hit man" (EHM), convincing developing countries to build huge projects that put them perpetually in debt to the World Bank and other US-controlled institutions. Although he'd learned in business school that this was the best model for economic development, he came to understand it as a new form of colonialism.

Una mujer y su marido que es médico, John, han alquilado una casa antigua para pasar el verano. Deciden en vez de usar la habitación normal de matrimonio instalase en el cuarto de los niños en la planta alta. El marido considera que eso será una forma de tratamiento médico para que su mujer pueda recuperarse de lo que él ha diagnosticado como "una depresión nerviosa temporal con una ligera tendencia histérica", diagnóstico habitual para las mujeres de esa época.

It's the week before New Year's Eve, and genealogist Lucy Lancaster is ready to mix work and play at the beautiful Hotel Sutton, enjoying herself while finalizing the presentation for her latest client, hotel heiress Pippa Sutton. Freshly arrived at the hotel - and determined not to think about Special Agent Ben Turner, who went radio silent on her after one date - Lucy is stopped in her tracks when a strange man comes staggering toward her. He presses a classic Montblanc pen onto her hand, gasps, “Keep them safe”, and collapses at her feet, dead.

The story's protagonist and narrator is an unnamed woman whose husband, a doctor named John, makes her spend the summer in the country for her health. The woman, her baby, John, John's sister and some servants stay in a large rented house. John chooses a bedroom for himself and his wife which is large and airy but otherwise quite unpleasant. The narrator takes an immediate dislike to the room's yellow wallpaper. She soon starts to see grotesque images in its pattern. After some time, the narrator becomes convinced that the wallpaper depicts a woman trapped behind a cage.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

Genealogist Lucy Lancaster is just about to tuck into a plate of tacos at her favorite Austin joint, Big Flaco’s, when she gets an unexpected visit from her former - and least favorite - coworker. Camilla Braithwaite hasn’t gotten much friendlier since the last time Lucy saw her, but that doesn't stop her from asking a favor. In her hand is a newspaper feature on an ancestor, a Civil War corporal - and a liar, according to the article. Charles Braithwaite is depicted as a phony and a deserter, and Camilla wants Lucy’s help clearing his name.

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?

Here is living proof that White and Black Christians can live together. When Spencer Perkins was 16 years old, he visited his bloodied and swollen father (Pastor John Perkins) in jail. Police had beaten the Black activist severely, and Spencer never forgot the moment. He couldn't imagine living in community with a White person after that. But his plans were changed.

Pop culture is the Pandora’s box of our lives. Racism, wealth, poverty, beauty, inclusion, exclusion, and hope - all of these intractable and unavoidable features course through the media we consume. Examining pop culture’s impact on her life, Nichole Perkins takes listeners on a rollicking trip through the last 20 years of music, media, and the internet from the perspective of one Southern Black woman.

This story is told as a series of journal entries from a woman who is on forced rest as a treatment for hysteria following the birth of her child. As was common in the time, she is forbidden from any work or "strenuous" tasks and is left to sit alone most of her days without mental stimulation, trapped in a room and a marriage that are not fulfilling her. The woman's isolation and mental state cause her to believe that there is a woman stuck in the wallpaper of her room.

Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies.

Best friends Neena and Josie spent high school as outsiders, but at least they had each other. Now, with college and a 2,000-mile separation looming on the horizon, they have one last chance to be together - a three-day hike deep into the woods of the Pisgah National Forest.

Drawing from a diverse range of theologians, sociologists, artists, and activists, Confronting Injustice Without Compromising Truth, by Thaddeus Williams, makes the case that we must be discerning if we are to "truly execute justice" as Scripture commands. Not everything called "social justice" today is compatible with a biblical vision of a better world. The Bible offers hopeful and distinctive answers to deep questions of worship, community, salvation, and knowledge that ought to mark a uniquely Christian pursuit of justice.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.

Jesus: Then, Now, Ever. This audiobook fails. How could it not? The author is human; the subject beyond human kind. Still, the challenge compels. Tell the tales, teller, the many tales that still for all can teach. Jesus as a child; his mother guiding his early inquisitive steps then, as a dutiful son, miracles reluctantly began. So many lessons to teach and lives to mold. The mission of God's son never seeming to end. Certainly not to be captured in a human-wrought book.