検索キーワード： 著者 "Nikolai Gogol" すべてのカテゴリー

Presenta la historia de Akaki Akákievich Bashmachkin, un funcionario de San Petersburgo que trabaja como copista en los escalafones más bajos de la administración rusa. Pese a su humilde condición, debe gastar todos sus ahorros en encargar un nuevo capote para protegerse del duro invierno petersburgués. El argumento de la obra está basado en una noticia que Gógol leyó sobre un pobre oficinista que, después de un largo ahorro, compró un rifle y lo perdió en unos juncos cuando salió a cazar.

Es un cuento del escritor Nikolái Gógol que relata la historia de un burócrata que escribe en su diario lo que le sucede. Poco a poco va relatando su descenso a la locura. Primero se ven pequeñas cosas como fechas que no concuerdan, luego perros hablando y mandando correspondencia, y sus comentarios a través de la historia son cada vez más raros hasta que pierde la cordura completamente.

The best collection of Russian short stories includes: Fyodor Dostoevsky: Notes from the Underground, The Dream of a Ridiculous Man, The Beggar Boy at Christ's Christmas Tree. Leo Tolstoy: The Death of Ivan Ilyich, Kholstomer, the Story of a Horse, Alyosha the Pot, A Letter to a Hindu, A Confession, God Sees the Truth, but Waits, A Russian Christmas Party. Anton Chekhov: Kashtanka, Gusev, The Darling, The Lady with the Dog, A Slander, The Horse-Stealers, The Petchenyeg, A Dead Body, A Happy Ending, The Looking-GlassOld Age, Darkness, The Beggar, In Trouble, Frost, Minds in Ferment, Gone Astray.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

Aufzeichnungen eines Irren / Erzählung von Nikolai Wassiljewitsch Gogol, gelesen von Werner Wilkening. Es ist die merkwürdige Geschichte des Titularrats Aksenti Iwanow Poprischtschin. Er ist ein kleiner, boshafter Beamter im Staatsdienst. Sein grauer Alltag lässt ihn jedoch zunehmend immer unglücklicher werden, sein Beruf ödet ihn an, unter seinem Chef und unter seiner Bedeutungslosigkeit leidet er. Hoffnungslos verliebt er sich in die Tochter seines Vorgesetzten und flieht schon bald in eine teuflische Scheinwelt.

Using, or rather mimicking, traditional forms of storytelling, Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme.

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

Diese große Hörbuch Box der klassischen russischen Literatur zeigt die ganze erzählerische Bandbreite dieses großen Landes mit seinen berühmten Autoren, darunter Puschkin, Gogol, Dostojewski, Tolstoi und Tschechowa. Zwanzig weltberühmte Erzählungen, Novellen und Kurzgeschichten sind in dieser Box vereint! Mit dabei: Pique Dame (Puschkin), Die Nase sowie Der Mantel (Gogol), Der Großinquisitor (Dostojewski), Die Kreutzersonate, Wieviel Erde braucht der Mensch, Die drei Tode u. a. von Leo Tolstoi sowie Die Dame mit dem Hündchen, Der Rächer seiner Ehre, Das Gewinnlos u.a. von Anton Tschechow.

The Big Book of Christmas: Classic Stories and Poems is a grand compilation that assembles a treasure trove of holiday tales and poems from a remarkable array of authors. This extensive collection includes 100 classic works, each thoughtfully illustrated, to immerse readers in the magic and wonder of the Christmas season. This anthology spans a rich tapestry of Christmas literature, including timeless favorites such as "The Gift of the Magi," "The Red Room," "A Letter from Santa Claus," "The Fir Tree," "Song of the Holly," and many more.

This audiobook includes 10 Great Russian Short Stories: The Mantle by Nikolai Gogol, Mumu by Ivan Turgenev, First love by Ivan Turgenev, An Avenger by Anton Chekhov, Darkness by Anton Chekhov, The Death of Ivan Illyich by Leo Tolstoy, Notes from the Underground by Fyodor Dostoevsky, The Little Angel by Leonid Andreyev, The Dream of a Ridiculous Man by Fyodor Dostoyevsky, A Troublesome Visitor by Anton Chekhov.

The Viy is a horror novella by Russian writer Nikolai Gogol, first published in the first volume of his collection of tales entitled Mirgorod (1835). The title is also the name of the demonic entity central to the plot. Every summer, there is usually a large procession of all the students moving around the area as they travel home. However, the group is reduced to three students: the theologian Khaliava, the philosopher Khoma Brut, and the rhetorician Tibery Gorobets. As the night draws in, the students hope to find a village near the main road where they can find some rest and food.

Christmas Eve is the first story in the second volume of the collection Evenings on a Farm Near Dikanka by Nikolai Gogol. The story opens with a description of the winter scenery of Dikanka, Ukraine, a witch flying across the night sky and the devil stealing the moon and hiding it in his pocket, first playing with it in the sky, which no one in the village notices. Since it is the night before Christmas, the devil is free to roam around and torment people as he pleases, so he decides to find a way to get back at the village blacksmith, Vakula, because he paints religious art in the church.

Memoirs of a Madman or Diary of a Madman is a farcical short story by Nikolai Gogol. Along with The Overcoat and The Nose, Diary of a Madman is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the repressive era of Nicholas I. Following the format of a diary, the story shows the descent of the protagonist, Poprishchin, into insanity. Diary of a Madman, the only one of Gogol's works written in first person, follows diary-entry format.

The Nose is a satirical short story by Nikolai Gogol written during his time living in St. Petersburg. During this time, Gogol's works were primarily focused on surrealism and the grotesque, with a romantic twist. Written between 1835 and 1836, The Nose tells the story of a St. Petersburg official whose nose leaves his face and develops a life of its own. The Nose was originally published in The Contemporary, a literary journal owned by Alexander Pushkin.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. THE MYSTERIOUS PORTRAIT: Nowhere did so many people pause as before the little picture-shop in the Shtchukinui Dvor. This little shop contained, indeed, the most varied collection of curiosities. The pictures were chiefly oil-paintings covered with dark varnish, in frames of dingy yellow.