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The Valley of Fear is the fourth and final Sherlock Holmes novel by Sir Arthur Conan Doyle. It is loosely based on the Molly Maguires and Pinkerton agent James McParland. The story was first published in the Strand Magazine between September 1914 and May 1915. The first book edition was copyrighted in 1914, and it was first published by George H. Doran Company in New York on 27 February 1915, and illustrated by Arthur I. Keller. The novel starts with Sherlock Holmes receiving a cipher message from Fred Porlock, a pseudonymous agent of Professor Moriarty.

The Hound of the Baskervilles is the third of the four crime novels written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialised in The Strand Magazine from August 1901 to April 1902, it is set largely on Dartmoor in Devon in England's West Country and tells the story of an attempted murder inspired by the legend of a fearsome, diabolical hound of supernatural origin. Sherlock Holmes and his companion Dr. Watson investigate the case.

A Study in Scarlet is an 1887 detective novel by Scottish author Arthur Conan Doyle. The story marks the first appearance of Sherlock Holmes and Dr. Watson, who would become the most famous detective duo in popular fiction. The book's title derives from a speech given by Holmes, a consulting detective, to his friend and chronicler Watson on the nature of his work, in which he describes the story's murder investigation as his "study in scarlet".

"The Sign of the Four" (1890), also called "The Sign of Four", is the second novel featuring Sherlock Holmes written by Sir Arthur Conan Doyle. Doyle wrote four novels and 56 short stories featuring the fictional detective. The story is set in 1888. "The Sign of the Four" has a complex plot involving service in India, the Indian Rebellion of 1857, a stolen treasure, and a secret pact among four convicts ("the Four" of the title) and two corrupt prison guards.

The Valley of Fear is the fourth and final Sherlock Holmes novel by Sir Arthur Conan Doyle. It is loosely based on the Molly Maguires and Pinkerton agent James McParland. The story was first published in the Strand Magazine between September 1914 and May 1915. The first book edition was copyrighted in 1914, and it was first published by George H. Doran Company in New York on 27 February 1915, and illustrated by Arthur I. Keller. The novel starts with Sherlock Holmes receiving a cipher message from Fred Porlock, a pseudonymous agent of Professor Moriarty.

The Valley of Fear is the fourth and final Sherlock Holmes novel by Sir Arthur Conan Doyle. It is loosely based on the Molly Maguires and Pinkerton agent James McParland. The story was first published in the Strand Magazine between September 1914 and May 1915. The first book edition was copyrighted in 1914, and it was first published by George H. Doran Company in New York on 27 February 1915, and illustrated by Arthur I. Keller. The novel starts with Sherlock Holmes receiving a cipher message from Fred Porlock, a pseudonymous agent of Professor Moriarty.

This is the first collection of strange stories by contemporary writer Mark Samuels. The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Mark Samuels writes about the fundamental fears of modern life, especially the effects of isolation and the dislocation that city dwellers can experience in their inhospitable, man-made environment.

Samuel Miller discovered the photograph tucked away in the back of his father's wallet. The hospital had given it to him along with the other items the old man had been carrying when he had been admitted.

'I think that love is best left to the young,' Donna said. 'I expect that one day it will be viewed by psychiatrists as a mental health problem rather than anything wonderful or spiritual.

Most people seem to consider Nina Monkman to be a self-assured, confident young woman, but I have known her long enough to realise that this is not quite the truth.

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The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Vrolyck: I had been living in a cramped apartment out in the suburbs to the south of the city. The apartment overlooked a dingy street, invariably strewn with rubbish due to its preponderance of fast food outlets. Amongst these shabby establishments was a café which remained open for twenty-four hours a day, seven days a week.

The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. The White Hands: You may recall Alfred Muswell, he whom devotees of the weird tale will know as the author of numerous articles on the subject of literary ghost stories but who died in relative obscurity just over a year ago.

Dick and Nicole Diver are a glamorous couple who rent a villa in the South of France and surround themselves with a coterie of American expatriates. Rosemary Hoyt, a 17-year-old actress, and her mother are staying at a nearby resort. Rosemary becomes infatuated with Dick and becomes close to Nicole.

Mankind in the Making (1903) is H.G. Wells's sequel to Anticipations (1901). Mankind in the Making analyzes the "process" of "man's making," i.e. "the great complex of circumstances which mould the vague possibilities of the average child into the reality of the citizen of the modern state." Taking an aggressive tone in criticizing many aspects of contemporary institutions, Wells proposed a doctrine he called "New Republicanism," which "tests all things by their effect upon the evolution of man.

The tape came off the first reel, threaded its way through the guides and heads, and flapped uselessly, rhythmically, as the full spool continued to turn.

The five stories that made up R.B. Russell's debut collection, Putting the Pieces in Place, were described on first publication as demonstrating 'a subtle mastery of the macabre. Enigmatic and enticing, they combine a pleasing respect for the great tradition of supernatural fiction with a chilling contemporary European resonance.'

When I look back on my life in Eastbourne in the late 1980s I find it amazing that I could have ever had enough time and energy to accomplish what I did.

For the first time since his arrival in Arkos the Right Honourable David Barrett, M.P., was up early, washed and dressed and standing on the quay.

David Planer and I walked into the hotel bar through opposite doors and met in the middle of the room before anyone else could accost him.