検索キーワード： ナレーター "Linda Barrans" すべてのカテゴリー

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

Together with The Tempest, A Midsummer Night’s Dream is one of Shakespeare’s most magical plays. One night, two parties creep from Athens into the surrounding forest. One includes sweethearts Lysander and Hermia, fleeing from Athenian law and the disapproval of Hermia’s father to get married. In pursuit is Demetrius, the suitor of Hermia favored by her father, and the doleful Helena, formerly affianced to Demetrius.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

The collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies.

Persuasion was the last novel completed by Jane Austen and was first published posthumously in December, 1817. The story represents an interesting configuration of Austen’s characteristic narrative patterns. The heroine, Anne Eliot, is something of an old maid—she is twenty-seven years old, still single and is considered by family and friends to have lost her youthful beauty. Several years earlier, her engagement to Captain Frederick Wentworth had been broken off, due to the insistence of her family that the Captain lacked the wealth and status needed for a suitable husband.

Many of the stories in this book seem at the same time both familiar and strange. Their authors valued family, duty, patience and heroism. They longed for children in their old age, and rejoiced when they saw cruelty and envy punished, wrongs righted, and kindness and bravery rewarded.

When the tale begins, a strange and sudden malady is claiming the lives of the local peasants in Styria. Laura, an innocent girl of eighteen, lives a lonely life there with her loving father and two governesses. Then a dramatic coach crash on Laura’s doorstep brings a mysterious, beautiful, but languorous young woman to stay with them. This is Carmilla.

Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself.

Sam the sheep is having a hard time. He is pining for Ava the fox, and his actor friends are away performing their play without him. What’s more, someone has decided to build a Community Center in the next field, and the noise is simply terrible. One of the builders has deeply offended Morag the Tabby Cat, and she is starting a Resistance movement – though why she thinks there are gorillas in the field is anybody’s guess.

This is the story of Morning Glory’s turn of the century kenbutsu—her travels—to America. Guided by her uncle, a Harvard graduate, Morning Glory travels at a time when most Americans know little or nothing about Japan, aside from the popular tunes of The Mikado (1885) and The Geisha (1896).

The story concerns the young and vivacious Emma Watson, one of six children of a widowed clergyman. Emma has spent most of her life under the care of a wealthy aunt of liberal views, and has received a good education. However, when her aunt enters into a second marriage, Emma is forced to return to the family home, where she is affronted by the crass hunting for husbands undertaken her sisters, Penelope and Margaret.

The unlikely heroine of this novel is the bashful and unadventurous Fanny Price, who occupies a Cinderella-like position in the residence of her wealthy cousins, the Bertrams, at Mansfield Park. Fanny is the butt of ridicule for the young Bertram sisters (Maria and Julia), and is relentlessly bullied by her manipulative and penny-pinching aunt, the widowed Mrs Norris.