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The second volume in this unabridged chilling collection of short tales from the author of the best-selling Inspector Banks series. Peter Robinson is one of the crime world's finest stylists. This is a collection that will explore our hidden paranoia, challenge all that we take for granted, lure us to new, exotic places - only to make us wish we could run back home, and keep us up all night just waiting for the safety of the dawn.

The first volume in this unabridged chilling collection of short tales from the author of the best-selling Inspector Banks series. Peter Robinson is one of the crime world's finest stylists. This is a collection that will explore our hidden paranoia, challenge all that we take for granted, and lure us to new, exotic places - only to make us wish we could run back home, and keep us up all night just waiting for the safety of the dawn.

Spitfire Ace provides a vivid portrait of the few that flew in the Battle of Britain. The battle, in 1940, was one of the most famous air battles in the history of warfare. It is a story of ruthless organisation, and brilliant control and command. And at its heart is a legendary figure, the RAF fighter pilot, and one particular plane, a piece of machinery of almost mythic historical glamour: the Supermarine Spitfire.

Netta Syrett was born Janet Syrett on 17th March 1865 in Ramsgate, Kent, one of 13 children. Her debut novel, Nobody's Fault (1896) was the beginning of a long and prolific output. For the next several years her writing and teaching careers ran alongside each other.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

These six stories are, for the most part taken from the writer's experience as a professional actor (A Different Money, You Cannot Be My Hands and The Reputation Preceding Jack Vitalis) but there are others which include an oneiric distraction featuring the brittle but precise discipline of the fictional Japanese terpsichorean art form Littledance, a curious tale of revenge upon the cruel attack of a titled aristocrat upon an otherwise genial and hard-working interior decorator (The Tradesman's Entrance).

At the end of our days we will most likely lie for eternity in the cemetery or graveyard. Many of these, now wreathed in time, have a romance and overgrown beauty as nature keeps and shelters the dead. For our varied and talented authors, a major theme, or indeed character of the stories in this volume is that very location, and how they weave it into their narratives is both fascinating, enlightening and a wonderfully distinct way of telling classic short stories.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

John William Polidori was born on 7th September 1795, in London, to Gaetano Polidori. In 1816 Dr Polidori was given the job of Byron’s personal physician and accompanied him on a trip through Europe. The publisher John Murray offered Polidori £500 to keep a diary of their travels. At the Villa Diodati, Byron’s rented villa at Lake Geneva in Switzerland, the pair met with Mary Wollstonecraft Godwin, Percy Bysshe Shelley, and Mary's stepsister, Claire Clairmont.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

James Augustine Aloysius Joyce was born on the 2nd February 1882, in Dublin, into a middle-class family, and the eldest of ten surviving siblings. After publishing a poetry volume, ‘Chamber Music’, in 1907, his short story collection ‘The Dubliners’, in 1914, helped establish his talent in the rapidly changing world. Although far from home Joyce’s literary heart and works were set in his recollections of Dublin. Characters are close resemblances of family and friends and indeed enemies.

Ernest Bramah was born on 20th March 1868. He was an intensely private man and very little about his life was ever released. He obtained success in his own right with the creation of the storyteller Kai Lung with humourous tales set in China, usually laced with fantasy elements. There seems to have been a certain vogue for stories with an oriental element at this time, which Bramah was happy to take advantage of. In 1914 Bramah created the blind detective Max Carrados. Despite the obvious obstacle to his deductive powers, he was a literary and commercial success.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.