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Ellen, the narrator of Boyd's previous novel, The Revolution of Little Girls, this time pierces the heart of the sexual revolution in her quest to find a woman hero or - by default - to become one. Ferociously paced, Terminal Velocity delineates six wonderfully engaging characters: Artemis Foote, for whom being rich, talented, and beautiful is a kind of game; Jordan, a messianic fugitive who becomes Ellen's lover; Amethyst Woman, a Marxist/Leninist dentist; Ross, a red-diaper baby and now a columnist for Ramparts; and Pearl, an art history professor turned hippie.

No matter how hard she tries, Ellen Burns will never be Scarlett O'Hara. As a little girl in South Carolina, she prefers playing Tarzan to playing Jane. As a teenage beauty queen, she spikes her Cokes with spirits of ammonia and baffles her elders with her Freedom Riding sympathies. As a young woman in the 1960s and '70s, she hypnotizes her way to Harvard, finds herself as a lesbian, then very nearly loses herself to booze and shamans.

Vengeance and revenge are the only forces driving vampire soldier Noah Siosal since losing his brother to an enemy he’s been unable to find. He’s searched every corner of the globe, going through adversaries and piling up bodies until finally getting a lead. The last place he wants to be is in a ridiculous anger management group with people expressing feelings instead of taking action. Until one fragile human, a green-eyed sweetheart being stalked by danger, catches his eye. One touch, and he realizes vengeance can’t be anywhere near her.

Life is good for Maura Corrigan. Married to her college sweetheart, Pete, raising three young kids with her parents nearby in her peaceful Chicago suburb, her world is secure. Then one day, in a single turn of fate, that entire world comes crashing down and everything that she thought she knew changes. Maura must learn to move forward with the weight of grief and the crushing guilt of an unforgivable secret. Pete senses a gap growing between him and his wife but finds it easier to escape to the bar with his friends.

She's his dream girl. Except for the fact that she's way too young for him. And way too sweet. And his best friend's little sister. He's everything she's ever wanted. Except for the fact that he's convinced they're totally wrong for each other. And the stubborn-as-hell thing. And the her-brother-will-kill-them part. But then she discovers cotton candy-flavored body powder, pink fur wedges, and nipples clamps, and everything changes. Well, except the her-brother-will-kill-them part.

It's Christmastime, and farmer Lucy Resnick is living the life she's always dreamed of. When she's not selling her jams, soaps, and mistletoe bundles at the Buttercup Christmas Market, she's enjoying cozy evenings by the fire with her knitting group - or her handsome veterinarian boyfriend Tobias Brandt. But less than a week before Christmas, a pall falls over the festive atmosphere when local man Randy Stone turns up with a knife in his back and a sprig of mistletoe in his hair.

Urging Nell to apply for jobs, Josh believes his wife needs something else to focus on other than a baby that may never be. Finding a job is difficult for an art historian...until Nell sees the ad seeking a director for a new nonprofit called the Mansion Hill Artists' Colony. Nell is left to manage the mansion and the personalities of the artists who live there. Soon, a young metal sculptor, Odin, is keeping the other residents awake with his late-night welding projects. When her attraction to Odin begins to heat up, Nell is forced to decide which life will bring her greater joy.

Former police psychologist Ronni Alexander had it all before a poison attacked her heart and gave her a death sentence. Now, on her last leg, she has an opportunity to live if she mates a vampire. A real vampire. One night of sex and a good bite, and she'd live forever with no more weaknesses. Well, except for the vampire whose dominance is over the top, and who has no clue how to deal with a modern woman who can take care of herself.

A casualty of the war between the demons and the vampires, Jase Kayrs has been missing for six long years. His older brothers want answers - but they're going to have to get them from an unlikely source. For when Kane Kayrs tracks down Amber Freebird, what he finds is a blonde, vegan pacifist who has no intention of using her skills in his war....

As a young woman, Jendara left the cold northern isles of the Ironbound Archipelago to find her fortune. Now, many years later, she's forsaken her buccaneer ways and returned home in search of a simpler life, where she can raise her young son, Kran, in peace. When a strange clan of shapeshifting raiders pillages her home, however, there's no choice for Jendara but to take up her axes once again to help the islanders defend all that they hold dear.

A New York family rents a house in California hoping for tranquil summer. Mark Banner is a young, successful publisher, and his wife Evelyn is afraid of losing him. When the owner of the house returns, Evelyn recognizes the enemy at first sight.

Recalling the great muckrakers of the past, an outraged team of America's best-selling writers unite to confront the disasters of wrongful convictions. Wrongful convictions, long regarded as statistical anomalies in an otherwise sound justice system, now appear with frightening regularity. But few people understand just how or why they happen and, more important, the immeasurable consequences that often haunt the lucky few who are acquitted years after they are proven innocent.

We Sell Drugs is a study grounded in the transnational geography and political economy of the coca-leaf and coca-derived commodities market stretching from Peru and Bolivia into the United States. More than a narrow biography of one famous plant and its equally famous derivative products - Coca-Cola and cocaine - this audiobook situates these commodities within the larger landscape of drug production and consumption. Examining efforts to control the circuits through which coca traveled, Suzanna Reiss provides a geographic and legal basis for considering the historical construction of designations of legality and illegality.

The book also argues that the legal status of any given drug is largely premised on who grew, manufactured, distributed, and consumed it and not on the qualities of the drug itself. Drug control is a powerful tool for ordering international trade, national economies, and society's habits and daily lives. In a historical landscape animated by struggles over political economy, national autonomy, hegemony, and racial equality, We Sell Drugs insists on the socio-historical underpinnings of designations of legality to explore how drug control became a major weapon in asserting control of domestic and international affairs.

Motherhood Smotherhood takes parents through the trenches of new parenting, warning listeners of the pleasures and perils of mommy blogs, new parent groups, self-described "lactivists", sleep fascists, incessant trend pieces on working versus non-working mothers, and the place where free time and self-esteem goes to die: Pinterest (back away from the hand-made flower headbands for baby!).

First published nearly a quarter-century ago and one of the very few short-story collections to win the PEN/Faulkner Award, this is American fiction at its most vital - each narrative a masterpiece of sustained power and seemingly effortless literary grace.

Richard Rashke leads us through the myriad of charges and countercharges, theories and facts, and reaches conclusions based solely on the evidence in hand. Originally published in 1981, his audiobook offers a vivid, edgy picture of the tensions that racked this country in the 1970s. However, the volume is not only an important historical document. Complex, fascinating characters populate this compelling insider's view of the nuclear industry.

Jennifer Silence reads between the lines. A psycholinguistic analyst, she studies documents written by murderers, teasing out hidden clues. But nothing in her life has prepared her for the document that is now in her hands. A leather-bound diary from a crumbling crypt. The diary of Jack the Ripper.

If it is genuine, it suggests a troubling connection between Jennifer's family and history's most infamous serial killer. A connection that may explain her father's suicide...and her brother's mental illness.

Kagur is a warrior of the Blacklions, fierce and fearless hunters in the savage Realm of the Mammoth Lords. When her clan is slaughtered by a frost giant she considered her adopted brother, honor demands that she, the last surviving Blacklion, track down her old ally and take the tribe's revenge. Yet this is no normal betrayal, for the murderous giant has followed the whispers of a dark god down into the depths of the earth, into a primeval cavern forgotten by time....

The King, Tristan Kendrick, is captured by minions of Talos and held in the the Coral Kingdom. His wife, Robyn; his daughter, Alicia; and her friends try to rescue him. They try to find a way to Synnoria, an elven kingdom. They get the help of Brigit Cu'Lyrran and make their way to Evermeet in order to get help to move under the sea. From Evermeet, with the assistance of the elves, they travel to the Coral Kingdom and rescue the king.

A Dangerous Age tells the story of the women of the Hand family, three cousins in a Southern dynasty rich with history and tradition who are no strangers to either controversy or sadness. By turns humorous and heartbreaking, the novel is a celebration of the strength of these women, and of others like them. In her characteristically clear and direct prose, with its wry, no-nonsense approach to the world and the people who inhabit it, Gilchrist gives voice to women on a collision course with a distant war that, in truth, is never more than a breath away.