検索キーワード： ナレーター "Mark Rice Oxley" すべてのカテゴリー

This audiobook is written for startup founders to prepare them for successful fund raising for their company. From working on the core components of the startup to preparation of right documents and pitching to the investors, this audiobook covers all key aspects of fund raising. Atal Malviya, the founder of Spark10 has built and exited VC funded companies and has also helped hundreds of startups in raising investment globally.

It was hailed as the answer to the obesity epidemic; a pill that allows you to eat anything you like and still lose weight. Millions were attracted by the promise of a leaner, fitter body, but there was a fatal and unforeseen flaw in this new panacea. A tiny microbe, lurking within, slowly infects the users. In turn they pass the infection to others with a sneeze, a cough or a simple kiss, and before long tens of millions are infected and turned into mindless, shambling wrecks, with the sole purpose of existing to eat.

SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality instructional study guides for challenging works of literature. This audio study guide for The Wealth of Nations by Adam Smith includes detailed summary and analysis of each chapter and an in-depth exploration of the book’s multiple symbols, motifs, and themes such as the division of labor and the invisible hand of the market. Featured content also includes commentary on major characters, 25 important quotes, essay questions, and discussion topics.

Tony Peso’s world is turned upside down the first time he is plugged into a cryonically frozen head, to experience their last 10 seconds of life. If this was properly marketed, it could be massive.... Ignoring the moral implications and ably assisted by Cryo-Biochemist Davis, Brit-abroad Tony makes millions selling this mind-blowing one-off hit to Billionaires. Way out of his depth from layers of deceit, he soon finds himself an international fugitive, on the run from the FBI for a murder he didn’t commit. A bagful of cash, but unable to distinguish friend from foe.

While Rachel has stayed away from the Antique Shop and concentrated on her business, Peter has spent a lot of time there, making short trips to the past and cataloguing the things that have taken him there. What neither of them realize is that their activities are being watched, and when an estate agent contacts Rachel, wanting to negotiate a sale of the Antique Shop for a wealthy client, she is concerned that he won't take no for an answer. She is right; David Mills is very persistent, as he can see no good reason why Rachel won't sell.

When Rachel inherits an abandoned antique shop in London, she suspects the reason for its abandonment. But when she and her friend Peter find a valuable coin, they take it with them - only to then find themselves in the 15th century. Then, there's the discovery of the Edward V. coin, a relic from the short-lived reign of Edward V., which prompts Peter to want to find out what really happened to the princes in the tower. When Peter finds the famous B necklace worn by Anne Boleyn in many portraits, he is eager to use it to go back and see her in the flesh. But that's only the beginning.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the Russian male author whose time has now come again.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821 to distinguished multi-ethnic parents from a Lithuanian background. His childhood years were at the family home in hospital grounds which also contained an orphanage, an insane asylum and a cemetery for criminals. The young Fyodor often disobeyed his father by talking to the ill in the hospital gardens. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. As he began his next work he was arrested and incarcerated for treason and participation in the political and literary Petrashevsky Circle.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Sometimes we want to be a little scared when we hear a story. Our nerves to tingle, the hair on our necks to gradually stand up. We can suspend our own reality for a while as authors lay out their wares of anxiety, worry, tension, and then increase the levels one by one until we are gripped by forces that make us afraid. It’s a real feeling. In this volume story after story assault our senses with mere words, with thoughts and descriptions that twist and deceive, with outcomes that we dread and shudder at the thought of.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

Witness the birth and twilight of an age where the clatter of the blacksmith's hammer, the clash of sword against shield, and the solemn vows sworn in the chapel echoed through stone halls. This book is not just a tale of castles and knights; it's a vivid recounting of a society pivoting on the axis of war and chivalry. Stone and Sword is more than just a conventional narrative of historical accounts.

The year is 1187 and European crusaders still control Jerusalem. The Sultan Saladin has unleashed war on the Crusader Kingdoms and the Christian armies have suffered a catastrophic defeat at the Battle of the Horns of Hattin. In the aftermath of the sultan's victory, Sir Byron Fitzwalter finds himself wounded and alone. Desperate to survive, Fitzwalter flees to the Sea of Galilee where destiny intervenes.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.