検索キーワード： ナレーター "Robin Miles" すべてのカテゴリー

In Never Saw Me Coming, Tanya Smith shares her deeply personal and remarkable story of how she went from a precocious young girl to a money-grabbing, computer-savvy wiz. It starts out as a keen interest in technology and innocently acquiring phone numbers to Michael Jackson, as well as other celebrities, and moves to her successfully stealing and depositing $5,000 into her grandmother’s banking account. By the time she is 18, the risk taker has confiscated millions in cash.

Though the land of Kun used to be lush and green, Amara has only ever known her homeland as a dry, dusty desert. When the griots vanished more than a decade ago, they took their magic with them, along with goddess Oala’s gifts of rain and plenty, leaving Kun controlled by a powerful and uncaring king. And though her foster mother, Zirachi, assures her that Kun is not under a curse, Amara can’t help but wonder if her own origin, which is shrouded in mystery, is somehow linked to the broken kingdom.

It started innocently enough, with calls to celebrities' houses alongside her teenage twin sister. Soon, Tanya Smith realised she could convince utility companies to amend the balances of her friends and neighbours, clearing elderly relatives' overdue electricity bills with a single phone call. Eventually, as she tested the limits and realized she could get past any gatekeeper, this superpower, as she came to think of it, morphed into something else: she wanted access to the actual money herself.

On a rainy day in May 1964, history professor Cecily Bridge-Davis begins to search for the sixty-five acres of land she inherited from her father’s family. The quest leads her to uncover a dark secret: In every generation, one offspring from each Bridge family unit vanishes—and is mysteriously whisked back in time. With only a family Bible and a map marked with the locations of mysterious containers to aid her, Cecily heads to the library, hoping to discover the truth of how this curse began, and how it might be ended.

Creating justice-centered organizations is the next frontier in DEI. This book shows how to go beyond compliance to address harm, share power, and create equity. Traditional DEI work has not succeeded at dismantling systems that perpetuate harm and exclude BIPOC groups.

The Riders Come Out at Night is the culmination of over twenty-one years of fearless reporting. Ali Winston and Darwin BondGraham shine a light on the jackbooted and sadistic cops known as “The Riders,” and the lack of political will and misguided leadership that have conspired to stymie meaningful reform. The authors trace the history of Oakland since its inception through the lens of the city’s police department, through the Palmer Raids, McCarthyism, and the Civil Rights struggle, the Black Panthers and crack eras, to Oakland’s present-day revival.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.