検索キーワード： ナレーター "Robin Miles" すべてのカテゴリー

Arrah has sacrificed almost everything in her battle against the Demon King. Now, forced to give up the gift of magic she’d sought for so long, she must decipher the legacy of her past life as the orisha Dimma—and weave an uneasy alliance between her beloved Rudjek, the Demon King, and the remaining orishas, hoping to restore peace to all of their worlds. But as Arrah’s half-demon sister resumes her quest for destruction, peace may require the ultimate sacrifice.…

Though the land of Kun used to be lush and green, Amara has only ever known her homeland as a dry, dusty desert. When the griots vanished more than a decade ago, they took their magic with them, along with goddess Oala’s gifts of rain and plenty, leaving Kun controlled by a powerful and uncaring king. And though her foster mother, Zirachi, assures her that Kun is not under a curse, Amara can’t help but wonder if her own origin, which is shrouded in mystery, is somehow linked to the broken kingdom.

It started innocently enough, with calls to celebrities' houses alongside her teenage twin sister. Soon, Tanya Smith realised she could convince utility companies to amend the balances of her friends and neighbours, clearing elderly relatives' overdue electricity bills with a single phone call. Eventually, as she tested the limits and realized she could get past any gatekeeper, this superpower, as she came to think of it, morphed into something else: she wanted access to the actual money herself.

On a rainy day in May 1964, history professor Cecily Bridge-Davis begins to search for the sixty-five acres of land she inherited from her father’s family. The quest leads her to uncover a dark secret: In every generation, one offspring from each Bridge family unit vanishes—and is mysteriously whisked back in time. With only a family Bible and a map marked with the locations of mysterious containers to aid her, Cecily heads to the library, hoping to discover the truth of how this curse began, and how it might be ended.

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

All is not well in the city that never sleeps. Even though the avatars of New York City have temporarily managed to stop the Woman in White from invading—and destroying the entire universe in the process—the mysterious capital "E" Enemy has more subtle powers at her disposal. A new candidate for mayor wielding the populist rhetoric of gentrification, xenophobia, and "law and order" may have what it takes to change the very nature of New York itself and take it down from the inside.

Listeners will be fascinated by this young adult adaptation of the New York Times bestselling nonfiction work as they follow masterful narratives about real people that reveal an insidious phenomenon in the United States: a hidden caste system. Caste is not only about race or class; it is about power—which groups have it and which do not. Isabel Wilkerson explores historical social hierarchies, including those in India and Nazi Germany, and explains how perpetuating these rankings dehumanizes vast sections of society.

1863: In a small Creole cottage in New Orleans, an ingenious young Black woman named Stella embroiders intricate maps on repurposed cloth to help enslaved men flee and join the Union Army. Bound to a man who would kill her if he knew of her clandestine activities, Stella has to hide not only her efforts but her love for William, a Black soldier and a brilliant musician.

Set against the backdrop of the Civil Rights Movement, Redlined exposes the racist lending rules that refuse mortgages to anyone in areas with even one black resident. As blacks move deeper into Chicago’s West Side during the 1960s, whites flee by the thousands. But Linda Gartz’s parents, Fred and Lil, choose to stay in their integrating neighborhood, overcoming previous prejudices as they meet and form friendships with their African American neighbors.

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

In a Philippines of desperate beauty and rank corruption, two seemingly unrelated events occur: the discovery of an ancient lost tribe living in a remote mountainous area and the arrival of a celebrity-studded, American film crew, there to make an epic Vietnam War movie. But the lost tribe may be a clever hoax and the Hollywood movie seems doomed as the cast and crew continue to self-destruct in a cloud of drugs and ego. 

Jessica Hagedorn's edgy and entertaining new novel centers on the lives of two women who are neighbors in Manhattan's West Village. Mimi Smith is a filmmaker of low-budget slasher movies in search of new material. Her neighbor Eleanor Delacroix is a legendary writer of erotic fiction, now nearing eighty and addicted to cocaine and gin. Their personal and artistic lives begin to collide in unexpected ways.

So begins award-winning poet DéLana R. A. Dameron’s debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her.

In an alternate America marked by volatile class warfare, Blake Maslin is traveling with his teenage twin daughters when their car is ambushed. Their attackers appear sickly yet possess inhuman strength, and they transport Blake's family to an isolated compound. There, the three captives discover that the compound's residents have a highly contagious alien disease that has mutated their DNA to make them powerful, dangerous, and compelled to infect others.

Mary is a treacherous experiment. Her creator, an immortal named Doro, has molded the human race for generations, seeking out those with unusual talents like telepathy and breeding them into a new subrace of humans who obey his every command. The result is Mary: a young black woman living on the rough outskirts of Los Angeles in the 1970s, who has no idea how much power she will soon wield.

In the far future, the human race is divided into two groups striving for power. The Patternmaster rules over all, the leader of the telepathic Patternist race whose thoughts can destroy or heal at his whim. The only threat to his power are the Clayarks, mutant humans created by an alien pandemic, who now live either enslaved by the Patternists or in the wild. Coransee, son of the ruling Patternmaster, wants the throne and will stop at nothing to get it, even if it means venturing into the wild mutant-infested hills to destroy a young apprentice—his equal and his brother.

A proud and reserved alien society finds its homeland destroyed in an unprovoked act of aggression, and the survivors have no choice but to reach out to the indigenous humanoids of their adopted world, to whom they are distantly related. They wish to preserve their cherished way of life, but doing so may mean changing their culture forever. Working together to save this vanishing race, a man and a woman from two clashing societies will uncover ancient mysteries with far-reaching ramifications.

On the verge of adulthood, Rafi attends the Lyceum, a school for the psionically gifted. Rafi possesses mental abilities that might benefit people . . . or control them. Some wish to help Rafi wield his powers responsibly; others see him as a threat to be contained. Rafi’s only freedom at the Lyceum is Wallrunning: a game of speed and agility played on vast vertical surfaces riddled with variable gravity fields. Serendipity and Ntenman are also students at the Lyceum, but unlike Rafi they come from communities where such abilities are valued.

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.