検索キーワード： ナレーター "Robin Miles" すべてのカテゴリー

For fifteen years, the Wilcoxes have been a family in name only. Though never the picture of happiness, they once seemed like a typical white Jewish clan from the Upper West Side. But in the early 2000s, two events ruptured the relationships between them. First, Naomi revealed to her children that her biological father was actually Black. In the aftermath, college-age daughter Bering left home to become a radical peace activist in Palestine’s West Bank, where she was killed by an Israeli Army sniper.

Arrah has sacrificed almost everything in her battle against the Demon King. Now, forced to give up the gift of magic she’d sought for so long, she must decipher the legacy of her past life as the orisha Dimma—and weave an uneasy alliance between her beloved Rudjek, the Demon King, and the remaining orishas, hoping to restore peace to all of their worlds. But as Arrah’s half-demon sister resumes her quest for destruction, peace may require the ultimate sacrifice.…

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.

"When women get together and talk about men, the news is almost always bad news," writes bell hooks. "If the topic gets specific and the focus is on black men, the news is even worse." In this powerful new book, bell hooks arrests our attention from the first minute. Her title--WeReal Cool; her subject--the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: "this is a culture that does not love black males:" "they are not loved by white men, white women, black women, girls or boys.

In this second edition of We Can't Talk about That at Work!, bestselling author Mary-Frances Winters and new coauthor Mareisha N. Reese of The Winters Group, Inc., provide fresh examples, updated research, and compelling insights. Featuring a new chapter on how two organizations have actualized the model for Bold, Inclusive Conversations as well as a discussion guide, this modern classic offers step-by-step guidance for conducting structured conversations around polarizing topics.

As climate disasters wreak havoc, a sister and brother take opposing sides on the fate of the human race. Syrah Carthan wants to save it. A tour guide for the Sequoia National Park, Syrah has an affinity for the millennia-old giants that extends to Rhiza, a subterranean world as ancient as Earth itself. Syrah is the reluctant heir apparent as its Keeper. Her duty is to maintain a balance between nature and humans. But Syrah’s greatest adversary has his duty as well.

When Badger bullies his friends Frog, Moose, Elephant, and Bear, they teach him an unforgettable lesson about empathy, kindness, and forgiveness in this funny and thematically rich social and emotional story from the acclaimed creator of Red: A Crayon's Story.

Welcome to Sunset Academy, the most coveted elementary school in Miami Beach, where there are three categories of families: rich, wealthy, and ultra-wealthy. Perfectly tanned and smiling Charlotte Giordani is Sunset Academy’s alpha mom. With a sleek blowout and relentless charm, Charlotte’s brashness serves her well. She’s up for election as the PTA president and is riding high, having just secured a massive donation from billionaire Don Walker and his socialite wife Patricia.

The island of Antigua comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who took her own life, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters.

It is said that the Canal will be the greatest feat of engineering in history. But first, it must be built. Ada Bunting, a bold sixteen-year-old from Barbados, arrives alone in Panama as a stowaway alongside thousands of other West Indians seeking work in the grand building project of the Canal. Francisco, a local fisherman, resents the foreign nations clamouring for a slice of his country, but nothing is more upsetting for him than his son Omar’s decision to work as a digger.

Paama is a marvelous cook who’s had the bad fortune to marry Ansige. He was the least eligible bachelor in his village: self-centered, foolish, and food-obsessed. Paama has had enough of this miserable life with her gluttonous husband, and so leaves him to return to her old life with her family. But Paama does not know that this is the beginning of a remarkable adventure. Because the Undying Ones are watching her. These spirits observe the follies of mortal life . . . and sometimes meddle and make mischief.

In Never Saw Me Coming, Tanya Smith shares her deeply personal and remarkable story of how she went from a precocious young girl to a money-grabbing, computer-savvy wiz. It starts out as a keen interest in technology and innocently acquiring phone numbers to Michael Jackson, as well as other celebrities, and moves to her successfully stealing and depositing $5,000 into her grandmother’s banking account. By the time she is 18, the risk taker has confiscated millions in cash.

Though the land of Kun used to be lush and green, Amara has only ever known her homeland as a dry, dusty desert. When the griots vanished more than a decade ago, they took their magic with them, along with goddess Oala’s gifts of rain and plenty, leaving Kun controlled by a powerful and uncaring king. And though her foster mother, Zirachi, assures her that Kun is not under a curse, Amara can’t help but wonder if her own origin, which is shrouded in mystery, is somehow linked to the broken kingdom.

It started innocently enough, with calls to celebrities' houses alongside her teenage twin sister. Soon, Tanya Smith realised she could convince utility companies to amend the balances of her friends and neighbours, clearing elderly relatives' overdue electricity bills with a single phone call. Eventually, as she tested the limits and realized she could get past any gatekeeper, this superpower, as she came to think of it, morphed into something else: she wanted access to the actual money herself.

On a rainy day in May 1964, history professor Cecily Bridge-Davis begins to search for the sixty-five acres of land she inherited from her father’s family. The quest leads her to uncover a dark secret: In every generation, one offspring from each Bridge family unit vanishes—and is mysteriously whisked back in time. With only a family Bible and a map marked with the locations of mysterious containers to aid her, Cecily heads to the library, hoping to discover the truth of how this curse began, and how it might be ended.

On her second birthday in 1967, Bernice McFadden died in a car crash near Detroit, only to be resuscitated after her mother pulled her from the flaming wreckage. Firstborn Girls traces her remarkable life from that moment up to the publication of her first novel, Sugar. Growing up in 1980s Brooklyn, Bernice finds solace in books, summer trips to Barbados, and boarding school to escape her alcoholic father. Discovering the works of Alice Walker and Toni Morrison, she finally sees herself and her loved ones reflected in their stories of “messy, beautiful, joyful Black people.”

Twelve-year-old Ann Maria Weems works from sunup to sundown, wraps rags around her feet in the winter, and must do whatever her master or mistress orders—but she has something that many plantation slaves don't have. She has her wonderful family around her. To Ann, her teasing brothers, her older sister, and her protective and loving parents are everything. And then one day, they are gone. Separated from her family by her master and shipped off as a housemaid, Ann learns something about independence and about love before the opportunity for escape arrives.

Xuela’s vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving.

MediMiracle Corporation manufactures Sophrosyne, a miracle cure for opiate addiction. Ellison Ricard, a research analyst for the company, claims to have uncovered data that proves Black users of Sophrosyne experience fatal side effects far more often than people of other races. When Ricard confronts MediMiracle’s charismatic founder and CEO, Peyton Burke, a violent confrontation ensues. The wheelchair-bound Ricard—a Black man who had been severely injured years earlier—is fired that very day.