検索キーワード： ナレーター "Tavia Gilbert" すべてのカテゴリー

Albert Einstein: His name has become a synonym for genius. His wild case of bedhead and playful sense of humor made him a media superstar - the first, maybe only, scientist-celebrity. He wasn’t much for lab work - in fact, he had a tendency to blow up experiments. What he liked to do was think - not in words, but in "thought experiments". What was the result of all his thinking? Nothing less than the overturning of Newtonian physics. Once again, Kathleen Krull delivers a witty and astute look at one of the true giants of science and the turbulent times in which he lived.

In her spare, stark style, Annie Ernaux documents the desires and indignities of a human heart ensnared in an all-consuming passion. Blurring the line between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

Self-regard, in the works of Annie Ernaux, is always an excruciatingly painful and exact process. Here, she revisits the peculiar kind of self-fulfillment possible when we examine ourselves in the aftermath of a love affair, and sometimes, even, through the eyes of the lost beloved.

In A Girl's Story, Annie Ernaux revisits a night 50 years earlier when she found herself submerged and controlled by another person's desire and willpower. It was the summer of 1958, the year she turned 18, and the man she had given herself to had moved on. She'd submitted her will to his and then found that she was a slave without a master.

This is Annie Ernaux’s account of her passionate love affair with A., a man some thirty years younger, when she was in her fifties. The relationship pulls her back to memories of her own youth and, at the same time, leaves her feeling ageless, outside of time—together with a sense that she is living her life backwards. Amidst talk of having a child together, she feels time running its course and menopause approaching. The Young Man recalls Ernaux as the “scandalous girl” she once was but is composed with the mastery and the self-assurance she has achieved across decades of writing.

In these diaries, it is 1989, and Annie is divorced with two grown sons, living outside of Paris, and nearing fifty. Her lover escapes the city to see her there, and Ernaux seems to survive only in expectation of these encounters, saying “his desire for me is the only thing I can be sure of.” She cannot write; she trudges distractedly through her various other commitments in the world; she awaits his next call; she lives only to feel desire and for the next rendezvous. When he is gone and the desire has faded, she feels that she is a step closer to death.

The new grandmaster of Whitehall doesn't want Emily in his school. She's dangerous, he thinks. The only way he'll allow her to return to Whitehall is if she chooses to be a probationary student, a student who can be expelled at the slightest excuse, a student who has to work for one of the professors. Reluctantly, unwilling to leave her first true home, Emily accepts. But she rapidly discovers that she's about to be pushed right to the limit.

Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star - and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.

How did truth become an endangered species? This decline began decades ago, and in The Death of Truth, former New York Times critic Michiko Kakutani takes a penetrating look at the cultural forces that contributed to this gathering storm. In social media and literature, television, academia, and political campaigns, Kakutani identifies the trends - originating on both the right and the left - that have combined to elevate subjectivity over factuality, science and common values. And she returns us to the words of the great critics of authoritarianism, writers like George Orwell and Hannah Arendt, whose work is newly and eerily relevant.

You can run from the grave, but you can't hide. Half-vampire Cat Crawfield is now Special Agent Cat Crawfield, working for the government to rid the world of the rogue undead. She's still using everything Bones, her sexy and dangerous ex, taught her. But when Cat is targeted for assassination, the only man who can help her is the vampire she left behind.

Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of these deadbeats is her father—the one responsible for ruining her mother's life. Then she's captured by Bones, a vampire bounty hunter, and is forced into an unlikely partnership. In exchange for help finding her father, Cat agrees to train with the sexy night stalker until her battle reflexes are as sharp as his fangs. She's amazed she doesn't end up as his dinner…are there actually good vampires?

This extraordinary evocation of a grown daughter’s attachment to her mother - and of both women’s strength and resiliency - recounts Annie’s attempt to first help her mother recover from Alzheimer’s disease and, then, when that proves futile, bear witness to the older woman’s gradual decline and her own experience as a daughter losing a beloved parent. I Remain in Darkness is a new high-water mark for Ernaux, surging with raw emotional power and her sublime ability to use language to apprehend her own life’s particular music.

With color, irony, and sensitivity, Pulitzer Prize winner Annie Dillard illuminates the dedication, absurdity, and daring that is the writer’s life. As it probes and exposes, examines and analyzes, The Writing Life offers deeper insight into one of the most mysterious of professions.

It should be the best time of half-vampire Cat Crawfield’s life. With her undead lover, Bones, at her side, she’s successfully protected mortals from the rogue undead. But though Cat’s worn disguise after disguise to keep her true identity a secret from the brazen bloodsuckers, her cover’s finally been blown, placing her in terrible danger.

Since half-vampire Cat Crawfield and her undead lover Bones met six years ago, they’ve fought against the rogue undead, battled a vengeful Master vampire, and pledged their devotion with a blood bond. Now it’s time for a vacation. But their hopes for a perfect Paris holiday are dashed when Cat awakes one night in terror. She’s having visions of a vampire named Gregor, who’s more powerful than Bones and has ties to her past that even Cat herself didn’t know about.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Dara and Nicola used to be inseparable, but that was before - before Dara kissed Parker, before Nicola lost him as her best friend, before the accident that left Dara's beautiful face scarred. Now the two sisters, who used to be so close, aren't speaking. In an instant, Nick lost everything and is determined to use the summer to get it all back. But Dara has other plans. When she vanishes on her birthday, Nicola thinks Dara is just playing around.

Patricia Eagle’s account of her lifetime of relationships with dogs reveals the clarity, strength, and wisdom she gained from them, even in the most challenging of situations. As Eagle chronicles the lives of her ten dogs over seven decades and the lessons she’s learned from them—including how to become a better dog owner and companion, and even a better human—her dogs come alive on the page, each with their own unique personality, from the feisty to the meek.

It is 1972 and Alicia Talbot, a Vietnam war widow with a two-year-old son, has traveled to the poor, mostly illiterate nation of Botswana to teach English. At the nearby border, civil war roils Rhodesia. Alicia’s remote school harbors a saboteur, someone runs guns to Rhodesian guerrillas, and students sense the rising tension. Alicia falls for a new teacher, Jake Hunter, but just when romance seems possible, the sunbaked Kalahari Desert and guerrilla warfare threaten all she loves.

Investigative reporter Hope Walker is hitting her groove. She's running a small town newspaper, solving complex mysteries, and things are heating up between her and the local sheriff. But trouble is in the air. A dark mystery swirls around why her mother abandoned her so many years ago. New and confounding murders pop up. And Gemima Clark, Hope's enemy since birth, is up to something nefarious and it might just ruin everything Hope has tried to build.