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The Lifestyle & Adventure of Ace McDice, Stretch Deed & Moonshine Melody tells a fictitious tale of three devil-may-care wild men of the Australian Bush during the last days of the era of Bushrangers and the Gold rush at the end of the 19th century. It tells of each character's lifestyle and their united bent as wild men of Australia's west who set upon a plan to rob the Sugar and Tea Express. How the plan manifested and what drove them to an apparent reckless course in gaining the never-to-be-found-out robbery reward is a colourful story herein.

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.

This very clever and highly-polished epistle to Dr Arbuthnot (also entitled the "Prologue to the Satires"), who was suffering from terminal illness, dates from 1734. Arbuthnot, from his deathbed, solemnly advised Pope to moderate his satire and expressed fear about the poet's personal safety from his numerous foes. Pope replied in a manly but self-defensive style. He is said at this time to have in his walks carried arms, and taken a large dog as a protector, but none of the purported enemies ever had the courage to attack him.

This short poem, first published in 1717, became one of Pope's best-known verse works. The actual history of the lady appears to have been intentionally concealed by the poet under a mysterious veil. Dr. Johnson offers the following details, based on the content of the poem: that the lady was distinguished by her rank, fortune, and beauty; that she was committed to the care of an uncle who was being crossed in her affections by her guardian, who opposed her marriage.

Although most of Windsor Forest was written as early as 1704, it was not published until 1713. The poem was completed after the promulgation of the first peace treaty of Utrecht, which is alluded to in terms of approbation in the body of the poem:

Esson’s first collection of poems, Bells and Bees, was published in 1910; a second collection, Red Gums and Other Verses, in 1912. Although Esson published no further poetry collections, his verse continued to appear in magazines such as The Bulletin until the late 1920s.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

The Romantic Epistle was published in 1717 and aroused considerable interest because of its mildly suggestive content. It portrays an incident in which Héloïse d'Argenteuil, now immured in a convent chances on a letter from her former lover and later, husband, the brilliant philosopher Peter Abelard.

This collection was published posthumously in 1869 under the title of Petits Poèmes En Prose, but is also known as Le Spleen de Paris. A prime influence was Gaspard de la Nuit, the prose poem collection by Aloysius Bertrand. Baudelaire described these short pieces as experiments, and also "confessions." The poet was seeking to create "the miracle of a poetic prose, musical without rhythm and without rhyme, subtle and staccato enough to follow the lyric motions of the soul, the wavering outlines of meditation, the sudden starts of the conscience."

Pierre Loti (1850-1923) was a French naval officer, traveler, and novelist. Many of his novels deal with exotic themes, drawn from the author's experiences in India, Turkey, and the Middle East. Lives of Two Cats, first published in 1900, is an affectionate memoir about two cats who were cared for by the author's mother and aunt during his extended periods of travel.

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Thomas Troward (1847-1916) was a divisional Judge in British-administered India, who, in his later years, developed a highly idiosyncratic New Thought philosophy. One of Troward's most startling assertions was that thought had the power to directly create phenomenal manifestation. This theme is explored in detail in this particular book. According to Troward, the universe is the expression of a Universal Creative Principle, which is activated by the self-contemplation of Spirit. To be complete, creation is obliged to incorporate physical expression.

Despite living a short life, and having a relatively small output, John Keats (1795-1821) has become one of the most celebrated English poets. This brief biography covers the important events of his life and provides a charming portrait of one of the most appealing and tragic figures of English literature.

Manly Palmer Hall was a lecturer and author, whose particular interest was in arcane spirituality and esoteric religious traditions. He was associated with a number of universalist religious groups, like the Rosicrucians, and, in later life, the Freemasons.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

In 1896, H.G Wells was stimulated to compose this dystopian fantasy about an obsessed scientist and his efforts to artificially accelerate the intellectual development of animals using bizarre medical procedures involving vivisection. Wells described the book as "an exercise in youthful blasphemy."

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.