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Marcus Garvey (1887-1940) was a Black political activist, journalist, entrepreneur, and orator who founded the Universal Negro Improvement Association and African Communities League, which had a following of more than six million African descended people worldwide. Despite his massive popularity, this Jamaican born international leader was wrongfully sentenced to prison by the U.S. government on trumped-up mail-fraud charges.

Combining the political intrigue of SHE WHO BECAME THE SUN with the gorgeous world-building of CHILDREN OF BLOOD AND BONE, BIRTH OF A DYNASTY is the start of a thrilling epic fantasy trilogy centered around three families’ fight for power in Ahkebulin, a land where magic is feared, giants are real, and prophecy holds sway.

With their new special abilities, Jaxon and his friends are not the ordinary kids they used to be. No longer destined to become a witch, Jax finds himself caught up in a secret plan involving the Guardian of Palmara’s mysterious twin brother, Ol-Korrok. As the ambassador to the realm of magic, Jax must convince Sis that magical creatures should be free to return to the human world. To reach Palmara, Jax and his friends must cross Ol-Korrok’s bridge connecting the two realms. Is Ol-Korrok the ally he pretends to be? Or has Jax set in motion a plan that will endanger both realms?

From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable.

How one night turned into fifteen and counting is beyond me. I never imagined ending up here. I'm a Marriage Broker, not a matchmaker . . . Especially for myself! It was always a ruse. Perception, not reality. For a purpose, not for always. Business, not romance. Want to know my plan? A simple assist, a favor. Want to know my potential downfall? Him. His sincere eyes, his intoxicating smile, his scintillating personality. Oh, and our out-of-control chemistry.

I fake laugh every time I think about how ironic it is to be a commitment-phobe relationship therapist who is also the daughter of two world-renowned marriage and family counselors. Seriously, it's comical! Want to know how I messed up my life? Getting arrested for stealing a priceless artifact for a tearful client. Want to know what my biggest problem is? Spending my life teaching women how to break relationships when all I want to do is make a relationship—with him.

Pull up a chair at Big Earl's diner and meet the 'Supremes': three women from Plainview, Indiana, who've been best friends since their high-school days in the Sixties. Clarice is a pious wife and mother struggling with her husband's infidelity; Barbara Jean must confront the tragic reverberations of a youthful love affair; and Odette, whose fearlessness has saved her friends many times, now faces a terrifying situation of her own.

When a late life love affair blooms between Mr. Forrest Payne, the owner of the Pink Slipper Gentleman's Club, and Miss Beatrice Jordan, famous for yelling warnings of eternal damnation at the Club's departing patrons, their wedding summons a legend to town. Mr El Walker, the great guitar bluesman, comes home to give a command performance in Plainview, Indiana, a place he'd sworn never to set foot in again.

Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature.

Thorn Marsh was raised in a house of whispers, of meaningful glances and half-finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband. When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their methods, and promptly finds herself moved from the news desk to the midweek supplement, reporting heart-warming stories for their new segment, The Bright Side, a job to which she is spectacularly unsuited.

Aegis’s battle against Damocles ended with the Shield of Justice presumed dead and the President of the United States in a coma. As Aegis's friends and allies cope with this devastating loss, a new authoritarian regime rises to brand all superheroes as public enemies. In truth, Hugo Malalou (Aegis) is now a stranger in a strange and dangerous land, living someone else’s life. He has to find his way home in time to stop this sinister regime’s plan to wipe out all superhumans. With the fate of the country and his peers on his shoulders, Hugo cannot afford to fail.

bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

Despite being back with the family she so desperately fought to get back to, all she can think about is the life she left behind. Her aching heart grows worse day by day, but she doesn’t have anyone to confide in about her impossible adventure, so she keeps it all to herself, letting her grief slowly consume her. With no seer, no queen, and no love of his life, Kang-Dae is in a bad place. Though those around him try to convince him Serenity is gone for good, he refuses to accept it. There’s something inside him that desperately clings to the hope that she is alive.

Meet Odder, the queen of play. Nobody has her moves. She doesn’t just swim to the bottom, she dive-bombs. She doesn’t just somersault, she triple-doughnuts. She doesn’t just ride the waves, she makes them. Odder spends her days off the coast of central California, practicing her underwater acrobatics and spinning the quirky stories for which she’s known. She’s a fearless daredevil, curious to a fault. But when Odder comes face-to-face with a hungry great white shark, her life takes a dramatic turn, one that will challenge everything she believes about herself.

Successful romance author Gaia Anders has a secret: anything she dreams at night is magically written into her bestselling novels. After a lonely childhood in foster care, her dream life is the only one she trusts. Gaia's waking life just can't compare—until she gets caught in a real-life kiss. Workaholic businessman Jacob Scott has had a crush on his brother's best friend, Gaia, since forever—but he never expected to literally share her dreams. Living out their magical nighttime fantasies is explosive, but it's their waking desire turning his single-minded ways upside down.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

Good things never happen in November—at least not for the Reynolds women. It was the month they lost their patriarch. And the month when fourteen-year-old Trinity went missing during a tropical storm. So Hope Reynolds isn’t surprised when it becomes the month she walks in on her boyfriend kissing another woman. Or when she receives a panicked call from her mother about a mistake that could cost the family their treasured beach house.

Mary Hamilton grew up knowing right from wrong. She was proud to be Black, and when the chance came along to join the civil rights movement and become a Freedom Rider, she was eager to fight for what she believed in. She was arrested again and again—and she did not back down when faced with insults or disrespect.

Jessica Anderson has been my best friend since college. A single mom who found herself mixed up with a dangerous man years ago, she’s been living a safe, quiet life in Miami after helping police put him behind bars. We both knew her safety, and that of her daughter, was reliant on him staying locked up. So when I see an alert that he’s escaped from his maximum security prison, I know where he’s heading to exact his revenge. Now it’s a race against time to get to Jessica before he does.