検索キーワード： 著者 "Virginia Woolf" すべてのカテゴリー

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

The Virginia Woolf Complete Collection brings together all of her 9 published novels, from her very first published work, the exuberantly youthful The Voyage Out, to the modern masterpieces of Mrs Dalloway and To the Lighthouse, as well as the hugely ambitious and ever-relevant Orlando, alongside many other wide-ranging and ever-inventive works of fiction.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

Based on two lectures Woolf delivered at the University of Cambridge, A Room of One’s Own compellingly argues for women’s intellectual freedom and the importance of financial independence. It is still considered one of the most powerful pieces of feminist writing to this day. Published in 1929, A Room of One’s Own asserts a simple message: in order for women to reach their full creative potential, they must have their own money and space with which to do it with.

Clarissa Dalloway is preoccupied with the last-minute details of a party she is to give that evening. As she makes preparations, she is flooded with memories and reexamines the choices she has made over the course of her life. On the same day, the war-inflicted Septimus is struggling to keep his dark thoughts and vivid flashbacks from overwhelming him, leading to a catastrophic turn of events.

Virginia Woolf’s most famous "stream of consciousness" novel, Mrs. Dalloway, records the events of one June day in 1923 - the day on which Clarissa Dalloway is hosting a party in her London home. Mrs. Dalloway continues to fascinate and challenge, hinting at homosexuality, mental illness, racial prejudice, infidelity, and unrequited love. It presents a perfect picture of London between the wars, in an England where the class system is still firmly entrenched while carrying throughout an undercurrent of rage at the resulting inequalities.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

This is a story from the Classic Women's Short Stories collection.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

"A Room of One's Own" began life as a pair of lectures delivered by Virginia Woolf in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge and was published as a stand-alone book in 1929. In this brilliant examination of literature, history and gender discrimination, Woolf posits that the dearth of female writers in literature did not result from a lack of talent; it was the lack of opportunity.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

Known as one of the foremost modernist novelists of the twentieth century, Virginia Woolf also wrote several shorter works. In "A Society," one of her earlier short stories, a young woman receives asubstantial inheritance from her father, on the condition that she reads all ofthe books in London Library. Distressed by the unsatisfactory quality of theliterature itself, she shares her woes with a group of female friends. Thewomen decide that they all must seek out knowledge for themselves, visitingsome of England's most iconic landmarks.

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf’s friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental literary powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives we are drawn into a literary journey which stunningly reproduces the complex, confusing and contradictory nature of human experience.

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.

Mrs Dalloway said she would buy the gloves herself. Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach. But there was something solemn in the deliberate swing of the repeated strokes; something stirring in the murmur of wheels and the shuffle of footsteps. No doubt they were not all bound on errands of happiness. There is much more to be said about us than that we walk the streets of Westminster. Big Ben too is nothing but steel rods consumed by rust were it not for the care of H.M.'s Office of Works.