検索キーワード： 著者 "Jane Gardam" すべてのカテゴリー

Es ist Abscheu auf den ersten Blick, die Edward Feathers und Terry Veneering, die glänzendsten Juristen des Empire, ein Leben lang verbindet. Als ebenbürtige Gegner in zahllosen Prozessen hassen sie einander schon, bevor sie sich in dieselbe Frau verlieben. Und es wird ein Leben lang dauern, bis sie bemerken, dass sie ebenso gut Freunde sein könnten. Was hat Feathers' Frau Betty so angezogen an Veneering, der mit der schönsten Frau Hongkongs verheiratet ist?

When sweet, healthy, hearty Holly Fox dies suddenly in childbirth, the Surrey village reverberates with shock. She leaves behind a helpless, silent husband and a tiny daughter, Faith. Everyone assumes Holly's loving and capable mother will look after Faith, but when she unaccountably deserts her newborn grandchild, the baby must be packed off to her father's peculiar family in the North...

Shortlisted for the 2014 Folio Prize. Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife, Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and - though it was never spoken of - in love.

England 1904 - Polly, mit sechs Jahren schon eine Pflegefamilien-Veteranin, kommt zu ihren frommen Tanten in das gelbe Haus am Meer. Hier gibt es kaum Unterhaltung, aber es gibt Bücher, und lesend entwickelt sich Polly unbemerkt zu einer stillen, unbeugsamen Rebellin. Ein Buch liest sie immer wieder: Robinson Crusoe wird zu ihrem Kompass in jeder Lebenslage. Ihre eigene einsame Insel verlässt Polly Flint nie ganz.

Ein wundervoller Sommerroman - die Geschichte einer bedingungslosen Freundschaft London ist laut und anstrengend, die Batemans sehnen sich nach Ruhe und haben sich für den Sommer auf dem Land in Yorkshire eingemietet. Vor allem der Vater, ein nervöser Journalist, hofft auf Entspannung in der bäuerlichen Umgebung. Hier trifft sein kleiner Sohn Harry auf Bell, den jüngsten Sohn der Vermieter, und eine tiefe Jungenfreundschaft beginnt.

The three-day Folio Prize Fiction Festival 2014 brought together some great writers and audiences and gave them a real opportunitey to talk in depth about their work and similar subjects. The festival included interviews and discussions with top writers, novelists, poets, critics and publishers, including Eimear McBride, Paul Baggaley, Sergio De La Pava, Rachel Kushner, Sarah Hall, Pankaj Mishra, Stephanie Merritt, Jane Gardam and Mark Haddon.

Acclaimed as Jane Gardams masterpiece, Old Filth is a lyrical series that recalls the fully lived life of Sir Edward Feathers. The Man in the Wooden Hat is the history of his marriage told from the perspective of his wife, Betty, a character as vivid and enchanting as Filth himself. They met in Hong Kong after the war. Betty had spent the duration in a Japanese internment camp. Filth was already a successful barrister, handsome, fast becoming rich, in need of a wife but unaccustomed to romance. A perfect English couple of the late 1940s.

It is a wet day in Dorset, and walking to a luncheon party is Sir Edward Feathers QC, followed by two elderly friends: his scruffy neighbour and sparring partner, Veneering, and Fiscal-Smith, the meanest lawyer ever to make a fortune at the Bar. Fans of Jane Gardam's bestselling novel, Old Filth, will be delighted to encounter Filth, now almost ninety, making his immaculate way to Privilege Hill.

Marigold Green calls herself ‘hideous, quaint and barmy’. Other people call her Bilgewater, a corruption of Bill’s daughter. Growing up in a boys’ school where her father is housemaster, she is convinced of her own plainness and peculiarity. Groomed by the wise and loving Paula, upstaged by bad, beautiful Grace and ripe for seduction by entirely the wrong sort of boy, she suffers extravagantly and comically in her pilgrimage through the turbulent, twilight world of alarming adolescence.

'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine'. Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her - a confining world of wartime restrictions, Viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica has been told that she is 'beyond all possible doubt', a born writer.

This delightful novel describes the post-war summer of 1946 - and follows the growing-up of three young women in the months between leaving school and taking up their scholarships at university. Una Vane, whose widowed mother runs a hairdressing salon in her front room, goes bicycling with Ray, the boy who delivers the fish and milk. Hetty Fallowes struggles to become independent of her possessive, loving, tactless mother. And Lieselotte Klein, uncovers tragedy in the past and magic in the present.

Filth ( Failed in London, Try Hong Kong) is a successful lawyer when he marries Elisabeth in Hong Kong soon after the war. Reserved, immaculate, and courteous, Filth finds it hard to demonstrate his emotions.

But Elisabeth is different - a free spirit. She was brought up in the Japanese internment camps, which killed both her parents but left her with a lust for survival and an affinity with the Far East. No wonder she is attracted to Filth's hated rival at the bar - the brash, forceful Veneering.

The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bill and Harry, two children who find wonder at every turn as they experience the Hollow Land. Everyday challenges give a daring edge to this rural work and play. There are mysteries to explore and uncover, like the case of the Egg Witch, and everyone is curious about the Household Name, a visitor from London, moving into the jewel of the territory, Light Farm.

Throughout her career prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy, and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets.

Eliza, 51, schreibt Briefe an Joan, die Nachbarin, die offenbar ihren Mann und ihre Kinder verlassen hat, und die sie eigentlich kaum kennt. Briefe mit besten Ratschlägen – voller ungeschminkter Wahrheiten, schlafwandlerisch sicher gesetzter Seitenhiebe und Exzentrik. Antwort bekommt Eliza nie, was ihre Schreibwut eher anstachelt. Als ihr Mann Henry plötzlich auszieht, geraten die Briefe zu immer wilderen, fiebrigen Bekenntnissen einer zutiefst einsamen, in ihrem Leben gefangenen Frau, der nicht unbedingt zu trauen ist.