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1971 - Trash is piled on the streets, crime is at a record high, and the city is careening towards bankruptcy. A shooting war has broken out between the NYPD and the Black Liberation Army. Ray Carney, furniture-store owner and ex fence, is trying to keep his head down, his business up, and his life on the straight and narrow. His only immediate need is Jackson 5 tickets for his daughter May, so what harm could it do to hit up Munson, his old police contact and fixer extraordinaire? And suddenly, staying out of the game becomes more complicated - and deadly.

It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It’s strictly the straight-and-narrow for him—until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire.

Dive into three new stories that are sure to fright and delight! Narwhal loves Halloween — it's a great excuse to dress up in a spooky and silly costume, like a ghost, a mermaid, a banana or maybe even Marlow the Mustachioed Moose. It's a skeleTON of fun! Jelly isn't dressing up, though — he's a little scared of this time of year, and would prefer to hunker down in a hidey-hole until Halloween is over. But when a scary sea monster makes an appearance and swallows Narwhal (gulp!), can Jelly, with the help of some super friends, pluck up the courage to save his best bud?

All Denny Malone wants is to be a good cop. He is “the King of Manhattan North,” a, highly decorated NYPD detective sergeant and the real leader of “Da Force.” Malone and his crew are the smartest, the toughest, the quickest, the bravest, and the baddest, an elite special unit given unrestricted authority to wage war on gangs, drugs and guns. Every day and every night for the eighteen years he’s spent on the Job, Malone has served on the front lines, witnessing the hurt, the dead, the victims, the perps.

The stories in this anthology range from quietly strange to ambitiously speculative. Humans transform into cosmic energy or sentient algae. A man wakes up in a new body in a world with continents cut out, months absent from the calendar year, and souls misplaced. Students at a high school regularly vanish without a trace. A woman descends into the depths of the ocean and encounters all-knowing creatures who may have the answers to her deepest questions.

When music mogul Teddy Paris, a former teammate from the New Orleans Saints, visits Nick Travers and asks him to help find $700,000 taken from a rap prodigy, Nick can't turn down his friend. The missing money will pay a bounty on Paris's head that was set by a crosstown rival, a street-hard thug named Cash. Nick soon finds himself lost in the world of Gucci-lined Bentleys and endless bottles of Cristal champagne. He sets out with fifteen-year-old rap star ALIAS, seeking a team of grifters that conned the kid.

With a precise eye for detail, Atkins takes Nick Travers on a journey into the hidden pockets of New Orleans, the battered roadhouses and truck stops of Mississippi, and the streets of Memphis that only an insider could know. The plan is simple. All Nick Travers, a former professional football player turned professor, has to do is drive up Highway 61 from New Orleans to Memphis and track down the lost brother of one of his best friends. But as Travers knows, these simple jobs seldom turn out smoothly.

With his father’s mysterious disappearance and his brother Ronnie enlisting in the Vietnam War, 13-year-old TJ Crowley is left alone with his racist, unstable mother, Kate. The newly enforced Fair Housing Act results in the unthinkable for the Crowleys when a Black family, headed by the eminent Dr. Washington, crosses the racial red line and moves in next door. Kate is quick to warn TJ that their new neighbors are strictly off-limits and makes a panicked call to beg Ray, her old flame, to travel to their home in Wichita Kansas to help deal with “the problem next door.”

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families.

Harlan Ellison’s work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as listeners discovering this zany, polyphonic writer for the first time.

On 12 March 2034, US Navy Commodore Sarah Hunt is conducting routine freedom of navigation patrol in the South China Sea. On that same day, US Marine aviator Major Chris ‘Wedge’ Mitchell is flying an F-35E Lightning, testing a new stealth technology as he flirts with Iranian airspace. By the end of that day, Wedge will be an Iranian prisoner, and Sarah Hunt’s destroyer will lie at the bottom of the ocean. A terrifying new era is at hand.

Buster, a strong and proud boxer, spends his early days with a loving family in a public housing complex in Washington, DC. Abruptly, he is taken away by an abusive, alcoholic man, plunging Buster into a challenging, nightmarish existence. Over the course of his life, he will experience homelessness, tragedy, a harrowing stay in a kill shelter, and acts of kindness, including his adoption by an older gentleman grieving the death of his wife.

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson’s exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start.

In the 1950s, Ruby Walker boarded the Illinois Central from Mississippi to the Promised Land—Chicago. She became one of the greatest blues singers the city has ever known, only to lose everything when she was convicted of murdering her lover and producer, Billy Lyons, in 1959. She's been locked in a prison cell ever since. Now, a flickering hope emerges for Walker in the form of letters from a Tulane University blues historian named Nick Travers. She agrees to an interview only in exchange for him checking out what she calls the truth behind Lyons's last hours.

Alex is twelve, and he did something very, very bad. A judge sentences him to spend his summer volunteering at a retirement home. He hasn’t seen his mom in a year, and Shady Glen’s geriatric residents seem like zombies to him. Josey is 107 and ready for his life to be over. He has evaded death many times, having survived ghettos, dragnets, and a concentration camp—all thanks to the heroism of a woman named Olka and his own ability to sew. But now he spends his days in room 206 at Shady Glen, refusing to speak and waiting (and waiting and waiting) to die. Until Alex knocks on Josey’s door…

From #1 New York Times bestselling author, Pulitzer Prize winner, and leading historian Doris Kearns Goodwin comes a definitive middle grade guide to Presidents Abraham Lincoln, Theodore Roosevelt, Franklin D. Roosevelt, and Lyndon B. Johnson and how they became leaders. So how did each of them do it—rise to become President of the United States? What did these four kids have individually—and have in common—that made them the ones to lead the country through some of its most turbulent times?

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

A modern, Southern reinvention of The Maltese Falcon, Crossroad Blues won noir fans with its nod to the masters and thrilled readers with a wild ride along Highway 61. It’s here that we first meet Nick Travers, an ex-New Orleans Saint turned Tulane University blues historian. Nick searches for the lost recordings of 1930s bluesman Robert Johnson—and a missing colleague—and finds trouble at every turn.

From esteemed crime fiction writer George Pelecanos comes four blistering novellas, drawn together by themes of strife, violence, and humanity. When the son of the Carusos is involved in a hold up, the family home comes under siege in the form of a no-knock warrant. Months after the cops destroyed their home, the Carusos struggle to return to normal. Elsewhere, two former inmates reunite by chance on the set of a TV production. Both have found their way on the straight and narrow path, that is, until one sees the potential for an easy grift.