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As character actress Edie O'Dare finishes the final year of her contract with FWM Studios, the clock is ticking for her to find a new gig after an undistinguished stint in the pictures. She's long supplemented her income moonlighting for Hollywood's reigning gossip columnist, providing her with the salacious details of every party and premiere.

Sadie Jones, a larger-than-life actress and controversial feminist, never wanted to be a mother. No one feels this more deeply than Jude, the daughter Sadie left behind. While Jude spent her childhood touring with her father’s Shakespearian theater company, desperate for validation from the mother she barely knew, Sadie catapulted to fame on the wings of The Mother Act—a scathing one-woman show about motherhood.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, Patricia Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others.

Angela Merkel is a boss. A trailblazer. An icon of colorful suits. Formerly the new leader of the free world. With an entire hand gesture named after her (the “Merkel Diamond”) and celebrated in a viral meme for sparring with Trump, Angela Merkel spent a decade economically and politically revitalizing her country. No one is better positioned than New York Times Berlin correspondent Melissa Eddy to pull back the curtain on the woman who engineered Germany’s rise to wealth, power, and an economy worth 3.8 trillion in USD.

In the colossal void of Shatterspace, besieged by bloodthirsty marauders and brimming with monstrous aberrations, the only constant is power: The deft will escape the slow. The clever will outwit the naïve. The strong will take from the weak. Axia wishes she could be grateful to have spent her life—or what little she remembers of it—on an asteroid so far from anything of interest that even the greediest spacers see fit to pass it by.

As Allied bombs rain down on Torino in the autumn of 1942, Stella Costa’s mother sends her to safety with distant relatives in a Tuscan villa. There, Stella finds her family tasked with a great responsibility: hiding nearly 300 priceless masterpieces from Florence, including Botticelli’s famous Primavera. With the arrival of German troops imminent, Stella finds herself a stranger in her family’s villa and she struggles to understand why her aunt doesn’t like her. She knows it has something to do with her parents.

There’s been a sensational murder at historic Castle Kinloch, a gothic fantasy of grey granite on a remote island in the Highlands of Scotland. Literary superstar Brett Saffron Presley has been found dead—under bizarre circumstances—in the castle tower’s book-lined study. Years ago, Presley purchased the castle as a showpiece for his brand and to lure paying guests with a taste for writerly glamour. Now it seems, the castle has done him in…or, possibly, one of the castle’s guests has.

From the dragon-filled Temeraire series and the gothic magical halls of the Scholomance trilogy, through the realms next door to Spinning Silver and Uprooted, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik’s most beloved stories.

From the dragon-filled Temeraire series and the magical gothic halls of the Scholomance trilogy to the fairy tale worlds of Spinning Silver and Uprooted, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik's most beloved worlds. Within this anthology, we move from ancient Greece and Rome, through the Middle Ages and the Black Death, and into the modern era.

Abel and Janice meet at a school for the deaf. Sign language brings them together, enabling them to survive and, indeed, to forge a love too powerful to be broken by the world into which they were born. Spanning forty years, from the late 1920s to the early 1960s, In This Sign follows the lives of Abel, Janice, and their hearing daughter, Margaret, as they contend uneasily with the “Outside”—a world designed, often purposely, to be inhospitable to those like them.

Los Alamos, 1943. The US Army has gathered scientists to create the world’s first nuclear weapon. Their families, abruptly moved to the secret desert base with no explanation, have simple orders: Stand by. Make do. Above all, don’t ask questions. Christine, forced to abandon her art restoration business in New York for her husband’s career, struggles to reinvent herself and cope with his increasing aloofness. Gertie, the inquisitive teenage daughter of a German Jewish refugee physicist enlists Christine to help her unravel hidden truths and deal with parents haunted by their past.

In 1943, Edda Mussolini, daughter of the fascist dictator, gave her father and Hitler an extraordinary ultimatum – release her husband, Italy’s former foreign minister, Galeazzo Ciano, from prison, or risk her leaking her husband’s incendiary diaries to the press. Instead, Hitler and Mussolini vowed to do everything in their power to destroy the diaries – even if it meant killing Edda. They ordered Hilde Beetz, a German spy, to seduce Ciano in prison in order to learn the diaries’ location.

In the 1960s, the world’s attention was focused on a nail-biting race against time: the international campaign to save a dozen ancient Egyptian temples from drowning in the floodwaters of the gigantic new Aswan High Dam. But the coverage of this unprecedented rescue effort completely overlooked the daring French archaeologist who made it all happen. Without the intervention of Christiane Desroches-Noblecourt, the temples—including the Temple of Dendur, now at New York’s Metropolitan Museum of Art—would currently be at the bottom of a vast reservoir.

Codename Kathmandu, better known as Kat, loves logic and order, has a favorite eight-digit number, and can spot a pattern from a mile away. So when a series of cyberattacks hits key locations in London while the spies are testing security for the British Museum, it’s clear that Kat’s skill for finding reason in what seems like randomness makes her the perfect candidate to lead the job. And while the team follows the deciphered messages to Egypt and the ancient City of the Dead to discover who is behind the attacks and why, Kat realizes that there’s another layer to the mystery.

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter in a family of glassblowers on Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make glass beads in secret, and her work supports the Rosso family fortunes.

Axia wishes she could be grateful to have spent her life—or what little she remembers of it—on an asteroid so far from anything of interest that even the greediest spacers see fit to pass it by. Her days may not be as exciting as the swashbuckling stories of her favorite books or as dramatic as the pasts she’s imagined for herself, but they’re as safe as Shatterspace can manage. So why does something inside her long for the stars every time she sees a spacefaring spelljammer vessel?

Nina and Simon are the perfect couple. Young, fun and deeply in love. Until they leave for a weekend at his family’s cabin in Vermont, and only Simon comes home. What happened to Nina? Nobody knows. Simon’s explanation about what happened in their last hours together doesn’t add up. Nina’s parents push the police for answers, and Simon’s parents rush to protect him. They hire expensive lawyers and a PR firm that quickly ramps up a vicious, nothing-is-off-limits media campaign.

1966, NYC: Jacqueline Susann’s Valley of the Dolls hits the bookstores and she is desperate for a bestseller. It’s steamy, it’s a page-turner, but will it make the big money she needs? In London, Jackie Collins’s racy The World Is Full of Married Men launches her career. But neither author is prepared for the price they will pay for being women who dare to write about sex. Jacqueline and Jackie are lambasted by the literary establishment, deluged with hate mail, and even condemned by feminists. In public, both women shoulder the outcry with dignity; in private, they are crumbling.

In November 2022, a webpage was posted online with a simple text box. It was ChatGPT, and was unlike any app people had used before. It was more human than a customer service agent, more convenient than a Google search. Behind the scenes, battles for control and prestige between the world’s two leading AI firms, OpenAI and DeepMind, who now steers Google's AI efforts, has remained elusive—until now.

Calabria, 1960. Francesca Loftfield, a twenty-seven-year-old, starry-eyed American, arrives in the isolated mountain village of Santa Chionia tasked with opening a nursery school. There is no road, no doctor, no running water or electricity. And thanks to a recent flood that swept away the post office, there’s no mail, either. Most troubling, though, is the human skeleton that surfaced after the flood waters receded. Who is it? And why don’t the police come and investigate?