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On a crisp April morning, Sara Parcell disappears without a trace. No one saw a thing. Desperate, her family agree to take part in a reality TV show following Sara's case. Cameras swarm the house. Viewers tune in. The addiction begins. As the show gains traction, what began as a small-town crime becomes a global sensation. Everyone who knew Sara is questioned on camera - but the producers want more. Hungry for twists, they delve deeper into the story - and soon, it takes on a life of its own.

Most people have something that gnaws at them at night, a mess or unrealized dream somewhere in their lives that causes them to feel stuck, out of control, overwhelmed, incomplete, and dissatisfied. They want to run away, back away, and ignore what they fear -whether it's a demanding boss, unsatisfying sex life, or distant love interest, but they can't. The fear finds them anyway. Psychotherapist Jonathan Alpert wants readers to know one thing: you can face your fear and create your ultimate life - and you can do it quickly.

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

When the USSR collapsed in 1991, the world was certain that Communism was dead. Today, three decades later, it is clear that it was not. While Russia may no longer be Communist, Communism and sympathy for Communist ideas have proliferated across the globe. In To Overthrow the World, Sean McMeekin investigates the evolution of Communism from a seductive ideal of a classless society into the ruling doctrine of tyrannical regimes.

Seventeen-year-old Helena “Nell” Cusack came to New York this summer looking for a story—a real story. She dreams of one day writing hard-hitting articles for the New York Chronicle, but so far she's only managed to land a job as a lowly society reporter. That is, until Alice Austen strolls into her life, an audacious street photographer who encourages Nell to shake up polite society…and maybe also take a chance on love.

An intimate and expertly researched biography of little-known early CIA leader Frank Wisner, whose behind-the-scenes influence on Cold War policy—and hundreds of highly secret anti-Soviet missions—resonates with the international crises we see today.

The Last Supper Club reveals the ups and downs of a waiter's workday and offers an insightful perspective on what makes a job good, bad, or great. For Batt, this job turns out to be considerably more fun, and possibly more rewarding, than his academic career, and his insider's view of waiting tables extols the significance of our food and the places where we gather to enjoy it-or serve it.

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, Patricia Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others.

In 1960s New York, Edward Ives is a picture of the American dream. Adopted as a child by a widowed print shop manager who helped him cultivate a love of drawing, he now has a successful career as an illustrator in advertising, a beautiful home with his wife and muse, Annie, and two loving children. But this idyllic life is brutally wrenched away when Ives’s 17-year-old son, Robert is murdered in a crime of opportunity that proves to be as random as it is senseless.

In this harrowing story based on authentic historical documents, we follow the career of Dr. Silas Weir, “Father of Gyno-Psychiatry,” as he ascends from professional anonymity to national renown. Humiliated by a procedure gone terribly wrong, Weir is forced to take a position at the New Jersey Asylum for Female Lunatics, where he reigns. There, he is allowed to continue his practice, unchecked for decades, making a name for himself by focusing on women who have been neglected by the state—women he subjects to the most grotesque modes of experimentation.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

New York City in the 1960s was the beating heart of the United States, a global metropolis thriving on its abundance and diversity. But in a short time, "Gotham" went through an extraordinary transition. The postwar golden years gave way to a frantic era of social, political, racial, and economic turmoil. Groups with their own distinct ideological aims gained a presence in the city. And with this frenzied new era came a new wave of violence.

In this harrowing story based on authentic historical documents, we follow the career of Dr. Silas Weir, “Father of Gyno-Psychiatry,” as he ascends from professional anonymity to national renown. Humiliated by a procedure gone terribly wrong, Weir is forced to take a position at the New Jersey Asylum for Female Lunatics, where he reigns. There, he is allowed to continue his practice, unchecked for decades, making a name for himself by focusing on women who have been neglected by the state—women he subjects to the most grotesque modes of experimentation.