検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

The enigmatic and diminutive priest continues to fathom the deepest of mysteries in a set of 11 fascinating stories which are set in such diverse locations as a Mexican Hotel, an English Seaside Pier, and an Oxford University Garden. Chesterton presents his humble and blinking detective as an almost childlike contrast to the bizarre and dark machinations of the fallen world.

Set in London in the early 1900s, this metaphysical thriller follows undercover policeman Gabriel Syme, who, in partnership with a Scotland Yard task force, attempts to take down underground anarchists. Syme encounters Lucian Gregory, a passionate anarchist, who eventually takes him to a secret meeting place. Once there, Syme begins to influence the anarchists and is eventually elected to the central council. In his attempts to destroy the council of anarchists from the inside, he starts to uncover more secrets, each more mysterious than the last.

While visiting his old friend Flambeau, Father Brown attempts to explain to an inquisitive American the 'secret' of his detective method, by means of eight stories of crime, murder, and obsession, including: a poet accused of the murder of a magistrate; stolen jewels and stolen fish; a theatre manager dead in a locked room; a mourner shut away in a castle; and the case of the worst crime in the world.

The Man Who Was Thursday–described as a metaphysical thriller–is an stunning work of detective fiction by the great G.K. Chesterton that follows the adventures of Gabriel Syme, an undercover detective who infiltrates a secret anarchist organization known as "The Council of the Seven Days".

Der schlaue Pater aus Essex ist berufsbedingt in der Toskana. Instinktiv schließt er sich einer kleinen Reisegruppe an, die ins "Paradies der Diebe" aufbricht. Ein Ort, der, einer alten Legende nach, vom Räuberhauptmann Montano beherrscht wird. Alles Aberglaube? Keineswegs. Denn schon bald stürzt ihre Kutsche einen Abhang hinunter und sie stehen den Räubern Auge in Auge gegenüber.

Father Brown - das ist jener englische Geistliche, der äußerst bescheiden daherkommt, vor dessen Kombinationsgabe und Scharfsinn aber der größte Bandit und der berühmteste Kriminalist den Hut ziehen müssen! Hier mit seinem ersten Fall: Das blaue Kreuz. In diesem bringt er gleich seinen späteren Freund und Helfer, den Verbrecher Flambeau, zur Strecke.

I have strung these things together on a slight enough thread, but as the things themselves are slight, it is possible that the thread (and the metaphor) may manage to hang together. These notes range over very variegated topics, and in many cases, were made at very different times.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

Der Pater weilt auf Urlaub in den USA. Und schliddert selbstredend sofort in einen Kriminalfall. Ein bekannter Milliardär wurde ermordet. Mit einem Pfeil erschossen - vom Garten seines Anwesens, das einer uneinnehmbaren Festung gleicht. Vom Täter fehlt jede Spur. Wie ist das möglich? Ist hier etwas Übernatürliches am Werk? Fiel dieser Pfeil buchstäblich vom Himmel?

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.