検索キーワード： 著者 "Joseph Conrad" すべてのカテゴリー

Marineoffizier Byrne sorgt sich um den besten Seemann seines Schiffes, den er bei einer Inselerkundung einem unheimlichen Fremden hatte anvertrauen müssen. Er begibt sich auf die Suche und macht eine ungeheuerliche und lebensbedrohliche Entdeckung...

Ein Wirbelsturm im Chinesischen Meer wird zur dramatischen Zerreißprobe für Schiff, Besatzung und Passagiere.

Il romanzo si apre con il viaggio del giovane ufficiale in seconda Jim su un vascello, il Patna. Lo scontro con un relitto fa credere che la nave sia in procinto di affondare e Jim la abbandona con sopra i passeggeri. Jim, che nel fondo è un idealista, si pente subito del gesto vile, frutto di un atto impulsivo dettato dall'orrore del momento, ma anche un'inchiesta sancirà la sua colpa. Nel tentativo di rifarsi una vita, va in giro per il mondo, sfuggendo a se stesso, cercando l'anonimato.

London, 1886: Adolf Verloc lebt mit seiner Frau Winnie und ihrem geistig behinderten Bruder Stevie in den Hinterräumen seines kleinen Ladens in Soho. Doch jenseits der Ladentheke arbeitet Verloc als Geheimagent und spioniert die anarchistischen Kreise Londons aus - für die britische Polizei und eine ausländische Botschaft. Sein Doppelleben verläuft ruhig, bis der neue Botschaftssekretär von ihm ein radikales Zeichen verlangt: Er soll einen Bombenanschlag planen.

"Sur les bancs argentés les hippopotames et les crocodiles prenaient le soleil côte à côte. On perdait son chemin sur ce fleuve comme on le ferait dans un désert, tant qu'on se croyait coupé à jamais de tout ce qu'on avait connu jadis - quelque part - bien loin - dans une autre existence peut-être."

A través de un personaje ficticio (el viejo marinero "Marlow"), Conrad describe una travesía por el río Congo en busca del señor "Kurtz" que es el jefe de una explotación de marfil. El encuentro con Kurtz, será la confirmación de la hipócrita actitud colonialista y pone en tela de juicio su carácter de cruzada moral y comercial. El director de cine Francis Ford Coppola se basó en este breve relato para su película Apocalypse Now, que si bien estaba ambientada en la guerra de Vietnam, mantenía el espíritu del relato de Conrad.

Sir Ralph Richardson reads 'The Tale', and 'The Black Mate' by Joseph Conrad.

Lord Jim may have been based in part on true events. Although Conrad never confirmed this assertion, similarities to real life events appear too strong to be dismissed as mere coincidence. The novel is in two main parts: firstly Jim's lapse aboard the Patna and his consequent fall, and secondly, an adventure story about Jim's rise and the tale's denouement amongst the people of Patusan - set in the Indonesian archipelago.

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays, and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels. and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays, and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels. and first-class acting alongside high production values.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

The Shadow Line tells the story of a young man whose dream to be a captain of his ship comes true accidentally. He should command a boat from Bangkok to Singapore filled with sick passengers. His crew gets infected by malaria, and he finds out the medicine necessary to save them is missing deliberately after a couple of days wandering in the sea with no wind in sight. His mate convinces him that the ghost of the previous captain, who before his death turned insane and wanted to take the ship down along himself and the crew, has cursed them.

The story centers on Charles Marlow, who narrates most of the book. He is an Englishman who takes a foreign assignment from a Belgian trading company as a river-boat captain in Africa. Heart of Darkness exposes the dark side of European colonization while exploring the three levels of darkness that the protagonist, Marlow, encounters: the darkness of the Congo wilderness, the darkness of the Europeans' cruel treatment of the African natives, and the unfathomable darkness within every human being for committing heinous acts of evil.

First published in 1902, Heart of Darkness has clearly earned its place in literary history. The story is based on Conrad’s personal experiences in Central Africa and closely parallels many of the events that occurred while he worked his way up the Congo River, and back, on a steam wheeler. Those events inspired him to create characters and a story line that deals with the early greedy exploitation of the Congo by the Europeans, in this case, through the ivory trade.

Conrad’s Lord Jim is the iconic story of a romantic young man and his struggle with guilt and self-loathing. The novel begins with Jim’s earlier life as a ship’s officer. He and the other crew members abandon an imperiled vessel and its passengers after a mysterious collision reveals a dangerous bulge below the water line. But the ship does not sink and Jim survives to face an official inquiry. He is stripped of his license and faces universal scorn and the reality of his own guilt.

Jim is a young and naive clerk on a cargo ship plying Asian waters. He harbors romantic fantasies of adventure and heroism that are promptly scuttled one night when the ship collides with an obstacle and begins to sink. Stripped of his seaman's license, convinced of his own cowardice, Jim sets out on a tragic and transcendent search for redemption.

Un giovane capitano al suo primo incarico come comandante di una nave.

Joseph Conrad’s multilayered masterpiece tells of one nation's violent revolution and one hero's moral degeneration. Conrad convincingly invents an entire country, Costaguana, and sets it afire as warlords compete for power and a fortune in silver.

Señor Gould, adamant that his silver should not become spoil for his enemies, entrusts it to his faithful longshoreman, Nostromo, a local hero of sorts whom Señor Gould believes to be incorruptible.