検索キーワード： ナレーター "Eric Smith" すべてのカテゴリー

When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.

Following the loss of most of his colleagues in a violent ambush, Kenton has become Lord Mastrell of the few remaining Sand Masters, magicians who can manipulate sand to do their bidding. With the ruling council poised against him, the hot-headed Kenton must become a diplomat to have any hope of preventing the eradication of his people forever. However, there’s another complication: assassins are coming for him from all directions, and Kenton’s only true ally is Khriss, a visitor from the other side of the planet who has an agenda of her own to pursue.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

On the planet of Taldain, the legendary Sand Masters harness arcane powers to manipulate sand in spectacular ways. But when they are slaughtered in a sinister conspiracy, the weakest of their number, Kenton, believes himself to be the only survivor. With enemies closing in on all sides, Kenton forges an unlikely partnership with Khriss - a mysterious Darksider who hides secrets of her own.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever. Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun.

Raithe, the God Killer, may have started the rebellion by killing a Fhrey, but long-standing enmities dividing the Rhunes make it all but impossible to unite against the common foe. And even if the clans can join forces, how will they defeat an enemy whose magical prowess renders them indistinguishable from gods?

When the Colonial Marines set out after their deadliest prey, the Xenomorphs, it's what Corporal Hicks calls a bug hunt - kill or be killed. Here are fifteen all-new stories of such "close encounters", written by many of today's most extraordinary authors. Set during the events of all four Alien films, sending the Marines to alien worlds, to derelict space settlements, and into the nests of the universe's most dangerous monsters, these adventures are guaranteed to send the blood racing - one way or another.

The sun is setting on humanity. The night now belongs to voracious demons that prey upon a dwindling population forced to cower behind half-forgotten symbols of power. Legends tell of a Deliverer: a general who once bound all mankind into a single force that defeated the demons. But is the return of the Deliverer just another myth? Perhaps not.

The galaxy just called for help. Unfortunately, the wrong man answered. When small-time con man Cal Carver is thrown in jail and forced to share a cell with a semi-naked, cannibalistic serial killer, he's pretty sure his day can't get any worse. Boy, is he wrong. It isn't until two-thirds of the human race is wiped out and Cal is mistakenly abducted by aliens that things really start to go downhill.

As a Knight of Crystallia, I, Bastille, swore to protect the Smedry clan from the Evil Librarians. (And believe me, screwups like them constantly need protecting.) But when Alcatraz Smedry got strapped to an altar of outdated encyclopedias to be sacrificed to the dark gods, I arrived too late—and instead his father took his place. Now Alcatraz is a blubbering mess, so it’s up to me lead the charge against his father’s killer: Biblioden, founder of the Evil Librarians—I was sure he died centuries ago—who’s back to complete his goal of world domination.

It’s been right at two years since the last time Amaryllis saw a live crowd in front of a stage, instead of a swarm of cars in a parking lot or drive-in theater. We were almost ready to jump back into a tour cycle to celebrate and promote our first album without The Machine when the lockdowns hit, shuttering the whole world for over a year. And I haven’t been able to stop thinking about the woman who dropped her keys in our parking lot when the paparazzi ambushed me. Everything about her has been on my mind since.

The companions' journey across Lake Huron is interrupted by a pirate attack during a furious storm, and Krysty is pulled overboard during the fray. The companions seek refuge on a submerged freighter occupied by ex-pirate “Mean Pete" Kellogg and his crew. They tell stories of "He Who Shouts in the Lake", a creature under the control of Heidecker labs. The stories say the director of Heidecker labs is brutal and unforgiving, burning local villages to the ground and infecting them with disease. Forget the stories. Ryan knows only one truth. He must get Krysty back.

Preacher is no hired killer. When a wagon train is ambushed on the Santa Fe Trail, though, he can’t say no to the St. Louis businessman willing to pay him for justice. It’s not the stolen gold that’s convinced Preacher to take the job. And it’s not the missing body of one of the wagon train’s crew, a prime suspect who may have plotted the ambush and taken off with the gold. No, it’s the suspect’s lovely fiancée, Alita Montez. She believes her boyfriend is innocent—and has run off to find him. Preacher can’t abide the idea of a young woman alone on the Santa Fe Trail.

The famous duo has been split! Watson has been banished from Holmes's company. Despite the interference of his horrible wife, Mary, Watson tirelessly insinuates himself into every magical adventure he can. Together, he and Holmes face a man with a twisted...everything, some very questionable juice-drinking Germans, Garrideb the Devourer and the estimable Irene Adler. Yet, nothing can prepare them for Moriarty's new form and the terrible moment they must face their Finality Problem at the edge of the Reichenbach Falls.

A story of a man who awakens in a psychiatric hospital with amnesia. He struggles to remember who he is and why he is there. Piece by piece, he learns not only his own identity, but the identity of one man whom he shares a dark history with. A story of humor, madness, and revenge.

Archie's Madhouse collects four stories from the terrifying horror series that tears through Riverdale's cast of characters.