検索キーワード： ナレーター "Elena" すべてのカテゴリー

Trauma nurse Aly Cappellucci doesn’t need any more kinks. She likes the one she’s landed on just fine. To her, nothing could top the masked men she follows online. Unless one of those men was shirtless, heavily tattooed, and waiting for her in her bedroom. She dreams about being hunted by one in particular, of him chasing her down and doing deliciously dark things to her willing body. She never could have guessed that by sending one drunken text, those dreams would become her new reality.

Elyse, Sebastian, and Kiana lives are thrown into chaos with the revelations and truths that they must face. Shifterkind will never be the same. The five thrones could all end now.

Sera è finalmente libera da Kolis ed è tornata da coloro che le vogliono bene, eppure i ricordi di ciò che ha passato continuano a perseguitarla, anche ora che finalmente può sperare in un futuro con l'altra metà del suo cuore e della sua anima. Nyktos l'ama, la desidera e la accetta senza riserve, e non dubita che sia adatta a essere la Regina degli Dei, ma Sera deve trovare quella stessa fiducia dentro di sé, se vuole convincere le altre Corti a sostenerla contro Kolis per rendere Iliseum e il regno mortale luoghi migliori e più sicuri per tutti.

The stakes have never been higher, and she's full of the devil. Edward Fasbender is my husband. Together, we brought down powerful men. Now we have a chance to start over. To be the family neither of us ever had, to leave the past in the past where it belongs. Edward has a choice to make. It will decide if we fall into the flames—or rise together.

With her heart literally in his hands, Celia will have to try and bargain with a devil. Edward Fasbender is my captor. Trapped on this island he owns everything on—including, it seems, me. He told me he would break me, but I thought he meant in the bedroom. It turns out Edward is playing a completely different game. And he won't stop until he's ruined me.

Their relationship changes again when Celia learns the devil takes care of his own. Edward Fasbender is my savior. From the ashes of who I once was, he is helping me to rise. He has a list of people who have wronged him. And now he's adding names to that list. Names that I gave him. And we will have our revenge.

Edward Fasbender is a devil. He’s my father's biggest rival. He takes what he wants, and he bows to no one. And now Edward Fasbender wants me. I didn’t expect to want him back. Having him is not in the cards, not when a union with him would destroy my father. But that doesn’t mean I can’t play with him a bit. Except, I’ve never played against such a ruthless opponent. Edward is cold and vicious, and my blood has never run hotter. They say you should choose the devil you know, but I've always preferred long odds. Even if it'll get me slain.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

Reagan's trip down to the underworld was never going to remain a mystery. And now Lucifer is actively looking for the woman and her vampire cohort that raised hell in his domain. When a band of demons come to the surface with a note asking after Lucifer's heir, the truth of Reagan's true lineage can no longer be hidden. The problem is, the elves remember Lucifer's past heir, and how he nearly took down the Realm. This time, they do not intend to stand by while Lucifer finds his heir and raises her to power. This time, they'll cut the problem out at the root.

There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. I've always been good at following rules. Until she came. Then I learned new rules.

Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her. Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari. Karhari killed her husband, and Maud—completely abandoned by his family—has spent over a year avenging his debts. Rescued by her sister Dina, she's sworn off all things vampire.

Lily isn’t exactly thrilled with her arrival in the Afterlife, but what awaits her there is more fantastical than she ever could have imagined: Deities wait in line at the coffee shop. Fae flit between realms. Souls find ways to make death a beginning. As she explores the many corners of the Afterlife, Lily finds herself surprisingly drawn to a place most people would avoid at all costs: Hell. Armed with years of customer service experience and pent-up sarcasm, Lily carves a job out for herself amongst Hell’s demons, sending souls to their rightful circles with more than a hint of sass.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

She might not have a famous name, funding, or her family’s support, but Katarina Shaw has always known that she was destined to become an Olympic skater. When she meets Heath Rocha, a lonely kid stuck in the foster care system, their instant connection makes them a formidable duo on the ice. Clinging to skating—and each other—to escape their turbulent lives, Kat and Heath go from childhood sweethearts to champion ice dancers, captivating the world with their scorching chemistry, rebellious style, and roller-coaster relationship.

Anna está furiosa porque tiene que abandonar su vieja casa, su escuela y su ciudad. Se muda con sus padres a Moonville, un anticuado pueblo en medio del bosque. Para colmo, el lugar está lleno de leyendas y secretos. ¿Quién es, por ejemplo, ese gato misterioso que la sigue a todas partes? ¿Podría ser el gato de una bruja? Un momento... ¡¿y si la bruja fuera ella?!

Considerada la obra más madura de Lorca, La casa de Bernarda Alba cierra la llamada trilogía de la tragedia -formada también por Bodas de sangre y Yerma-. Su carácter realista y la opresión en el pecho que se siente ante la represión de unas mujeres atrapadas en un frío infierno de luto, celos, silencio y sueños truncados se ha interpretado como un presagio de los oscuros tiempos que se avecinaban y en los que el propio Lorca se convertiría en una víctima prematura.