検索キーワード： ナレーター "Bill Nighy" すべてのカテゴリー

In the absolutely packed Act II, the dark fantasy resumes and the Sandman expands into the French Revolution, ancient Rome, 19th-century San Francisco, eighth-century Baghdad, and beyond. New and familiar characters abound, voiced by a bright mix of performers, including Kat Dennings, Regé-Jean Page, Emma Corrin, Michael Sheen, Kristen Schaal, Brian Cox, John Lithgow, Jeffrey Wright, and so many more, including fan-favorite narrators Simon Vance and Ray Porter.

Part One, The Fellowship of the Ring, introduces us to Frodo Baggins. With his uncle Bilbo having mysteriously disappeared, Frodo finds himself in possession of a simple gold ring that has great and evil power. It is the Ruling Ring, taken long ago from the Dark Lord, Sauron, who now seeks to possess it again. Frodo must do everything he can to prevent this, and with the help of Gandalf the wizard and a band of loyal companions he begins a perilous journey across Middle-earth.

The second instalment of Tolkien's epic tale, adapted from the original BBC Radio 4 full-cast dramatisation. Having fled the Shire in their escape from Sauron's Dark Riders, Frodo and the Fellowship of the Ring have journeyed to Rivendell and beyond

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

Timeless Tales for Kids is an enchanting compilation of children's classic stories read by an all-star cast. Olivia Colman reads E. Nesbit's classic novel The Railway Children, a masterpiece in children's fiction wonderfully evoking a bygone age, packed with fun, excitement and adventure. Bill Nighy reads a much-loved children's classic, The Wonderful Wizard of Oz, which continues to delight young and old with its enchanting tale of witches, flying monkeys and magical shoes.

The evil Saruman has been defeated by Gandalf, but in Mordor the battle for the Ruling Ring continues. Wounded by the giant spider, Shelob, Frodo has been captured by the dreaded orcs

The Discworld is in danger, heading towards a seemingly inevitable collision with a malevolent red star, its magic fading. It needs a hero, and fast. What it doesn't need is Rincewind, an inept and cowardly wizard who is still recovering from the trauma of falling off the edge of the world. Or Twoflower, the well-meaning tourist whose luggage has a mind (and legs) of its own.

Grab your sisters and cinch those corsets! This is a retelling of Jane Austen’s beloved Pride and Prejudice like no other, performed by a remarkable new cast with an original score by Grammy-nominated composer, Morgan Kibby. Elizabeth Bennet has no intention of settling for any man, or frankly any life, that isn’t lived entirely on her terms. She will marry for love, dance when she wants to dance, and—if at all possible—find a quiet spot to read without being interrupted.

On a dark winter's night in 1970, Horley and Grinstead huddle for warmth in the Senior Common Room of a college in Oxford. Conversation turns to the two impressive works of art that Horley has recently added to his collection. What the two men don't know is that these pieces are connected in mysterious and improbable ways, and they are about to be caught in the cross-fire of a story which has travelled time and worlds.

Death has been fired by the Auditors of Reality for the heinous crime of developing…a personality. Sent to live like everyone else, Death takes a new name and begins working as a farmhand. He's got the scythe already, after all. And for humanity, Death is just…gone. Which leads to the kind of chaos you always get when an important public service is withdrawn. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls—there's no telling what might happen.

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.

Insurrection is in the air in the city of Ankh-Morpork. The Haves and Have-Nots are about to fall out all over again. Captain Sam Vimes of the city's ramshackle Night Watch is used to this. It's enough to drive a man to drink. Well, to drink more. But this time, something is different - the Have-Nots have found the key to a dormant, lethal weapon that even they don't fully understand and they're about to unleash a campaign of terror on the city. Time for Captain Vimes to sober up.

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Renowned for his wit, style and sophistication, Noël Coward was one of the greatest playwrights of the 20th century. His plays, set in the glittering world of high society in which he lived, are much admired and have remained in the popular theatre repertoire to this day. This collection brings together the very best radio adaptation

Captivating radio dramatisations of seven of Charles Dickens' most famous novels. Charles Dickens is one of the most renowned authors of all time, and this first digital volume of the dramatised canon of his work includes seven of his most popular novels.

Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain - and it is his mission to carry out the will of the people. Nothing must get in his way: not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy. With trademark intelligence, insight and scabrous humour, Ian McEwan pays tribute to Franz Kafka’s most famous work to engage with a world turned on its head.

Eric is the Discworld's only demonology hacker. Pity he's not very good at it. All he wants is his three wishes granted. Nothing fancy—to be immortal, rule the world, have the most beautiful woman in the world fall madly in love with him, the usual stuff. But instead of a tractable demon, he calls up Rincewind, probably the most incompetent wizard in the universe, and the extremely intractable and hostile form of travel accessory known as the Luggage.

Cameras roll, for the first time, on the Discworld when alchemists discover the excitement of the silver screen. But what is the dark secret of Holy Wood hill? As the clichés of Tinsel Town pour into the world, it's up to the Disc's first film stars to find out. Join Victor Tugelbend and Theda Withel as they battle the forces of evil and cinema advertising. They're about to discover that the magic of the silver screen might be powerful enough to put an end to, well, everything.