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Francis Edward Ledwidge was born on 19th August, 1887, in the small village of Janeville in Slane, County Meath, in Ireland to parents that believed strongly in education. At the age of 5 his father died and the entire family, already desperately poor, were forced into work and by 13 the young Ledwidge took whatever job was to hand—from farm hand to road labourer. Throughout this time he applied himself to his poetry writing whenever and wherever he could. His poems were published on a regular basis from the age of 14 in the Drogheda Independent, his local paper.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

In 1890 W. B. Yeats and Ernest Rhys founded a poetry club. Based mainly at Fleet Street’s immortal ‘Ye Olde Cheshire Cheese’ pub, with occasional appearances at the Domino room in the Café Royal, poets gathered together to dine and drink. Whilst it was based on a core of poets, many others attended on an ad hoc basis including Oscar Wilde, Francis Thompson & Lord Alfred Douglas. The camaraderie, banter and poetry that played out in their dreams, ambitions and for many, their difficult lives led Yeats to call them ‘the tragic generation’.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

James Augustine Aloysius Joyce was born on the 2nd February 1882, in Dublin, into a middle-class family, and the eldest of ten surviving siblings. After publishing a poetry volume, ‘Chamber Music’, in 1907, his short story collection ‘The Dubliners’, in 1914, helped establish his talent in the rapidly changing world. Although far from home Joyce’s literary heart and works were set in his recollections of Dublin. Characters are close resemblances of family and friends and indeed enemies.

William Butler Yeats was born in Sandymount in County Dublin, Ireland, on 13th June 1865. Yeats is perhaps best described as Ireland’s national poet in addition to being one of the major twentieth-century literary figures of the English tongue. He represents the ‘Romantic poet of modernism,’ with an extraordinary style created from the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions.

Alice Christiana Gertrude Thompson was born on 22nd September 1847 in Barnes, London. In 1876 she married Wilfred Meynell, the newspaper publisher and editor, and together they set up and published a number of magazines as well as publishing the initial works of several poets including Francis Thompson. As the new century dawned, she along with many other artists began to question the colonial needs of Empire with its segregation and oppression. In particular she sought and gained a role in the Women’s Suffrage movement as it attempted to obtain greater equality for women.

A new poetry collection from Britain's foremost truth-teller, in Divisible by Itself and One Kae Tempest masterfully steers a path between their more public-facing performance and dramatic work and the contemplative voice that came to the fore in Running Upon the Wires. Questions of integrity – hence the prime number of the title – are addressed in direct, affecting terms: how can we be true to ourselves while under constant pressure to conform? Throughout the poems, ideas of form – of the body, gender, and in nature – resurface and resolve.

"El retrato del Sr. W. H." es una historia escrita por Oscar Wilde, publicada por primera vez en la revista Blackwood's Magazine en 1889. Fue posteriormente añadida a la colección "El crimen de lord Arthur Savile y otras historias". En esta novela corta Oscar Wilde intenta descubrir la identidad de la persona a la que van dedicados los sonetos de Shakespeare, un secreto que los expertos intentan averiguar sin éxito desde hace quinientos años. Hay múltiples teorías al respecto y Wilde se decanta por la teoría de que el autor de estos es Willie Hughes.

In The Guide to James Joyce's Ulysses, Patrick Hastings provides comprehensive support to readers and listeners of Joyce's magnum opus by illuminating crucial details and reveling in the mischievous genius of this unparalleled novel. Written in a voice that offers encouragement and good humor, this guidebook maintains a closeness to the original text and supports the first-time reader or listener of Ulysses with the information needed to successfully finish and appreciate the novel.

Veinticinco años después de Sobre la fotografía, Susan Sontag regresó al estudio de la representación visual de la guerra y la violencia. ¿Cómo nos afecta el espectáculo del sufrimiento ajeno? ¿Nos hemos acostumbrado a la crueldad? Para ello, la autora examina la serie de Goya Los desastres de la guerra, las fotografías de la guerra civil estadounidense y de los campos de concentración nazis, y las horribles imágenes contemporáneas de Bosnia, Sierra Leona, Ruanda, Israel y Palestina, así como de la ciudad de Nueva York el 11 de septiembre de 2001.

I det berømte titelessay Elefanten og i det efterfølgende essay En henrettelse leverer Orwell en svidende kritik af det britiske koloniale styre. Baseret på egne oplevelser som officer i det koloniale politi i Burma kaster han et undersøgende blik på magt, magtudøvelse og underkastelse. Herefter følger klassikeren Sådan dør de fattige samt en række af de mesterlige indlæg, Orwell skrev til sin ugentlige klumme i Tribune i årene 1943-47 under overskriften As I please.

Sound interesting? The author thinks so too! Listen to J. M. Synge and the Ireland of His Time and learn about the beautiful landscapes of Ireland.

Based on the historical record of Bessie’s "confession" to witchcraft in 16th-century Scotland, the episodic structure of the play shows the many characters and events that supposedly made up the catalogue of her crimes, but which in fact testify to her innocence and goodness.

The works of J.R.R. Tolkien are some of literature's most beloved. For decades, scholars, fans, and critics alike have been discussing and debating the professor's Legendarium—much ink has been spilled, many books bound, all offering their unique perspectives.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

Northern Ireland is one hundred years old. Northern Ireland does not exist. Both of these statements are true. It just depends on who you ask. How do you write about a place like this? THE STRANGERS' HOUSE asks this question of the region’s greatest writers, living and dead. What have they made of Northern Ireland–and what has Northern Ireland made of them?

This delightful poetry collection celebrates the landscape, lore, and literary legacy of the extraordinary Blasket islands, a small archipelago lying off the west coast of the Dingle peninsula in County Kerry.

What is it about Middle-Earth and its inhabitants that has captured the imagination of millions of people around the world? And why does Tolkien's creation continue to fascinate and inspire us eighty-five years on from its first appearance? Beginning with Tolkien's earliest influences and drawing on key moments from his life, Twenty-First-Century Tolkien is an engaging and radical reinterpretation of the beloved author's work. Not only does it trace the genesis of the original books, it also explores the later adaptations and reworkings that cemented his reputation as a cultural phenomenon.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."