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On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

Ellenor, fille d'un riche attorney et Ralph, jeune avocat ambitieux, sont amis d'enfance. Peu à peu, leur amitié s'est transformée en un sentiment plus tendre. Ils s'éprennent l'un de l'autre et se fiancent. Et, tout à coup, une nuit de mai va bouleverser leur vie...

Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, memory and a fading past, and facing mortality. The poems reflect a life well-travelled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin and Barcelona, and crossing the bridges of Venice to visiting the White House, listeners will travel through familiar locations and new destinations through Tóibín's unique lens.

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

A beautiful selection of poems from a young man who would become a brilliant author and essayist, a thinker who was very much at the forefront of changes in the twentieth century. Here is a book that could be carried in your pocket and enjoyed quickly—a poem of innocent love or remembrance of events that make the boy become the man.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

My poetry covers a wide variety of topics. In this book, I go deeply into my quest for the meaning of life and connection to the source. I take you on an exciting and enchanting journey into magical worlds, some fantasy, and others very real. You will encounter mystical realms of angels, wizards, mermaids, fairies, elves, gnomes, giants, and dragons, as well as discover your own inner light that may have remained dormant for a while. My wish is to assure listeners that beyond the veil they are shown a passage to the eternal kingdom of peace, love, and joy.

Written when Vita became homesick for her beautiful home in Kent, it had six print runs within three years of its publication in 1926. Vita has always been popular for her gardening, her lifestyle, and bohemian companions like Virginia Woolf and the Bloomsbury group. Her nostalgia for farming and the beauty of the seasons is described with an artist’s eye for detail.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

Astrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.

"Sir Gawain and the Green Knight" is a late 14th-century chivalric romance in Middle English. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition.

Known as the 'Irish Chekhov', Brian Friel was one of the most renowned dramatists of his generation, producing over 30 plays in a career spanning six decades. Included here are some of his best-known works, as well as mesmerising radio documentaries featuring the author himself, in his own words.

Sir Terence Rattigan was one of Britain's greatest playwrights, renowned for his well-crafted dramas of upper-class manners and repressed sexuality. He was hugely popular throughout the 1940s and early '50s, and had the rare distinction of having plays running in three West End theatres simultaneously. Having fallen out of fashion in the '60s, his work is now enjoying a huge revival. Included here are some of his most esteemed plays, adapted for radio and brought together in chronological order in one statement collection.

In this audiobook, C. R. Wiley shows that Tom is not an afterthought but Tolkien’s way of making a profoundly important point. Tolkien once wrote, “[Tom Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function.” Tom Bombadil and his wife Goldberry are a small glimpse of the perfect beauty, harmony, and happy ending that we all yearn for in our hearts.

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary, between the living and the dead, between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.

The majority of Vernon Lee’s work was essays and studies on art and history, but this little-known essay’s sense of places lends itself more to poetry than nonfiction. As Lee guides us through an enchanted wood, it gives us an insight into the inspiration behind Lee’s supernatural stories.

In this beautiful collection, 20 outstanding writers set out with old memories and new adventures. ‘I’ve always hated walking,’ Harland Miller offers as his precis, while Ingrid Persaud and Agnes Poirier consider the rituals of pilgrimage and protest march. ‘It isn’t a walking city,’ Kamila Shamsie writes of Karachi, though she strides across it regardless. On the shores of Foulness Island, Will Self hopes to avoid landmines. In a forest north of Berlin, Jessica J. Lee gets soaked, then lost.