検索キーワード： アジア系アメリカ人・太平洋諸島系

In the face of a slow but impending apocalypse, what binds three seemingly divergent lives (a writer, a photographer, an old man), isn’t the commonality of a perceived future death, but the layered and complex fabric of how loss, abuse, trauma, and death have shaped their pasts, and how these pasts continue to haunt their present moments, a moment in which time seems to be running out.

Exes Ward Dunbar and Camille Buhay thought they would never see each other again. They had broken up to pursue their dream jobs on opposite sides of the country—her to New York City, and him to Los Angeles. But years later, they unexpectedly reconnect in London, where they are interviewing for similar jobs. The spark they feel when they meet again is palpable—the attraction comes back like muscle memory, reminding them of what they had lost. When Ward and Camille discover they both got the job working opposing shifts, they vow to give their relationship another try.

It’s spring 1999, and 25-year-old Lia Cope and her prickly 73-year-old grandmother, Mineko, are sharing a bedroom in Curtain, Texas, the ranching town where Lia grew up and Mineko began her life as a Japanese war bride. Both women are at a turning point: Mineko, long widowed, moved in with her son and daughter-in-law after a suspicious fire destroyed the Cope family ranch house, while Lia, an architect with a promising career in Austin, has unexpectedly returned under circumstances she refuses to explain.

Glen Wu (aka Glue) couldn’t care less about his job. He’s returned to Hong Kong, the city he grew up in, and he’s teaching ESL, just to placate his parents. But he shows up hungover to class, barely stays awake, and prefers to spend his time smoking up until dawn breaks.

A story told in two parts as a graphic novel and novella, about elderly Wong Cho Sum’s attempt to cope with the death of her husband by taking up bottle and can collecting. Denison Avenue explores the price of progress in cities like Toronto and those it leaves behind.

Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she's never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva's hopes are dashed, and so she plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please.

San Francisco 1959 - Kats Takemoto, the Nisei private detective from Hunters Point, returns to investigate the murder of a young Chinese girl, killed in a covert CIA brothel in the heart of San Francisco. Her family, members of the Tong, a powerful Chinatown gang, demand vengeance that threatens to start an all-out war in Chinatown unless Kats can discover the truth behind the slaying.

As Parul grows older, she becomes increasingly unhappy and resentful with her lot in life. Mohini struggles with their relationship as well, never sure whether to treat Parul as a sister or a servant. When Parul has a passionate, secret affair with Rahim, a radical Muslim, the careful order the Sens have maintained is thrown into chaos.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

The Plan was simple: find a cure for the cancer that nearly took her sister’s life. But for Zoey Fong, something about The Plan isn’t working anymore. Maybe it’s her unsuccessful research, maybe it’s burnout. But when a crucial tissue sample accidentally winds up in the hands of a very distracting—and disarmingly handsome—visitor, Zoey jumps at the chance to follow him home to retrieve it.

On paper, Zoe Zeng has made it in New York’s fashion world. After a string of unpaid internships, she’s now a fashion columnist at Chic, lives in a quaint apartment in Manhattan, and gets invited to exclusive industry events. But life in New York City isn’t as chic as Zoe imagined.

Hurricane Harvey is about to hit Houston. Meanwhile, single mom Jia Shah is already having a rough week: her twelve-year-old son, Ishaan, has just been suspended from school for getting in a fight. Still reeling from the fallout of her divorce—their move to Houston, her family’s disapproval, the struggle to make ends meet on her own—now Jia is worried about Ishaan’s future, too. Will her solo parenting be enough? Doesn’t a boy need a father?

On paper, Zoe Zeng has made it in New York's fashion world...but life in the city isn't quite what Zoe imagined. Her editor at Chic magazine wants to censor her opinions to please the big brands; she shares her 'quaint' (read: small) apartment with three roommates who never let her store kimchi in the fridge; and how is she supposed to afford all the designer clothes on her meagre salary? When Zoe is offered a job at FitPick - a startup based in Silicon Valley - the salary and office perks are great, but moving across the country and leaving her best friends behind? Not so much.

The rain has made everything cold and damp, and it's the perfect evening for Kyoko to exact her revenge. After years of rage and grief over her mother's death, Kyoko has decided who is to blame: a man named Daniel, a fellow violinist who had wooed her mother, Emi, during their time together in an orchestra, and then dropped her - driving her to her death. Kyoko follows the unsuspecting Daniel home and manages to get her rash kidnapping plot off the ground...and really, what could go wrong?

When it comes to love and art, Rooney Gao believes in signs. Most of all, she believes in the Chinese legend that everyone is tied to their one true love by the red string of fate. And that belief has inspired her career as an artist, as well as the large art installations she makes with (obviously) red string. That is until artist’s block strikes and Rooney begins to question everything. But then fate leads her to the perfect guy.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings.

Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai.

"Where are you from . . . ? No—where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt.

Gina Rae, a tenacious defense investigator, is trying to find evidence that will vindicate her client, Darren Lewis. Her boyfriend, Detective Tae Lee, still grappling with the aftermath of a devastating tragedy, sets out to prove Darren’s guilt. Their quest propels them into a world where the wealthy and powerful play... by their own set of rules. As Gina and Tae get closer to discovering the truth, they soon find themselves on a collision course with a methodical, ruthless killer.

In The Kingdom of Surfaces, award-winning poet Sally Wen Mao examines art and history—especially the provenance of objects such as porcelain, silk, and pearls—to frame an important conversation on beauty, empire, commodification, and violence. In lyric poems and wide-ranging sequences, Mao interrogates gendered expressions such as the contemporary “leftover women,” which denotes unmarried women, and the historical “castle-toppler,” a term used to describe a concubine whose beauty ruins an emperor and his empire