検索キーワード： アジア系アメリカ人・太平洋諸島系

Vivian Yin is dead. The trailblazing starlet was the first Chinese actress to win an Oscar ­- but at what should have been the peak of her career, she became a recluse. The rest of her life was shrouded in mystery. Now, her daughters gather for the reading of her will. They expect to inherit their childhood home: a grand Southern California manor house with a sprawling, labyrinthine garden. But due to a last-minute change to the will, the house is passed on to another family instead. The two families haven't seen each other for decades - not since the tragedy that fractured all of their lives.

Throughout a childhood spent moving between different countries, one thing was constant for Leen. The local shopping centre. Within those complexes the familiar landscape of logos, the bright lights, the climate controlled environment and the interactions between workers and customers never changed. It all looked shiny, new and tidy - on the surface. So, when it feels like the same day for far too long, Leen decides to open a healing studio - ear-cleaning, massage and cupping - for her, the Par Mars Topic Heights shopping complex is the perfect location to build a business.

Cinnamon Beach is a multicultural tragicomedy, told from three female perspectives, in which an American writer living in Japan returns to South Carolina to scatter the ashes of her brother while trying to maintain the "perfect-family" facade she created from afar, and support her Indian American sister-in-law who wants a future which might upset everyone. Sparks fly at an impromptu book-signing when the author reconnects with her college friend, now a famous African American country music star, and her daughter who is deaf finds ways to communicate with a secret first-love.

Girlie, a thirty-something Filipinx-American, works a day job at a social-media moderation centre, flagging and removing the very worst that makes it on to the internet. She's good at it, too—dispassionate, unflinching, maybe because she learned by necessity to cauterise all her emotions when she was still a kid—so it's no surprise to anyone when the social-media company for which she works offers her a big pay rise and an office to start moderating its new venture: virtual-reality theme parks, stunning simulations of civilizations long-since dead.

Richly textured, compassionate, and at times hilarious, Cowboys and East Indians traces a journey from India to Wyoming and back again, introducing us along the way to characters who seem not quite to fit the circumstances in which they find themselves, but who nevertheless search for belonging—through unexpected common ground with their human neighbors or the abiding, if isolating, openness of the vast landscape of the West.

It’s 2015 and Maxine Thomas, the founder and creative director of the cult makeup company Reveal, has just been suspended by her own Board for a scandalous transgression. Housebound in her New York City apartment, where she awaits the verdict on her future, Max recounts her version of the events that have brought her to this moment.

Freshman Minnie is adrift at college in Austin, Texas, when she discovers a boy band called HOURglass and the online forums that worship them. She especially loves Halo, whose sharp edges feel somehow familiar. After a brief romance goes painfully awry, Minnie pours everything into her new fandom, clinging to each livestream and bonding with other fans online. But when a scandal threatens to expose Halo to harm, Minnie decides that she is the only one who can save him.

Six is 6′7″, scheming to rejoin the starting lineup, and barely checks her phone. Green is 6′1″, always building her brand, and secretly jealous of her more famous girlfriend. Together, they’re going where no Asian American trans woman has gone before: the men’s pro indoor volleyball league. Our hot girls with balls just thought playing with the boys would spare them some controversy . . . haha.

Sometimes Therapy Isn’t Enough finds the author coping with mental health struggles through poetry. The book is divided into four chapters, taking the listener on a raw emotional journey through anxiety, addiction, depression, and grief.

It’s January 2020, and Miriam is already getting a sense that the world might be ending. First, she learns that her best friend, Esther, has died. Then her faith in God—in everything, really—follows suit. Her job teaching Scripture at a private Christian school suddenly seems untenable, so she quits. Thankfully, the postal service is hiring. While Miriam finds comfort in her route, the mail truck can hardly outpace the memory of her lost friend and eroded faith.

I rediscovered a bit of myself in Jun-li, and in May-lee Chai's beautifully constructed and perfectly contained world. It's the deftly and subtly rendered intricacies that mark this story, link it to the experience of Asians in America, and linger in the imagination. Julie Shigekuni, author of A Bridge Between Us, In Plain View, and Invisible Gardens When you are eleven years old, is there anything more humiliating, or bound to cause a fight, than shopping with your mother when your body is in full-throttle warp? Yes, there is: picking out the school-required underwear.

Rosario, a Filipina novelist in New York City, has just learned of her mother's death in the Philippines. Instead of rushing home, she puts off her return by embarking on a remote investigation into her family's history and her mother's supposed inheritance, a place called La Tercera, which may or may not exist. Rosario catalogs generations of Delgado family bequests and detritus: maps of uncertain purpose, rusted chicken coops, a secret journal, the words to songs sung at the family home during visits from Imelda Marcos.

Meet Tony: insatiably curious, deeply compassionate, with a unique perspective on every scene he encounters. Kidnapped and transported to the New World after traveling from the British East India Company’s outpost on the Coromandel Coast to the teeming streets of London, young Tony finds himself in Jamestown, Virginia, where he and his fellow indentured servants—boys like himself, men from Africa, a mad woman from London—must work the tobacco plantations. Orphaned and afraid, Tony initially longs for home.

Composed of several interconnected stories, each taking place in a year ending with the number six, ironically a number that in Chinese divination signifies “a smooth life,” Dear Chrysanthemums is a novel about the scourge of inhumanity, survival, and past trauma that never leaves. The women in these stories are cooks, musicians, dancers, protestors, mothers and daughters, friends and enemies, all inexplicably connected in one way or another.

Set in New York and China over three decades, Paper Names explores what it means to be American from three different perspectives. There’s Tony, a Chinese-born engineer turned Manhattan doorman, who immigrated to the United States to give his family a better life. His daughter, Tammy, who we meet at age nine and follow through adulthood, grapples with the expectations of a first generation American and her own personal desires. Finally, there’s Oliver, a handsome white lawyer with a dark family secret and who lives in the building where Tony works.

Em Shaker Heights tudo é planejado: da localização das escolas à cor usada na pintura das casas. E ninguém se identifica mais com esse espírito organizado do que Elena Richardson. Mia Warren, uma artista solteira e enigmática, chega nessa bolha idílica com a filha adolescente e aluga uma casa que pertence aos Richardson. Em pouco tempo, as duas se tornam mais do que meras inquilinas: todos os quatro filhos da família Richardson se encantam com as novas moradoras de Shaker.

Korean immigrant Mina Pak Johnson is clearing out the last of her husband’s things when she finds a picnic basket in his closet—a long-forgotten wedding present from her mother. With it comes decades of memories—of her mother’s wishes for her to be happy and her own shattered hopes for her first child—and regret at never having used it. Pushing her husband’s ashes and a bottle of wine in a rusty old stroller, Mina is determined to re-create the picnic they never had. But with it comes something Mina never expected, illuminating a loving gesture her husband made years ago.

Seventeen-year-old Bucky Yi knows nothing about his birth country of South Korea or his bio-dad's disappearance; he can't even pronounce his Korean name correctly. Running through the woods of rural Washington State with a tire tied to his waist, his sights are set on one all-American goal: to become a college football player. So when a misadventure with his adoptive family leads the US government to deport him to South Korea, he's forced to navigate an entirely foreign version of his life.

Zora has committed every inch of her life to establishing her thriving DC bookstore, making it into a pillar of the community, and she just hasn’t had time for romance. But when a mystery author she’s been crushing on for years agrees to have an event at her store, she starts to rethink her priorities. Lawrence is every bit as charming as she imagined, even if his understanding of his own books seems just a bit shallow. When he asks her out after his reading, she’s almost elated enough to forget about the grumpy guy who sat next to her making snide comments all evening.

Gary Pak has emerged as one of the most important Asian Hawaiian writers of our time. In this new collection, Pak expertly crafts a memorable cast of Hawai'i's Korean Americans, Chinese Americans, Japanese Americans, and Native Hawaiians, amplifying our cross-cultural understanding of Hawaiian life today.