検索キーワード： アジア系アメリカ人・太平洋諸島系

Monica Tsai spends most days on her computer coding for a program that seeks to connect strangers online. A self-confessed recluse, she finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. Now in their nineties, Monica worries about them—especially her grandmother Yun whose memory has begun to fade. Monica has become intent on tracking down the long-lost cousin Meng that her grandmother was separated from back in China before it’s too late.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

A meticulously observed, gorgeously-crafted snapshot of gay culture in the pulsing early years of the tech boom, Gaysians renders its hilarious, flamboyant, human protagonists with love and individuality, showing tenderly the particular joy of queer friendship and yearning.

Jia Song has always been destined for greatness. As the daughter of Korean bodega owners, she promised herself that she would have every Fifth Avenue luxury when she grew up, and it is all finally within reach. She has just made junior partner at her prestigious Manhattan law firm, she can count on her two best friends to have her back, and she is about to score the ultraluxe gold-on-gold Birkin bag of her dreams. So when her boss asks her to sit in on the hush-hush family implosion of a high-level client, she accepts without hesitation.

Vivian Yin is dead. The trailblazing starlet was the first Chinese actress to win an Oscar ­- but at what should have been the peak of her career, she became a recluse. The rest of her life was shrouded in mystery. Now, her daughters gather for the reading of her will. They expect to inherit their childhood home: a grand Southern California manor house with a sprawling, labyrinthine garden. But due to a last-minute change to the will, the house is passed on to another family instead. The two families haven't seen each other for decades - not since the tragedy that fractured all of their lives.

When her boyfriend of seven years suddenly breaks up with her, relationship advice columnist Gemma Cho is convinced that real love doesn’t exist. As a bisexual woman who’s had zero luck with both men and women, she’s ready to give up on her own romantic prospects. That is, until she's paired up with world-renowned photographer Celeste Min on a potentially career-saving piece on modern love.

Portland, 1888. Amid the subterranean labyrinth of the notorious Shanghai Tunnels, a woman awakens in an underground cell, drugged and disguised. Celia soon realizes she’s a “Shanghaied” victim on the verge of being shipped off as forced labor, leaving behind those she loves most. Although well-accustomed to adapting for survival—being half-Chinese, passing as white during an era fraught with anti-Chinese sentiment—she fears that far more than her own fate hangs in the balance.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

On a university campus in rural Qixian, Lin and Liz make an improbable pair: Lin, a Chinese student closer to her menagerie of pets than to her peers, and Liz, a Chinese American teacher grieving her mother’s sudden death. They’re each met with hostility—Lin by her classmates, who mock her for dating a white foreigner; Liz by her fellow English teachers, who exploit their privilege—and forge an unlikely friendship. After a startling betrayal that results in Lin’s expulsion, they swap places. Lin becomes convinced to pursue her degree at a community college near Liz’s Ohio hometown.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Bo knows she should go. Years of rain have drowned the city and almost everyone else has fled. Her mother was carried away in a storm surge and ever since, Bo has been alone. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape—but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay.

Noelle Tom really shouldn’t have eaten those dumplings at the night market. But the old woman at the stall said they’d give her what she needed most, and what Noelle desperately needed after another long workweek was food. Except now she’s reliving the same Friday. Every morning her alarm goes off at 6:45, and the Wordle answer is always “happy.” Worst of all, any work she does at her job as an engineer? It’s erased when she wakes up. Monday might never come in this workaholic’s nightmare.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Julie Chan, a supermarket cashier with nothing to lose, finds herself thrust into the glamorous yet perilous world of her late twin sister, Chloe VanHuusen, a popular influencer. Separated at a young age, the identical twins were polar opposites and rarely spoke, except for one viral video that Chloe initiated (Finding My Long-Lost Twin And Buying Her A House #EMOTIONAL). When Julie discovers Chloe’s lifeless body under mysterious circumstances, she seizes the chance to live the life she’s always envied.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

Sometimes Therapy Isn’t Enough finds the author coping with mental health struggles through poetry. The book is divided into four chapters, taking the listener on a raw emotional journey through anxiety, addiction, depression, and grief.

I rediscovered a bit of myself in Jun-li, and in May-lee Chai's beautifully constructed and perfectly contained world. It's the deftly and subtly rendered intricacies that mark this story, link it to the experience of Asians in America, and linger in the imagination. Julie Shigekuni, author of A Bridge Between Us, In Plain View, and Invisible Gardens When you are eleven years old, is there anything more humiliating, or bound to cause a fight, than shopping with your mother when your body is in full-throttle warp? Yes, there is: picking out the school-required underwear.

DESPRE AUDIOBOOK. Cum arată viața cuiva care nu se simte protagonistul propriei existențe? Care sunt constrângerile unei astfel de vieți? Ce și până unde îi este permis să viseze? Willis Wu și-a dorit dintotdeauna să fie Tipul Care Se Pricepe La Kung Fu, dar până una alta, trebuie să se mulțumească cu a fi unul dintre miile de Bărbați Asiatici Generici care-și găsesc un rost pe platourile de filmare ale serialelor polițiste de la Hollywood. Își va îndeplini el visul, va reuși el să-și găsească locul în marea narațiune americană și dacă da, cu ce preț?

Jasmine Sinclair, is a strong-willed journalist who is engaged to a Hollywood actor. Her fiancé's indiscretions create a scandal, leaving Jasmine washing her hands of all men. At the insistence of her mother, she accompanies her father, Senator Sinclair, to Seoul on a business trip and is joined by her two best girlfriends, Candace and Rita, the catalysts that will push Jasmine to give love and romance another chance with the protagonist, Wen Howan.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?