検索キーワード： 叙事詩

Vor etwa 2.000 Jahren starb Ovid. Wie kaum ein anderer prägte er die abendländische Kultur. In seinen "Metamorphosen" erzählt er von der Entstehung der Welt und des Menschen. In rund 250 Verwandlungssagen führt er durch die antike Mythologie bis in die Gegenwart des antiken Lesers. Es sind mythische Geschichten von Menschen oder Halbgöttern, die zu Pflanzen, Tieren und Sternbildern werden. Seine "Metamorphosen", geschrieben in Versen und in über 15 Stunden gelesen von Burgschauspieler Peter Simonischek, sind so fantasievoll wie fantastisch und regen immer wieder zu neuen Deutungen an.

The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love.

In his first attempt at the epic form, Ngũgĩ tells the story of the founding of the Gĩkũyũ people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters - called “The Perfect Nine” - and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice.

The first of Homer's epic poems tells of the counsel of Nestor, Achilles' slaying of Hector, and the defeat of the Trojans by the Greeks.

In his perilous journey home after the Trojan War, Odysseus must pass through the land of the Cyclopes, encounter Circe the Enchantress, and face the terrible Charybdis and the six-headed serpent Scylla.

A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history - Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story.

Paradise Lost is a well-known part of the English literary canon. Told as an epic poem in blank verse, Paradise Lost is John Milton’s retelling of the biblical story of Satan’s fall from grace and the beginning of humanity. In the beginning of Paradise Lost, Satan has been banished to Hell and is working to organize the angels who fell with him and create his new kingdom. While a constant angelic war rages, Satan begins to wield his influence on the first humans created on Earth, and soon tempts them into defying God by using wit and logic to tempt Eve.

The Vita nuova is elaborately and symbolically patterned, consisting of a selection of Dante's early poems interspersed with his own prose commentary. The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of "screen-loves", to his overwhelming grief at her death, ending with the transformative vision of her in heaven.

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. 

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

The Old English epic poem Beowulf, recorded in its original Saxon dialect for the first time. Performed by Icelandic poet, playwright, professional storyteller and performer Svanur Thorkelsson, Audible’s production gives listeners the opportunity to experience how it might have felt to hear bards recite sections of the 3000-line poem from memory in Anglo Saxon dining halls. Audible’s Beowulf recaptures the heroic style and vast scale of what can be considered ‘England’s first native audiobook’.

The Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology. The Kalevala was instrumental in the development of the Finnish national identity and the sense of nationality that led to Finland's independence from Russia in 1917. Beginning with the traditional Finnish creation myth, the Kalevala branches out into stories of the creation of the earth, plants, creatures, and the sky. There are many stories of, romance, kidnapping, seduction, and magical spell casting and singing.

Beowulf the Warrior is an outstanding modern version of the oldest epic in the English language. Ian Serraillier has retold in verse the story of the hero Beowulf and his three memorable exploits - first, his rescuing of Hrothgar the Dane from the ravages of monstrous Grendel; next, his victory over Grendel's strange and horrible mother; and finally, in Beowulf's old age, his saving of his own people, the Geats, from the horrors of a dragon at the cost of his life. Beowulf's heroism and noble heart communicate to any modern listener.

Princess Elandra must stop a war started by her crazy sister Queen Olwen. As the evil making the queen mad spreads can the kingdom be saved?

The second volume of poems which is meant to accompany the Treasure Fleets series. Written by the characters of the books, they are essential to understanding their journeys through life and love while they cross the seas to new lands. Each volume reveals the inner nature of the person as they traverse and endeavor. With few words they try to convey the depth of their feelings, longings as they share each other.

The poem "Song of Myself" by Walt Whitman first appeared in his 1855 volume Leaves of Grass. "Song of Myself" is written in Whitman’s signature free verse style. The "I" of the narrator should not be confused with the person of the historical Walt Whitman, as the first-person persona is portrayed as having transcended the conventional boundaries of self. Most critics consider "Song of Myself" as the core of Whitman’s poetic vision, and it remains one of the most acclaimed of all American poems.