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From a visionary writer praised for her captivating work on Black history and experience, comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures.

“I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best.

c a r v e d, Kate Mapother's first collection of poetry, explores life and loss in its varied dimensions. At once gut-wrenching and hopeful, these poems take the listener by the hand and heart through themes of sexuality, God, love, grief, and family. The writing is rich in imagery and substance, leaving no doubt in the listener's mind about Mapother's ability to plumb the depths of hard emotion, then land you somewhere soft. These poems don't pretend to know. They simply witness.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms.

We take our memory for granted. Dementia will steal it in ways most of us could never imagine. Winter Solstice by Diana Howard burrows deep into the heart-rending poetic journey of a daughter trying to love and help her mother who is slowly losing her memory. Through poems and vignettes written over a period of 15 years, the listener will enter a world of denial, confusion, shame, fear, humor, sacrifice, patience, and love, finding solace and empathy with an experience many of us go through, yet struggle to find words to describe.

When I was in the fourth grade, we had a map of Vietnam on our kitchen wall. When my mother received an airmail letter, she would walk to the map and move one of the stickpins to a new location to see if one of her brothers was in harm’s way in some new hot spot or battle. I spent a lot of time worrying about that map. I had five uncles in Southeast Asia during the Vietnam War. This is a book about going off to war, a book about coming back home, and a book about those who are left behind. I dedicate this book to those voices, my family, and every voice calling out at times of war.

Set in rural southern Indiana in the '50s to '70s, these poems tell the story of a complex family dynamic. This debut collection blends Bible images, authentic dialogue, and powerful natural forces to relay the effects of family trauma and mental illness.

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power.

Bestselling author and mom blogger Bunmi Laditan vulnerably shares the prayers she's prayed for her children as inspiration for your own prayer life. Refreshingly relatable, bravely honest, and deeply heartwarming, Help Me, God, I'm a Parent meets you right where you're at and gives voice to the thoughts everyone--even you--has about parenthood that they are afraid to say out loud.

Un auténtico canto a la alegría de vivir. "La vida rima" nos lleva de la mano por un recorrido de vivencias con las que todos nos sentiremos identificados: los poemas surgen de la reflexión sobre los hechos cotidianos de la vida, la maternidad, la relación con un hijo, la vuelta a la vivencia de las emociones a través de la seducción y el enamoramiento, la madurez que lleva a reconocerse a sí misma.

If you intend on a new start, avoiding the fractal vise of old entanglements, Escaping the Timeline is a restorative collection of poetry exploring the path between doing no harm and taking no crap.

Parting Ways is a book of poetry in support of birth mothers and our adopted children. Birth mothers, may you always know what a courageous and selfless decision you had to make. And to all our adopted children, may you know how much you are loved and cherished by the women who carried you and still do in their hearts forever.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

Award-winning poet and spoken-word artist, Jeremy McEwen, moseys his listeners down an old gravel road to his late great-grandfather's dying apple orchard in this new collection of poetry. Papa's Apples is packed full of themes of life 'n death, religion, coming-of-age, baseball, nature as beauty, family, and rural life. McEwen spins his youthful tall-tales into seamless, well-crafted, narrative gems that are sure to soften the heart and put a giggle in the belly. His colloquial, country voice takes us back to a sacred place in time that existed not that long ago.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, memory and a fading past, and facing mortality. The poems reflect a life well-travelled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin and Barcelona, and crossing the bridges of Venice to visiting the White House, listeners will travel through familiar locations and new destinations through Tóibín's unique lens.

Her son is left behind in a store by her husband. Again, and again. What is Heidi Esther gonna do to fix her husband this time? She desperately tries to go back to the bliss of ignorance in her perfect suburban marriage. But, with a new bestie, her pastor, and an unexpected coworker at her side, she comes face-to-face with what she’s left behind. And what she discovers about herself and her life leave her awake, breathless, surrounded by Kleenex, and learning from trees.

The title poem, a series of sonnet-sized Zoom meetings - a classroom, a memorial service, an encounter with a new baby in the family - finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: In “Island Diaries”, the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero.