検索キーワード： 死・悲嘆・喪失

A collection of honest, fierce and beautiful poems about being a mother, from pregnancy and birth to growing up and leaving home. Curated by acclaimed anthology Ana Sampson, Night Feeds and Morning Songs examines motherhood from all angles, capturing the mess and the madness, to the joy and the wonder....

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

Sabrina Benaim, author of Depression & Other Magic Tricks, has connected deeply with readers and reached millions of viewers through her poetry, breaking down the stigma around mental illness. Now, she dives into challenging and universal territory: grief over a relationship’s end, loneliness in a world under lockdown, and the anxiety of caring for a loved one from afar in the wake of a serious diagnosis.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives.

A breathtaking collection of love poems from one of our great contemporary poets - stunning odes of obsession, loss, and the desire for a renewed self.

Brooks Haxton has been writing for years about the connections between human beings and the creatures we find fascinating. Mister Toebones, his new collection, draws its title from a nickname Haxton gives to a daddy longlegs he sees at his father's grave. In another poem, the poet and his mother, in search of a swimming hole, find a copperhead rearing to strike, about to birth its live young. Elsewhere, waist-deep in the Mississippi River, under the Atlantic Ocean, on the cracked ice of a frozen pond, even in outer space, the poet explores forces that seem past endurance.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

The first selection of poems by renowned Iranian poet Garous Abdolmalekian to appear in English, this collection is a captivating, disorienting descent into the trauma of loss and its aftermath. In spare lines, Abdolmalekian conjures surreal, cinematic images that pan wide as deftly as they narrow into intimate focus. Time is a thread come unspooled: Pain arrives before the wound, and the dead wait for sunrise.

From NPR correspondent and New York Times bestselling author, Kwame Alexander, comes a powerful and provocative collection of poems that cut to the heart of the entrenched racism and oppression in America and eloquently explores ongoing events.

Engaging the matriarchal structure of the beehive, Amanda Moore explores the various roles a woman plays in the family, the home, and the world at large. Beyond the productivity and excess, the sweetness and sting, Requeening brings together poems of motherhood and daughterhood, an evolving relationship of care and tending, responsibility and joy, dependence and deep love.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and—zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.

My Heart Beats is a poetic heart-cry of the unborn innocents who have already perished and those who are destined to die. Some of what you will listen might sound harsh or confrontational. Truth sometimes comes across that way, even when the one penning the words does not intend to be harsh, just honest.

Asesinato. En este corto poema el autor relata en forma de diálogo un crimen que realmente ocurrió en la calle 42 de Nueva York. El relato de la violencia que este acto físico supuso le sirve al poeta para plasmar el dolor de su ánimo. Ciudad sin sueño. Intenta transmitir el poeta su propia insatisfacción por analogía con la noche, la vigilia, que no le permite dormir ni soñar ni encontrar alivio o esperanza. Navidad en el Hudson. En este poema identifica el protagonista su sensación de soledad con respecto al resto del mundo en el río Hudson.

Jose Ángel Graña Abad nos trae con su decimocuarta publicación “Este corazón muge y grita”, un conjunto de poemas de una intensidad extrema, que constituyen una obra poética, que evocándonos la pasión y la fuerza de “El rayo que no cesa” *, ha conseguido generar un universo de imágenes poéticas de gran belleza. El baile pasional de la dialéctica del amor y la muerte, del materialismo y el idealismo, se desarrolla en los versos, donde incluso llegan a cantar Janis Joplin, Paty Smith, o Amy Winehaouse.

A collection of poetry by Kieran Marsden.

The Apocalyptic Mannequin by Stephanie M. Wytovich is a collection that strips away civilization and throws listeners into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you've had when your electricity went out and every pit that grew in your stomach, while watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who - or what - lives inside us, once everything is taken away.

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

Award-winning narrator Mike Vendetti becomes the speaker of Dickinson's poem personifying Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife.