検索キーワード： 死・悲嘆・喪失

My Greenhouse is a collection of poems inspired by the author's first romance, beginning with the seeds of infatuation, blooming for a time into real love, and then eventually dying back, making room for new growth. The pieces evoke the feelings of enchantment, uncertainty, pain, and ultimately healing that come with your first love and heartbreak.

I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

In Tell Me Another Story, Marucci examines those closest to her—her grandfather, nephew, and husband—as well as those she hardly knows—the women sitting at the next table in the diner; the roofer she meets on the train. Part 1: Me, is comprised of Emmy's own story—raw and personal—while Part 2: You tells the stories of others. With genuine curiosity and tenderness, Marucci asks of herself, her loved ones, and perfect strangers the child's perennial question: "Will you tell me a story?"

Amanda Lovelace, the bestselling & award-winning author of the “women are some kind of magic” poetry series, presents a new companion series, “you are your own fairy tale.” break your glass slippers, is about overcoming those who don’t see your worth, even if that person is sometimes yourself. In the epic tale of your life, you are the most important character while everyone is but a forgotten footnote. even the prince.

From bestselling author Alexi Lubomirski comes Talk to Me Always. Pairing his iconic photography with his hypnotic and dreamy poetry, this book is an ode to all art-lovers. With an incredibly curated platform, those interested in poetry and those interested in the high-growth artistic medium of “Photopoetry” and fashion photography will find Talk to Me Always mesmerizing.

From a poet and celebrated spoken-word performer comes a debut poetry collection that takes listeners on an empowering, lyrical journey exploring truth, silence, wounds, healing, and the resilience we all share.

From Chameleon Aura author Billy Chapata comes his second major poetry collection, Flowers on the Moon. Chapata presents his signature blend of experience and advice through a chaptered series of prose and poetry. Filled with the familiar themes of love, loss, resilience, and growth from Chameleon Aura but with fresh poems and new advice, his touching narrative celebrates humanity for its undeniable worth, and this collection will leave listeners warm with hope for growth, rebirth, and, most prominently, self-acceptance.

From celebrated New Zealand poetess F.D. Soul comes her highly anticipated second collection of poetry, prose, illustrations, and wisdom. Her messages grapple with relationships: interpersonal relationships, her relationship with herself, and the relationship between poetry and the world. Unchaptered and raw, Between You and These Bones unfolds much like a memoir or meditation yet maintains all the musicality of poetry.

From famous spoken word poet, artistic educator, and founder/CEO of “Called to Move” Brandon Leake comes his debut poetry collection Unraveling. In an era of self love, the ability to love oneself is only as effective as the ability to know oneself. Throughout his collection, Leake asks listeners to look at something beautiful, yet still see its flaws. On the flip side, he encourages listeners to look at something evil, and yet still see the beauty it holds.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

Sämtliche Gedichte von Egon Schiele – lernen Sie die andere Seite des Genies kennen. Die kurzen Skizzen, meist einfache Sätze mit starker Suggestionskraft, kreieren eine Atmosphäre des Malerischen. Verstärkt wird dieser Eindruck durch die häufige und gezielte Verwendung von Farbadjektiven. Wenn Schiele schreibt, trennt er sich nicht von der Malerei, er versucht – im Gegenteil – seine Worte „rollrundschwarzglänzend“, „zittergün“ oder „rot“ anzumalen.

Acclaimed novelist Susannah Dickey turns to poetry in emphatically striking style via a true crime podcast with this, her debut collection. Isdal is comprised of three parts, the first a very funny poetic stalking of the flirty co-presenters of a podcast about a long-unsolved murder mystery, as they ruminate over meagre evidence and reach, well, very few conclusions. It is crafted in Dickey’s intellectually agile and witty rhyming style. At the centre of the book is a prose philosophical enquiry into our perennial obsession with female victims, ‘sexiness’, and death.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

This poem describes the universal feelings of a soldier in contemplation of his own mortality and impending death.

When Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, 'Yes. Me too.' For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety and depression, this collection will help you find hope on the other side.

indigo is the joy and lament of a father, theologian, human being, fashioning new ideas about the divine within the painful loss of his daughter, within the constraints of his own intelligence, within the constraints of what religion had been telling him his whole life—some of which was good and some of which wasn't.