検索キーワード： 死・悲嘆・喪失

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

I wrote most of these poems when I was in a bad place, a dark state of mind that eased its hold when I wrote them down, and so these poems were created, they maybe disturbing for most and very intense, but if you have been in a dark place too, you may understand.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

In nearly four decades as a journalist covering conflict from Rwanda to Kosovo to Palestine, Channel 4 News International Editor Lindsey Hilsum has always carried a book of poetry. In Ukraine, she tweeted a poem a day, and people began to read, to share, to ask for more. Here, Lindsey collects her favourite poems from ancient times to modern, by writers from all around the world. Alongside each, she recalls a memory from her own work, whether interviewing the warlords of Bosnia, meeting child soldiers in Uganda or giving testimony in Rwanda.

Attending to one's mother while she succumbs to cancer is no easy feat as this poetry chapbook will attest to.

My Way With Words is reamed from decades of jotted thoughts and poems. Jotted thoughts are easily understood, but jotted poems I believe in my case deserves an explanation. Many of my poems were completed beginning to end with no changes between or very little editing and that includes a few longer poems.

From the bestselling author of Pillow Thoughts and Watering the Soul comes another deeply honest and moving collection of poetry and prose that explores the strength and resilience we embody in the face of hardship and change. Presented in six captivating sections—Reflecting, Repairing, Change, Awakening, Emerging, and Rebirth—Time Will Tell tells the story of a curious, lost soul who crashed down to Earth on the search for purpose.

Returning with her newest poetry book, beloved poet Courtney Peppernell combines storytelling, poetry, and prose in a uniquely inspirational way. Filled with heartfelt anecdotes and insightful messages, The Way Back Home is a tribute to rebuilding our lives after loss. Divided into sections that draw on themes of courage, resilience, purpose, and hope, the collection has Peppernell once again walking us through a redemptive journey of the heart, mind, and soul.

This is the story of a dark night of the soul, of traversing the depths of despair, and of rebirth. It shows the reality of hitting rock bottom. Not by a self-reported narrative written after the fact, but through unfiltered poetic expression written in real time during breakdown and recovery. The poems within this collection were written over a 24-month period and are presented in chronological order. They show the inner tumult and turmoil of a man desperately trying, and failing, to hold together the crumbling status quo of his prior existence.

Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.

Just over two years ago, I began my journey with post traumatic stress disorder, PTSD. Through the struggles, there have been times where I thought I would be unable to continue the things I enjoyed: work, soccer, volunteering, and socializing. The triggers of April 6, 2020 continued, but lessened. I am still brought back to that day by everyday triggers that act as a reminder. When it happens, I revisit that beautiful, sunny day where I was redeployed to the makeshift morgue and saw the atrocities of the time.

In this poetry collection, Mbelizi delves deep into the realms of pain and anxiety through vivid verses, creating a raw and honest representation of the struggles and inner turmoils faced. Through evocative imagery and metaphors, this collection explores the nature of these emotions and goes back and forth between darkness and moments of hope.

A parent's worst nightmare is to receive the news that their child is gone. The grief that follows is overwhelming. Through her love of poetry, Wanda Weathersby shares her journey of grief after the death of her precious son Calvin. Her journey shows the power of celebrating the memories and the importance of a strong support system to help through these difficult times. If you have lost a child or a loved one, experience the healing and love that God poured out for this mom during these difficult times and be inspired to find your own path of healing with him.

Flores en el barro es un recordatorio de que la vida no siempre es perfecta y que a veces nos encontramos hundidos en el fango del dolor, la pérdida y las dificultades. Sin embargo, en ese barro se esconden semillas que florecen en medio de la adversidad, dándonos la fuerza para superar los obstáculos y brillar incluso en los momentos más oscuros.

Für seine Ballade „Kassandra“ greift Schiller den Kassandra-Mythos aus dem antiken Epos Troja auf. Die Ballade enthält dem entsprechend viele Namen und Anspielungen aus der Troja und der antiken Götterwelt.

In einer Bataille (Die Schlacht von einem Offizier) ist eine 1782 erschienene Ballade, Auszug: Schwer und dumpfig, Eine Wetterwolke, Durch die grüne Ebne schwankt der Marsch. Zum wilden eisernen Würfelspiel Streckt sich unabsehlich das Gefilde. Blicke kriechen niederwärts, An die Rippen pocht das Männerherz, Vorüber an hohlen Todtengesichtern Niederjagt die Front der Major: Halt! Und Regimenter fesselt das starre Kommando.

Die Pest (Eine Phantasie): Gräßlich preisen Gottes Kraft Pestilenzen, würgende Seuchen, Die mit der grausen Brüderschaft Durchs öde Tal der Grabnacht schleichen.

Die Kraniche des Ibykus ist eine Ballade von Friedrich Schiller aus dem Jahr 1797, die im 6. Jh. v. Chr. spielt. Die Ballade wurde erstmals in Schillers Musenalmanach für das Jahr 1798 herausgegeben. Die Ballade beruht, wie bei Schiller oft, auf einem tatsächlichen historischen Geschehen: der Ermordung des Dichters Ibykos.

Der Jüngling am Bache: An der Quelle saß der Knabe, Blumen wand er sich zum Kranz, Und er sah sie fortgerissen, Treiben in der Wellen Tanz. Und so fliehen meine Tage, Wie die Quelle, rastlos hin! Und so bleichet meine Jugend, Wie die Kränze schnell verblühn!