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It’s winter break at Treemeadow College, and theater professors and spouses Nicky Abbondanza and Noah Oliver, their best friends Martin and Ruben, and their sons, Taavi and Ty, are starring in a television pilot for the Nicky and Noah Mysteries series based on their first caper, Drama Queen. More is shot than footage as cast members drop like giant, flat-screen TVs mounted by an intoxicated carpenter. Once again, our favorite thespians will need to use their drama skills to catch the killer before they get cancelled.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

Niemand würde Mary Ann als impulsiv bezeichnen, aber als sie sich eine Auszeit in San Francisco nimmt, beschließt sie kurzum, für immer zu bleiben. Hier an der sonnigen Westküste schillern die unterschiedlichsten Persönlichkeiten um die Wette. Auch die charismatische Anna Madrigal, die für jede verlorene Seele einen Joint und einen Platz in ihrer lebhaften Stadtvilla in der Barbary Lane parat hat. Die Schützlinge der Hausherrin zeigen Mary Ann das wilde Leben im bunten San Francisco.

A tech billionaire and the flight attendant he’s marrying. A TV superhero who used to be married to the flight attendant. A Manhattan book editor and the sensitivity associate who got him fired. A twenty-three-year-old wild child prodigy who’s perhaps the savior of American literature. A vengeful Arkansas sheriff who sells a vitamin-enriched, ten-pounds-off-today demulsifier. A Wall Street bro who raps on TikTok. Two dentists—possibly stalking each other. What do these people have in common? Invited or not, they’re all headed to the most anticipated destination wedding ever.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

Elsa is struggling. Her formative, exhilarating relationship – with an older couple – has abruptly ended, leaving her depressed and directionless in her childhood bedroom. In the relationship’s wake, Elsa scrolls aimlessly through the internet in search of meaning. Faithfully, her screen provides a new obsession: a charismatic young actor whose latest feature is a gay love story that illuminates Elsa’s crisis. And then, as if she had conjured him, the actor arrives in her hometown, with an entourage of fellow actors, writers, and directors, for the annual theatre festival.

Kasey Nottingham needs a splashy idea at her company where they find and develop the next big thing for investors—her job depends on it. Impulsively, she pitches Mags’ Desserts, a beloved small-town business run by her grandma Mags and live-in “best friend” Celia, two women who overcame deadbeat husbands and financial ruin to build a word-of-mouth clientele. Kasey expects her boss to say no. Instead, he sends her home to North Carolina to land the deal…and now she has a problem.

Sigrid hates working at the Dollar Pal, but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society.

It’s summertime at Treemeadow College and the living isn’t easy. Theatre professors and adorable couple Nicky, Noah, and their thespian troupe stage an original musical adaptation of the King Arthur Legends entitled, Knights in Tights. Queens blissfully shout, “King me,” until critics drop like their scathing reviews.

Wyatt Wallace is a practical, super organized director of TV commercials. Biz Petterelli is a child-actor-turned-magazine-writer who thrives on spontaneity. Though polar opposites, they are fully committed to their relationship and their life in Brooklyn with their dog, Matilda. They’re also about to have a baby together. And they’re freaking out. They’ve both dreamed of becoming parents, but now that it’s happening, they’re doubting everything. Their baby is due in a few weeks and instead of flying to California just before the birth as planned, Biz has a better idea.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory.

Enid is obsessed with space. She can tell you all about black holes and their ability to spaghettify you without batting an eye in fear. Her one major phobia? Bald men. But she tries to keep that one under wraps. When she’s not listening to her favorite true crime podcasts on a loop, she’s serially dating a rotation of women from dating apps. At the same time, she’s trying to forge a new relationship with her estranged half-sisters after the death of her absent father.

When Mona Ramsey married Lord Teddy Roughton to secure his visa—allowing him to remain in San Francisco to fulfill his wildest dreams—she never imagined she would, by age 48, be the sole owner of Easley House, Teddy’s grand, romantic country manor in the UK. She also didn't imagine that she’d need to open the manor’s doors to paying guests to afford the electric bill and repair the leaking roof. Yet somehow she and her young friend Wilfred--whom guests assume is serving as Easley’s charming-but-clumsy butler--and the loopy old gardener Mr. Hargis, are making it work.

Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades, and every day begins with 20 minutes of contemplative silence in the Meetinghouse. It is during one of those meetings that an airplane hits the Twin Towers. For two Idlewild outcasts, 9/11 serves as the first day of an intense 18-month friendship. Fay is prickly, aloof, and obsessed with gay men; Nell is shy, sensitive, and obsessed with Fay. The two of them bond and spend all their waking hours giddily parsing their environment for homoerotic subtext.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

As those halls make her skin crumble with self-hate, she is trying not to kill herself - at least until she can get her degree and get out. However, surviving feels near impossible when fuelled by cheap vodka, lines and toxic friendships. Using her thesis as a means of documenting her experiences - and giving out advice to the next generation of those lucky enough to attend university - Sahara reveals the truth about what it’s like to live inside her head while Black students are disappearing and dying, racism is thriving and her depression is living inside her head rent free.

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.

Paul Delamare has been roped into accompanying his old friend on a luxury cruise aboard the magnificent superyacht Mal de Mer. It’s all plain sailing until his friend’s priceless necklace is stolen, and everyone falls under suspicion. As Paul races to catch the thief, the ship begins to drift off-course, veering into the storm-lashed mid-Atlantic. Then one of the passengers is found dead in mysterious circumstances, in a pool of coffee and surrounded by cake crumbs. It’s all hands on deck to catch the killer, but Paul soon discovers guests and crew are harbouring deadly secrets.

Wyatt and Biz, two gay guys married and living in New York, are having a baby together via surrogacy. And they’re freaking out. Not only are they about to change their whole way of life, they also can’t seem to get along at all. But time is running out: they have under a month until the baby is here. So in a desperate attempt to get their relationship back on track, the pair take a make-or-break roadtrip across America, to California, to pick up their new baby.

Bette loves Mei, but Bette and Mei are on a break, so Bette can catch-up on the decade of dating experiences she missed before she came out. So Bette is (reluctantly) on a dating odyssey: a quest to have lots of casual sex with lots of hot women and come back to Mei more experienced and more certain about what she wants. And now she has new friend Ruth as her queer dating guide, she can't possibly fail. It's just three months, then she'll be back with Mei. It's the perfect plan … isn't it?