検索キーワード： ユーモア

Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic. Together, the two embark on a unique romance that spans half a century.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Domenic Marino has become an expert at code-switching between the hypermasculine and ultrafeminine worlds of his two soon-to-be-wed best friends. But this summer—reeling from his own failed engagement and tasked with attending their bachelor and bachelorette parties—he's anxious over having to play both sides. The pressure is on. The bride wants Dom to keep things clean. The groom wants Dom to let loose with the guys. And Dom just wants to get out of this whole mess with his friendships intact.

Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet. It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

For fans of Torrey Peters's Detransition, Baby and HBO’s Search Party—Jenny Fran Davis's Dykette is an addictive, absurd, and darkly hilarious debut novel about a young woman who embarks on a ten-day getaway with her partner and two older queer couples.

When 79-year-old Arthur gathers his family together to share some important news, no one is prepared for the bombshell he drops: he's gay, and after a lifetime in the closet, he's about to come out. Arthur's daughter, Elizabeth, storms out. She swears that she won't have anything to do with her father again—and she forbids her children from seeing him too. Arthur's 21-year-old grandson, Teddy, has a secret of his own: he's also gay, and developing serious feelings for his colleague Ben. But Teddy doesn't feel remotely ready to come out yet.

Manche Menschen liebt man oder hasst man – auf June trifft beides gleichzeitig zu. June Mayberry ist in einer beschissenen Lage: Ihre aus einer Alkohollaune heraus gegründete Detektei kommt nicht richtig in Schwung, zu ihrem pubertierenden Sohn, den sie nur einmal die Woche sieht, fehlt ihr jeder Zugang, und mit der verschwundenen Lehrerin, mit deren Suche sie beauftragt wird, war sie wenige Wochen zuvor noch im Bett.

Set at the fag-end of the 60s at the moment when Swinging London is starting to take on a darker hue in the wake of Charles Manson's murders, and framed as a novel within a novel published by a seedy Piccadilly-based publisher of pulp fiction, Man-Eating Typewriter is a homage to the great oulipo experiments in fiction. It is the story of a psychopath called Raymond Novak and his untimely demise told entirely in 'polari' - a language developed and used mainly amongst the metropolitan homosexual community in the time when being gay was still a criminal offence.

Best friends (and occasional lovers) Ezra and Orson are teetering on top of the world after founding a company that promises instant enlightenment in this thrilling caper about scams, schemes, and the absurdity of the American Dream. At seventeen, Ezra Green doesn’t have a lot going for him: he’s shorter than average, snaggle-toothed, internet-addicted, and halfway to being legally blind. He’s also on his way to Last Chance Camp, the final stop before juvie.

Damani is tired. Every day she cares for her mom, drives ride shares to pay the bills and is angry at a world that promised her more before spitting her out. That is until the summer she meets Jolene and life opens up. Jolene seems like she could be the perfect girlfriend—attentive, attractive, liberal—and their chemistry feels genuine. So maybe Damani can look past the one thing that's holding her back: Jolene is white. But Jolene really doesn't seem like one of the bad ones—she's done the reading, she goes to every protest, she even listens.

Damani is tired. Her father just died on the job at a fast-food joint, and now she lives paycheck to paycheck in a basement, caring for her mom and driving for an app that is constantly cutting her take. The city is roiling in protests—everybody’s in solidarity with somebody—but while she keeps hearing that they’re fighting for change on behalf of people like her, she literally can’t afford to pay attention.

Annie Freckle is doing her best to be a productive and efficient worker among workers while living her life as a recovering alcoholic. Working as a barista in a busy downtown cafe, and as an accounting clerk for a quirky bookstore owner, Annie has her fair share of diverse characters that circle her wagon of life. It isn't until she signs up with Guardian Services—a monthly membership of fairy godmothers—that Annie's white bread life begins to take off in an adventure of self-examination and the pursuit of happiness.

After a bitter and humiliating breakup, Charlie Vernon lives not-quite-alone in his Capitol Hill town house. He kept his beloved dog, Mamie, the cockapoo that he and Freddie adopted together, but he’s just arrived home to find he’s been visited by thieves...and they’ve taken Mamie.

There is plenty to distract Marie Santora when she comes home to lick her wounds after the end of her relationship. Not least of which is her sister Lisa’s plan to transform a rundown campground into a gay and lesbian paradise—complete with a five-star Italian restaurant—with the help of a contractor who just happens to be the woman who broke their brother’s heart.

For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US. We cannot, however, escape ourselves—even across deserts, bayous, and coastlines. From his strained relationship with Freddy to confronting his privilege, Arthur Less must eventually face his personal demons.

1972. Ten years on from the events of The Miseducation of Evie Epworth and Evie is settled in London working for the BBC. She has everything she's ever dreamed of (a career, a leatherette briefcase, an Ossie Clark poncho) but, following an unfortunate incident involving Princess Anne and a Hornsea Pottery mug, she finds herself having to rethink her life and piece together work, love, grief and multiple pairs of cork-soled platform sandals.

On Paradiso Island, the wedding of the century is set to begin. It's going to be the perfect wedding, except for one small problem...a staff member at the club has inconveniently gone and gotten herself murdered mere days before the event. Now it's up to Detective Sam to solve the murder before anyone else can get hurt. Between shifty social media influencers, disgruntled staff, and one annoyingly handsome translator, they will have their work cut out for them.

Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real.

Banjo "Jo" Mitchell has a lot to drink about: he's 25, his boyfriend walked out, he's not paid the rent and Australia is voting on his right to marry. Overwhelmed by shame, every passing bus is a tempting opportunity for Jo to leave this life behind. The only thing stopping him is a last glimmer of hope that things may get better, but is a glimmer enough?