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"La causa degli oppressi può difenderla soltanto uno che sia anche lui un oppresso". Pare che Lucio Sergio Catilina, di nascita nobile e dalla carriera torbida, temprato nella ferocia delle guerre civili, sia approdato a questa convinzione, proclamata in una riunione segreta di suoi seguaci, quando ormai si accingeva, nell’anno 63 a.C., all’ultima, celebre, perdente battaglia contro l’oligarchia. Infiltrati vi erano anche nella sua cerchia. Così, il servizio di spionaggio agli ordini del console a lui più avverso, Marco Tullio Cicerone, prontamente divulgò quel proclama, subito giudicato come una minaccia.

In his lifetime, Mark Antony was a famous man. Ally and avenger of Julius Caesar, rhetorical target of Cicero, lover of Cleopatra, and mortal enemy of Octavian (the future emperor Augustus), Antony played a leading role in the transformation of the Roman world. Ever since his and Cleopatra's demise at the hands of Octavian, he has remained famous, or infamous, a figure of recurring fascination. A Noble Ruin delivers a complex and captivating portrait of Mark Antony that offers a fresh perspective on the fall of the Roman Republic.

Putting the games in the context of Rome's rise and dramatic fall, Mannix captures all the history, planning, and savage pageantry that went into creating the first spectator sports. But as Rome begin to fall in the fifth century, so did the games, devolving into nothing more than pointless massacres. In the end, millions of humans and animals were sacrificed in barbaric displays. What were once ceremonies given in honor of gods met an inglorious fate, yet they still captivate the imagination of people today.

The Roman historian Tacitus was a successful politician who eventually became governor of the province of Asia. He is thought to have died around AD 120 and benefitted from the patronage of the Flavian emperors. The Histories, of which only just over four out of 14 books survive, covers the years following the assassination of the Emperor Nero: Rome was plunged into further civil war with the Year of the Four Emperors (AD 69), which culminated in the accession of Vespasian, the first of the Flavians.

Suetonius wrote his Lives of the Twelve Caesars in the reign of Vespasian around 70AD. He chronicled the extraordinary careers of Julius, Augustus, Tiberius, Caligula, Claudius, Nero, Vespasian, and Domitian and the rest in technicolour terms. They presented some high and low times at the heart of the Roman Empire. The accounts provide us with perspicacious insights into the men as much as their reigns.

Horror and the supernatural are the background of Bierce's short stories. His style is marked by vivid description, grim situations, and sardonic twists of fate. In terms of technique, he was far ahead of his time and his short stories are among the very best in American literature.

¿Sabía que la civilización occidental ha influido en la vida de prácticamente todas las personas que viven hoy en día? ¿Qué es lo que sabe de la civilización occidental? Puede parecer una pregunta curiosa, pero mucha gente no se da cuenta de hasta qué punto Occidente ha influido en el mundo. Los valores de la civilización occidental han influido en las leyes, en el sentido de la individualidad de las personas e incluso en nuestra moral. Aquí, en este libro, exploramos todos los aspectos fascinantes del gran marco sobre el que descansa nuestra civilización occidental moderna.

From emperors to empresses, poets to prostitutes, slaves to plebs, ancient Rome was a wealth of different experiences and expectations-nowhere more so than around the subject of sex and sexuality. The image of ancient Rome that has come down to us is one of sexual excess: emperors gripped by perversion partaking in pleasure with whomever and whatever they fancied during weeklong orgies.

"Dovevo fare i conti prima o poi con Nerone. Lo avevo già affrontato di lato, semplificandolo nel male, similmente a come si tende sempre più a fare semplificandolo nel bene", confessa Andrea Carandini. Chi si è occupato di Roma antica non può evitare di confrontarsi con quell’uragano che è stato Nerone. Per interpretare una personalità del passato romano fuori misura, come quella di Nerone, occorre con una parte di sé entrare nella sua logica, mentre con l’altra avversarla, evitando la soluzione facile e deludente del tiranno democratico e individuando i modelli a cui s’ispirava.

Julius Caesar was one of the most ambitious and successful politicians of the late Roman Republic and his short but bloody conquest of the Celtic tribes led to the establishment of the Roman province of Gaul (modern France). Caesar's commentaries on his Gallic Wars provide us with the most detailed surviving eyewitness account of a campaign from antiquity. In this book, respected Roman military historian Kate Gilliver makes use of this account and other surviving evidence to consider the importance of the Gallic Wars.

"Nerón: Tirano y Artista en el Escenario de Roma" ofrece una exploración profunda de su vida, desde sus ambiciones artísticas hasta las infames persecuciones que instigó, proporcionando una narrativa cautivadora y educativa sobre sus años en el poder.

Der Erzähler dieses Romans Aus der Triumphgasse (veröffentlicht im Jahr 1902), der Patrizier Hugo von Belwatsch, betritt erstmals sein Haus in der Triester Triumphgasse, wo Angehörige der ärmsten Bevölkerungsschichten hausen und wo Not, Elend und Verbrechen herrschen, um ausstehende Mietbeträge einzutreiben. Bei der Begegnung mit den Mietern fühlt der junge Mann zunächst Abscheu und Entsetzen, aber auch Faszination und Anteilnahme. Er erfährt etwas über die Schicksale, Leidenschaften und Sehnsüchte der Menschen des Armenviertels. Regie: Arno Haupt. Ricarda Huch (1864-1947) war eine deutsche Schriftstellerin.

When Gareth Harney was first handed a Roman coin by his father as a child, he became entranced by its beauty, and its unique ability to connect us with the distant past. He soon learned that the Romans saw coins as far more than just currency—these were metal canvases on which they immortalized their sacred gods, mighty emperors, towering monuments, and brutal battles of conquest. Revealed in those intricate designs struck in gold, silver, and bronze was the epic story of the Roman Empire.

Già sotto l’alto principato inizia a operare una struttura nuova che si pone accanto al senato e al Foro. Gli antichi la chiamavano aula Caesaris, corte, vale a dire apparato di familiari, amici, personale, intellettuali che gravitano intorno al principe. È qui che si colgono le trasformazioni più grandi: l’integrazione fra principato e nobiltà; l’ascesa di ceti emergenti in concorrenza con la mobilità del senato; la nuova elaborazione politica e ideologica fra vecchie figure che assumono nuove forme e nuove figure che si vengono costruendo; la formazione e lo sviluppo dell’apparato amministrativo dell’impero.

In The Buried City, the director of Pompeii, Gabriel Zuchtriegel takes us on a behind-the-scenes tour of the city and reveals the new artefacts and remains that are now being unearthed in the biggest dig of the site in a generation. He reconstructs Pompeii as it would have been, revealing who lived here, what mattered to them and what happened in their final hours, while also reflecting on our role as keepers of this heritage.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the center of Rome and power, in AD 121. Award-winning author and translator Tom Holland provides a masterful new translation of Suetonius' renowned biography of the twelve Caesars, bringing to life a portrait of the first Roman emperors in stunning detail.

Stiamo lasciando volontariamente aperte le porte della nostra civiltà ai barbari, dimenticando le nostre radici greche e romane? O forse siamo noi i barbari, quando utilizziamo il nostro passato per giustificare il peggio della nostra civiltà? Ecco un piccolo "libro nero" sull’uso politico dell’antichità, che ci aiuta a comprendere cosa c’è di vivo e cosa c’è di morto nel nostro legame con i Greci e i Romani. L’insegnamento dei classici greci e latini è certo un antidoto efficace alla barbarie dei nostri tempi. Giusto?

L’Impero romano è a pezzi, diviso in tre parti. I barbari saccheggiano impunemente le sue città e province, le pestilenze falcidiano la sua popolazione, l’inflazione galoppante distrugge la sua economia. Un imperatore debole siede nella sua capitale in Nord Italia, sempre più impotente di fronte alle tempeste della storia. Dei capi semibarbari sono pronti a rimpiazzarlo con un colpo di Stato militare. Il grande regno dei Cesari pare destinato al tramonto.

In 89 A.D., following a failed insurrection by the governor of Upper Germania, the disgraced Legio XXI Rapax is dispatched to Pannonia, on the River Danube. The legion is purged of its senior officers and Emperor Domitian appoints the venerable Lucius Flavius Silva as the new commanding legate. A revered general, Silva famously captured the Herodian Fortress of Masada at the end of the Great Jewish Revolt, twenty years earlier.

In Unfortunately, She was a Nymphomaniac, Smith pieces together the stories of these women, showing how they struggled for control of their lives at a time when both the law and culture were stacked against them. It is not a conventional history but an interpretation of the original texts informed by what we know now about the mechanics of domestic abuse. There are no ‘nymphomaniacs’ here but the picture that emerges is one of spirited, inspiring and sometimes reckless resistance to male authority.